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Flesh and Blood : The National Society of Film Critics on Sex, Violence, and Censorship
 
 
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Flesh and Blood : The National Society of Film Critics on Sex, Violence, and Censorship [Paperback]

Peter Keough (Editor)
5.0 out of 5 stars  See all reviews (1 customer review)


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Book Description

October 1995
America's foremost film critics discuss sex and violence in the movies, challenging current trends toward censorship. Contains reviews of such films as Pulp Fiction, Henry and June, and Natural Born Killers, promising to raise the level of discourse on this subject.


Editorial Reviews

From Publishers Weekly

When it comes to films such as Reservoir Dogs and Blue Velvet, we've all heard the opinions of politicians eager for easy publicity. But what, asks this entertaining fifth collection from the National Society of Film Critics, do the medium's experts have to say? Editor and critic Keough includes everyone from Judith Crist to Roger Ebert commenting on films that touch upon controversy or censorship. Interpreting the art instead of counting the bodies, Morris Dickstein reads passion into the blood spatters of Raging Bull and Dave Kehr gracefully dissects George Romero's quest for the human soul. Many question the priorities of a rating board that finds films containing complex depictions of sexuality and violence, for example Henry and June and Bad Lieutenant, more censurable than blatantly exploitive ones such as Basic Instinct. Peter Travers and Andy Klein each explain the problematic politics of Motion Pictures Association of America and of the self-censoring production code, while Stuart Klawans identifies the economic motivations behind these cyclical campaigns for moral decency. Well intentioned but poorly executed, Keough's scattershot approach results in too much padding between direct hits. Articles on Orlando and The Piano are, strangely, grouped with reviews of woman-as-killer films in a section titled "Women on Top." Most effective are the longer pieces that reassess such milestones in the art/free speech debate as A Clockwork Orange, Midnight Cowboy and The Wild Bunch.
Copyright 1995 Reed Business Information, Inc.

From Library Journal

Since long before Robert Dole's condemnation of Hollywood, on-screen sex and violence as well as their companion issue, censorship, have been the focus of hot debate. Critics' views on these issues are often enlightening, and these two books present many thought-provoking perspectives on the artistic, historic, social, and cultural aspects of the subject?ultimately proving that there are no simple criteria on the cinematic front. Reviews and essays on individual films from such top-notch critics as Andrew Sarris and Judith Crist appear in Flesh and Blood. Representative of 25-plus years of film, scores of articles are grouped into various subtopics under the headings of "Flesh," "Blood," and "Censorship." A broad spectrum of opinions, linked by editor Keough's articles, examine some tough issues (AIDS, senseless brutality, exploitation of women, blasphemy, graphic sex, etc.) with approaches that range from scholarly to humanistic to satiric. Violent Screen, on the other hand, offers pithy reviews and articles solely from the engaging pen of Hunter (Dirty White Boys, LJ 10/15/94). He categorizes by genre, thus creatively organizing a virtual laundry list of sex and violence: film noir, outlaws, sexual obsession, horror, westerns, war, action-adventure, race, and domestic violence, to name a few. And many of the summary articles have provocative social/historical angles (e.g., "Changing Film Images of Vietnam"). Covering the gamut from Philadelphia to Rambo to Blue Velvet, both these works will delight cineaste and casual browser alike and either contains enough grist for several years of debate on the subject. Both are well recommended for circulating libraries with cinema collections.?Carol J. Binkowski, Bloomfield, N.J.
Copyright 1995 Reed Business Information, Inc.

Product Details

  • Paperback: 398 pages
  • Publisher: Mercury House (October 1995)
  • Language: English
  • ISBN-10: 1562790765
  • ISBN-13: 978-1562790769
  • Product Dimensions: 8.5 x 5.5 x 1 inches
  • Shipping Weight: 1.2 pounds
  • Average Customer Review: 5.0 out of 5 stars  See all reviews (1 customer review)
  • Amazon Best Sellers Rank: #1,714,112 in Books (See Top 100 in Books)

 

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2 of 2 people found the following review helpful:
5.0 out of 5 stars Excellent essays on the films of our time, January 12, 2001
This review is from: Flesh and Blood : The National Society of Film Critics on Sex, Violence, and Censorship (Paperback)
This book is full of great essays on violence and sex in the cinema. The essays are guaranteed to get you thinking and may make you want to take a second look at some of the most controversial films of our time. I highly recommend this for any film lover, and for anyone who has ever critisized movies for there depictions of violence and sex.
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Inside This Book (learn more)
First Sentence:
The lure of the hidden and the forbidden, the voyeuristic urge to gaze at the alien and the intimate, and the compulsion to watch our deepest desires and fears from a safe remove draw us to the screen. Read the first page
Key Phrases - Statistically Improbable Phrases (SIPs): (learn more)
ratings board, rating board, cum shots, black filmmakers, sex films
Key Phrases - Capitalized Phrases (CAPs): (learn more)
New York, Los Angeles, The Wild Bunch, Basic Instinct, Angel Heart, Naked Lunch, Warner Bros, Blue Velvet, Lethal Weapon, Raging Bull, Hal Hinson, Martin Scorsese, Natural Born Killers, Bad Lieutenant, Indecent Proposal, Midnight Cowboy, Star Time, Village Voice, Arnold Schwarzenegger, Brian De Palma, Harvey Keitel, Jay Carr, The Shining, Hays Office, Home Alone
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