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Yes, the movie has a typical or predictable plot, but I would not call it weak because of the actors and the memorable characters they created. The viewer is bonded to the characters in this movie- one cares what happens to them. The cinematography in this movie is great, especially the opening credit scenes of Pittsburgh as Alex is riding her bike to work. No, this movie doesn't have "5-star" acting... I think that would have ruined this whole movie. It has, what I would call, "real-life" acting: not that polished and maybe stumbles a bit here and there. It gives this movie its strength, not a weakness.
Not only are the musical scenes great, the background musical interludes chosen also help set the feeling in many of the scenes... "Lady, Lady, Lady," sung by Joe Esposito playing during a tender romantic scene between Alex and her boss, and- my favorite- "I'll Be Here Where The Heart Is," sung by Kim Carnes played during one of Alex's low-points in the film.
The highlight of the film is its finale when Alex is auditioning in front of the Pittsburgh Dance and Conservatory Company's selection committee. I would call it one of the greatest movie moments of all time. I stepped out of the theatre feeling I was walking three feet above the ground back to the car.
... Read more ›As reality, it won't float. But as an energetic and boisterous vehicle for a sweet story and some of the best music and dancing ever seen on screen, it's a five-star winner.
But it's one of my favorite movies. Why? The director, Adrian Lyne, got his experience directing TV commercials, where the entire message has to be conveyed in 60 seconds, and in Flashdance every moment is contributing something. The key is the cinematography. Leonard Maltin calls Lyne a "visual stylist", and he is, but he's more. He takes Roman Polanski's cinematographic innovations and pushes them to new limits; the camera tells the story.
When you watch "Flashdance", watch how light and camera angle are used. Light: Pittsburgh light, hazy, smoky, dull, reflecting off puddles, blazing from lamps, dim, bright, strobe, whatever; lighting carries the mood of each scene. As for camera angle, in most movies we are observers, outside the movie, watching the actors. In some of "Flashdance" that is also true, but then in many places the camera angle shifts so we are inside the movie, seeing what one of the actors, or several of the actors, see at that moment. It just pulls you in. If you're not familiar with the film, the first time you watch it wait for the final "audition" scene, and watch how the camera is first an observer, before the dancer enters the audition room, then sees from the dancer's view as the audition begins, and then shifts to show us what the judges see, as the dancing becomes compelling. I don't know about you, but this grabs me and pulls me in; I could watch that scene five times running.
... Read more ›Since I am from the Pittsburgh area I really enjoyed seeing the changes in the city since it was filmed. Read more
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