Product Details

• Actors: Rene Liu, Lei Huang, Chao-te Yin, Leon Dai, Yaoxuan Shu
• Directors: Chi Yin, Li-Kong Hsu
• Writers: Hui-Ling Wang, Ming-xia Wang
• Producers: Li-Kong Hsu, Shi-Hao Chang
• Format: Color, DVD, Subtitled, Widescreen, NTSC
• Language: Cantonese
• Subtitles: English
• Region: Region 1 (U.S. and Canada only. Read more about DVD formats.)
  
• Number of discs: 1
• Rated: Unrated
• Studio: Strand Releasing
• DVD Release Date: February 4, 2003
• Run Time: 119 minutes
• Average Customer Review: 4.3 out of 5 stars  See all reviews (6 customer reviews)
• ASIN: B00008AOT6
• Amazon Best Sellers Rank: #66,393 in Movies & TV (See Top 100 in Movies & TV)
• For more information about "Fleeing by Night" visit the Internet Movie Database (IMDb)

Editorial Reviews

From the Back Cover

In the heart breaking tradition of Farewell to My Concubine, Fleeing By Night is a lush period piece that follows the love triangle of three men against the backdrop of the Chinese opera and wonderfully conveys a universal tale of unrequited love. Written and directed by a producer of both The Wedding Banquet and Crouching Tiger, Hidden Dragon, this film was an official selection of the San Francisco Lesbian and Gay Film Festival and the Los Angeles Lesbian and Gay Film Festival. One of the most striking film s to come out of Asia in recent years, this Chinese epic has everything: romance, history, spectacle and sheer go-for-broke melodrama. Yet, as directed by LI- Kong Hsu and Chi Yin from a screenplay by Hui-Ling Wang and Ming-Xia Wang, Fleeing By Night makes its greatest impression though subtlety. Set primarily in the 1930's, it tells of the unrequited passion of a theater owner's daughter and the cellist who would have been her fiancé for a mesmerizing Chinese opera star who is kept by a wealthy, controlling, yet oddly sympathetic lover.

Product Description

In the heart breaking tradition of Farewell to My Concubine, Fleeing By Night is a lush period piece that follows the love triangle of three men against the backdrop of the Chinese opera and wonderfully conveys a universal tale of unrequited love. Written and directed by a producer of both The Wedding Banquet and Crouching Tiger, Hidden Dragon, this film was an official selection of the San Francisco Lesbian and Gay Film Festival and the Los Angeles Lesbian and Gay Film Festival. One of the most striking film s to come out of Asia in recent years, this Chinese epic has everything: romance, history, spectacle and sheer go-for-broke melodrama. Yet, as directed by LI-Kong Hsu and Chi Yin from a screenplay by Hui-Ling Wang and Ming-Xia Wang, Fleeing By Night makes its greatest impression though subtlety. Set primarily in the 1930's, it tells of the unrequited passion of a theater owner's daughter and the cellist who would have been her fiancé for a mesmerizing Chinese opera star who is kept by a wealthy, controlling, yet oddly sympathetic lover.

Customer Reviews

Most Helpful Customer Reviews

14 of 16 people found the following review helpful:

5.0 out of 5 stars Wonderful and Heartwrenching at the same time, April 20, 2003

By 

Michael Price (Minneapolis, MN) - See all my reviews
(REAL NAME)   

This review is from: Fleeing by Night (DVD)

I am not going to rave about the sets, or the acting, or the quality of the production. They were all very good.

The film is narrated intermittently by the cellist and his fiance, in the form of letters to each other while they are apart at different points in the movie, and I really thought this added to the somber, but also romantic, mood

The background musical scores are beautiful, sometimes touching, often tragic.

