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Flash and Crash Days: Brazilian Theater in the Post-Dictatorship Period (Garland Reference Library of the Humanities)
 
 

Flash and Crash Days: Brazilian Theater in the Post-Dictatorship Period (Garland Reference Library of the Humanities) [Hardcover]

David George (Author)

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Book Description

0815333609 978-0815333609 December 1, 1999 1
Flash and Crash Days deals with the theatre produced in Brazil during the 1980s and 1990s, especially its postmodernist directors, women playwrights and theatre companies. It attempts to answer the following questions: Did the thriving stage of the 1950s and 1960s wither during the reign of terror in the early 1970s, unleashed in the wake of the 1968 state of siege declared by the generals? Did the return to civilian government fail to create conditions for a new theatre? This book examines how the absence of censorship, on the one hand, and the exigencies of protest and ideological purity on the other have given rise to a variety of theatrical modes which Brazil has never experienced in the past, allowing all voices the opportunity to be heard.

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Inside This Book (learn more)
First Sentence:
The postmodern wave in Brazilian theater coincides with the postdictatorship period; it is the most controversial theatrical mode of this period. Read the first page
Key Phrases - Statistically Improbable Phrases (SIPs): (learn more)
ano velho, braços abertos, último encontro, ideological patrol, teatro brasileiro moderno, postdictatorship period, theater artists
Key Phrases - Capitalized Phrases (CAPs): (learn more)
Gerald Thomas, Nelson Rodrigues, Sao Paulo, Antunes Filho, Sábato Magaldi, Edla van Steen, Cunha de Vincenzo, New York, Grupo Macunaíma, Crash Days, Maria Adelaide Amaral, United States, Robert Wilson, José Celso, Teatro Oficina, Nova Dramaturgia, Oswald de Andrade, Augusto Boal, Latin American, Philip Glass, Teatro de Arena, Chiquinha Gonzaga, Clarice Lispector, Daniela Thomas, Mário de Andrade
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