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One Flew over the Cuckoo's Nest (Two-Disc Special Edition) (2002)

Jack Nicholson , Louise Fletcher , Milos Forman  |  R |  DVD
4.7 out of 5 stars  See all reviews (833 customer reviews)

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Product Details

  • Actors: Jack Nicholson, Louise Fletcher, William Redfield
  • Directors: Milos Forman
  • Writers: Lawrence Hauben, Bo Goldman
  • Producers: Saul Zaentz, Michael Douglas
  • Format: Multiple Formats, Anamorphic, Closed-captioned, Color, Dolby, NTSC, Special Edition, Subtitled, Widescreen
  • Language: English (Dolby Digital 5.1), French (Dolby Digital 2.0 Mono)
  • Subtitles: English, Spanish, French
  • Region: Region 1 (U.S. and Canada only. Read more about DVD formats.)
  • Aspect Ratio: 1.85:1
  • Number of discs: 2
  • Rated: R (Restricted)
  • Studio: Warner Home Video
  • DVD Release Date: January 4, 2011
  • Run Time: 133 minutes
  • Average Customer Review: 4.7 out of 5 stars  See all reviews (833 customer reviews)
  • ASIN: B00006FDCP
  • Amazon Best Sellers Rank: #79,052 in Movies & TV (See Top 100 in Movies & TV)
  • Learn more about "One Flew over the Cuckoo's Nest (Two-Disc Special Edition)" on IMDb

Special Features

  • New 2001 digital transfer from restored elements
  • Soundtrack remastered
  • "The Making of One Flew Over the Cuckoo's Nest," a 48-minute documentary featuring the actors, the moviemakers, and writer Ken Kesey recounting the history of the original novel to its stage and movie adaptations
  • 8 additional scenes

Editorial Reviews

Product Description

A nice rest in a state mental hospital beats a stretch in the pen, right? Randle P. McMurphy (Jack Nicholson), a free-spirited con with lightning in his veins and glib on his tongue, fakes insanity and moves in with what he calls the "nuts." Immediately, his contagious sense of disorder runs up against numbing routine. No way should guys pickled on sedatives shuffle around in bathrobes when the World Series is on. This means war! On one side is McMurphy. On the other is soft-spoken Nurse Ratched (Louise Fletcher), among the most coldly monstrous villains in film history. At stake is the fate of every patient on the ward. Based on Ken Kesey's acclaimed bestseller, One Flew Over the Cuckoo's Nest swept all five major 1975 Academy Awards: Best Picture (produced by Saul Zaentz and Michael Douglas), Actor (Nicholson), Actress (Fletcher), Director (Milos Forman) and Adapted Screenplay (Lawrence Hauben and Bo Goldman). Raucous, searing and with a superb cast that includes Brad Dourif, Danny DeVito, Christopher Lloyd in his film debut, this one soars.

Additional Features

The two-disc special-edition DVD offers a great-looking anamorphic 1.85:1 print and 5.1 Dolby Digital soundtrack. Disc 2 has the trailer, about 13 minutes of deleted scenes (mostly from the first third of the film, and all pretty good), and a making-of retrospective documentary with interesting material from producers Michael Douglas (who inherited the rights from Kirk) and Saul Zaentz, director Milos Forman, screenwriter Bo Goldman, and many cast members (though not Jack Nicholson). There's also a commentary track by Forman, Douglas, and Zaentz that repeats a few things from the documentary but also goes into more scene-specific detail about the development and shooting. --Kim Newman