This film was absolutely charming, and at the same time, terribly depressing, in a romantic sort of way. A young male cellist meets a woman whom he is supposed to marry, and shortly after they first meet, they attend a Chinese Opera. The lead of the opera is a handsome young man who is srictly "controlled" by a somewhat older rich man, his lover. Both the cellist and his fiance fall in love with the Opera star, and eventually, the two younger men briefly touch upon their love for each other. The fiance discovers this, then the older rich guy does too... and then everyone knows.
From there, it gets more and more depressing. I won't divulge the details of the second half, but especially depressing is the fate of the ex-opera star as he desperately attempts to reunite with the cellist. In the end, you are taught a lesson about never missing an opportunity for true love....

Buy this movie, and watch it with a close friend or someone you love. And then hold him or her tight and never let go.

7 of 7 people found the following review helpful:

5.0 out of 5 stars You Will Thank Yourself for Seeing This Film!, October 14, 2003

By 

torrid_wind™ (Brooklyn, NY, United States) - See all my reviews

This review is from: Fleeing by Night (DVD)

This is a mesmorizing, story of a man who returns home to China to marry but is enthralled by the performance of a male opera star; a lyrically told story of two intersecting love triangles. Flawless!

9 of 11 people found the following review helpful:

3.0 out of 5 stars Slow pace, but a grand romantic heart, May 15, 2003

By 

Libretio - See all my reviews

This review is from: Fleeing by Night (DVD)

FLEEING BY NIGHT
[Ye Ben]

(China/Taiwan - 2000)

Aspect ratio: 1.66:1
Theatrical soundtrack: Dolby Digital

Tianjin, the late 1930's: A young cellist (Huang Lei) returns home from studies abroad and makes preparations to marry his childhood sweetheart (Rene Liu Re-ying), the daughter of a wealthy businessman. But the relationship is soured when Huang meets and falls in love with a male Chinese opera singer (Yin Chao-te) who is being pimped by his mentor to a local gangster (Tai Li-jen). Tragedy ensues.

Several key personnel from CROUCHING TIGER, HIDDEN DRAGON were reunited for this Chinese/Taiwanese co-production, including co-director Hsu Li-kong (longtime associate of director Tsai Ming-liang) and co-writer Wang Hui-ling. And while it's a pleasant surprise to find a government-sanctioned Chinese film addressing a number of previously taboo subjects (corruption and hypocrisy in high places, gay romance, etc.), the results are decidedly mixed. Set against the backdrop of sweeping changes which transformed Chinese society during the first half of the 20th century, FLEEING BY NIGHT invites predictable comparisons with Chen Kaige's superior FAREWELL MY CONCUBINE, but the resemblance is superficial at best.

Directors Hsu and Yin Chi employ the trappings of traditional Chinese melodrama - villainous gangsters, thwarted love, enduring loyalty, lifelong tragedy, etc. - though the film relies for much of its dramatic impact on a measured accumulation of intimate details, an approach which reaps dividends in the long run, despite the film's unsatisfying narrative structure. Huang's doomed relationship with Liu is allowed to dominate proceedings for a little longer than necessary, and the subsequent romance between Huang and Lin is thwarted at every turn, frustrating audience expectations and leading some critics to question the film's sexual politics. In fact, despite a lush orchestral score by Chris Babida, the movie lacks a formal visual grace, thanks to production design (by Sung Chun) which fails to generate an appropriate period ambience, and non-stylized cinematography by Tsai Cheng-hui (SWEET DEGENERATION, MURMUR OF YOUTH).

More a tragedy than a love story, the narrative builds to a genuinely heartbreaking conclusion: Few will be unmoved by a blunt, devastating sequence at the end of the movie in which Huang and Yin are 'reunited' after many years apart, all the more heartbreaking for the understated manner in which it is staged. Huang (LIFE ON A STRING, THE PHANTOM LOVER) makes an attractive and sympathetic protagonist, while Yin smoulders intensely in a difficult role, and Liu (who made an impressive debut five years earlier in the title role of SIAO YU) is quietly effective as the understanding wallflower laid low by her fiancee's deceit. Equally memorable is Tai, playing the nominal 'villain' as a sympathetic character hidebound by traditions and his place within Chinese society. Ultimately, some viewers will reject the film's deliberate pacing, while others will embrace its quiet dignity and grand romantic heart.