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The Fleurs de Lis of the Kings of France, 1258-148
 
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The Fleurs de Lis of the Kings of France, 1258-148 [Hardcover]

William M. Hinkle (Author)
5.0 out of 5 stars  See all reviews (1 customer review)


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Book Description

March 1, 1991

Featuring 56 illustrations, this definitive work on the arms of France delves into the mythology of kingship, probes the mystique of kings.

Hinkle’s comprehensive, chronological study of the origin, evolution, and function of the fleurs de lis covers the 200-year period beginning near the end of the 13th century with the emergence of France as a European power and ending at the close of hostilities between England and France in the late 15th century. His interdisciplinary study focuses on literature, history, and art history but also includes numismatics and sigillography.

Hinkle first investigates the precursor to the fleurs de lis, the stylized lily of the early Capetian rulers. The initial literary reference to the later heraldic lily appeared shortly after 1285, with subsequent years witnessing further poetic glorification of the symbol. By 1316, the poetry of the period and of Geoffroy de Paris began to celebrate the three lilies on the royal escutcheon as a symbol of the Trinity.

Concurrently, the death of a Capetian monarch without a male heir led to both the proclamation that no woman could succeed to the French throne and the appointment of the dead king’s brother as Philip V. A second succession problem occurred in 1328 when the nearest male relative was Edward III of England. The French estates selected Philip VI, founder of the Valois line. To resolve the problem of succession, the pope proposed a crusade led by both Edward III and Philip VI. Preparations for this crusade led to Philippe de Vitri’s poem of the 1330s: Le chapel des trois fleurs de lis. Although the crusade was later canceled, the poem signaled the beginnings of French nationalism symbolized by the three heraldic flowers. Two later poems from the 1330s celebrate the divine creation of the fleurs de lis.

Hinkle tells a complex story lucidly. Examining the significance of the visual image of the fleurs de lis, he shows how the lilies evolved into emblems of God’s favor, directed not only to the kings of France. The English also eagerly adopted the symbolism of the fleurs de lis for their young king, Henry VI, and that, too, is a fascinating part of the story.


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Editorial Reviews

Review

“This book will be the definitive work on the arms of France, a subject which concerns historians, art historians, sigillographers, numismatists, and scholars of heraldry.”—Georgia Sommers Wright

About the Author

William M. Hinkle, author of The Portal of the Saints of Reims Cathedral: A Study in Mediaeval Iconography, is professor emeritus of art history, Columbia University.


Product Details

  • Hardcover: 248 pages
  • Publisher: Southern Illinois University Press; 1st edition (March 1, 1991)
  • Language: English
  • ISBN-10: 0809316765
  • ISBN-13: 978-0809316762
  • Product Dimensions: 9.4 x 6.3 x 1 inches
  • Shipping Weight: 1.4 pounds
  • Average Customer Review: 5.0 out of 5 stars  See all reviews (1 customer review)
  • Amazon Best Sellers Rank: #2,596,138 in Books (See Top 100 in Books)

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10 of 10 people found the following review helpful:
5.0 out of 5 stars Don't Leave Your Castle Without It., September 10, 2001
By 
M. A. Treu (Bordentown, NJ USA) - See all my reviews
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This review is from: The Fleurs de Lis of the Kings of France, 1258-148 (Hardcover)
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This text is the result of the author's exhaustive inter-disciplinary research seeking to identify the origins of the three "fleurs de lis", as armorial emblems of the kings of France. The search probes the Dark Ages and beyond, encountering references to the legends of Troy, the Holy Trinity, Saint-Denis and more, all reflected in the royal lily banner.

William M. Hinkle is professor emeritus of art history, at Columbia University, who tells the complex tale of how the "fleur de lis" evolved into royal French emblem, and a sign of God's favor.

Hinkle, provides 56 plates to illustrate the text, plus detailed appendixes that explain the finer points of the origin of "fleurs de lis".

The bibliography provides a wealth of resources and offers materials divided into disciplines, thus: 1- Heraldry, Sigillography and Numismatics; 2- History; 3- Literature; 4- Art.

In the arcane, almost mystical processes at work in the evolution of the symbolic/heraldic representation of French kings, this book is vaguely reminiscent of James Frazer's "The Golden Bough", as it touches on the mystique of kings and the mythology of kingship.

A delight to the eye, this book is handsomely presented in startling French blue with gold lettering, all wrapped in a similarly colored parchment-like dust jacket. It is very well done.

Hinkle's work should be in the library of every serious Europhile and anyone else who has an interest in the art, mythology, heraldry, religion, literature, etc., which underlie the development of Western Civilization: the premier cultural achievement of mankind ---- don't leave your castle without it!
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