Customer Reviews

Most Helpful Customer Reviews
61 of 68 people found the following review helpful
By A Customer
Format:VHS Tape
One Flew Over the Cuckoo's Nest (1975)
The film One Flew Over the Cuckoo's Nest is adapted from a novel of the same name written by Ken Kesey. The movie carries with it symbolism through color, sounds, and images and the casting could not have been more proper. Jack Nicholson is cast in the lead role as Randle Patrick McMurphy, a ne'er-do-well who goes into a mental institution to finish off his jail sentence. He figures it will be more slack than the work farm. His nemesis is Nurse Ratched, cast and played extraordinarily by Louise Fletcher. The movie does well in incorporating feelings and colors that surround the viewer with the mental institution's atmosphere. And the sounds and images put forth by director Milos Forman add to that ambiance. One of the film's biggest successes lies in the cinematography (or lack thereof). Virtually all the scenes, even when the inmates go outside, are bleak and dreary. The lighting in the institution is the fluorescent, white-out type of lighting. Every slippery hospital surface is revealed and the viewer can almost smell the hospital cleaning fluids emanating from the screen. The hospital has no bright happy colors, either. It is filmed in the dim blues and greys of the ward that resemble the patients' despair. The patients are dressed in dim grey as well and the nurse, as always, wears stark white. The nurse's appearance also holds symbolism in it. Her uniform is always perfectly pressed. And her hat is always on straight. She represents order and authority, and her uniform is one symbolic affect of that order. It totally contrasts the patient's mien - always disheveled, wearing demeaning hospital robes.
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99 of 113 people found the following review helpful
5.0 out of 5 stars Great Adaptation December 12, 2002
Format:DVD
Milos Forman has always had a knack for assembling great ensemble casts. This is particularly true in his most critically acclaimed releases (Taking Off, Amadeus and this film). It would be difficult indeed to come up with actors and actresses who were better suited to fill the roles in OFOTCN. This is true in terms of both the stars, Jack Nicholson and Louise Fletcher, and the secondary characters. Who could have been a better Harding than William Redfield? A better Billy Bibbit than Brad Dourif? A better Cheswick than Sydney Lassick? And most especially, a better Chief Bromden than Will Sampson?
I rank this movie as the best of the best of what I consider to be American Cinema's golden decade, the 70s. It certainly won the widest acclaim, with its sweep of the major Oscars for 1975 (Nicholson also won best actor from the New York Film Critics voters that year).
Not to be overlooked is the fantastic job performed by the film's adaptors, Bo Goldman and Lawrence Hauben, who also won Oscars for their screenplay. True, they did have a fairly decent stage version (by Dale Wasserman) to work with. I remember seeing an excellent production of the play, with a terrific cast, in San Francisco circa 1972. Just as an aside, I read in the Norton Critical edition of the novel, a review of a NY production of the play by Walter Kerr that was an absolute pan. Suffice it to say that the movie is much different than either the novel or the play. Those familiar with Kesey's great novel understand how difficult a transfer from page to screen would be; about a third of the story is Bromden's delusional interior monologue. The final script, quite rightly, focuses almost exclusively on Randal P McMurphy's struggle with Nurse Ratched for the hearts and minds of the inmates.
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82 of 95 people found the following review helpful
5.0 out of 5 stars BAD HAIR, GREAT FILM February 9, 2004
Format:VHS Tape
It has taken me nearly 30 years to get round to watching this film, and I genuinely think I appreciate it more for being that much older. It has had accolades for everything -- plot, direction, filming, casting, acting. It deserves them all. It is nothing short of compulsive. The bad guy who has not lost his soul (much less his spirit) is pitted against the embodiment of sanctimonious righteousness who never had a soul to lose.
I wonder whether Nicholson has even yet had full recognition for the truly great actor he is (how many people have even seen The King of Marvin Gardens, for instance?) His screen presence is enormous, magnetic and menacing. He combines outsize testosteronic individuality with the ability to get inside a character, and an electric sense of threat with a real power to tug at the heart-strings. Bad he may be, but unsympathetic never. He is a very big little guy, but he is still the little guy against the system. It must be impossible, surely, to upstage that?
Incredibly, no. The ultimate star in a film that has no shortage of up-and-coming luminaries as well as Nicholson (D de Vito for one) is Louise Fletcher as Nurse Ratched. I am never going to forget that mask-like expressionless face and that ever-rational, implacable, ever-modulated voice mouthing those soulless, uncomprehending, the-system-is-right banalities. Above all, I am never going to forget that hair. Among the many touches of genius in this production, that hairstyle is the ultimate. I simply could not take my eyes off it. The name is effective too, and I shall continue to believe until someone proves me wrong that it was an inspired borrowing from Jane Eyre -- the dreadful and sadistic Miss Skatcherd brought up to date and given a 20th-century twist.
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