5 of 7 people found the following review helpful:
1.0 out of 5 stars
Reduces gender issues & suicide to plot of bad 80s sit-com., September 27, 2003
This young adult novel is message writing at its worst. Our hero is Rob, a cross-dressing, heterosexual teenage boy living in a small English suburb, whose parents have swapped roles, dad stays home and cares for Rob, while mom is a busy executive running her own software company. His father seems to be perennially wearing a 'butcher's' apron as he cooks, cleans, shops, and clucks over Rob. Why not a chef's apron? Why an apron at all? Did the author feel that the word 'butch' would be subliminally inferred? Not likely. This author is too unimaginative for that sort of cleverness. The parental role reversal is merely a device which the author uses to hammer home his message. He doesn't seem to believe his own message or else why make the dad such a sniveling prat?
Rob's mother is never home more than a few days at a time yet she seems magically in tune with her son when something is troubling him and manages to have more than a few heart-to-heart chats with him. See, a woman can have her cake and eat it too!
To judge by their conversations, Rob and his friends are remarkably insightful for adolescents. Oh sure they have their quarrels, tiffs, and misunderstandings, but all these problems (including homophobia and a failed suicide attempt) are resolved in a few moments of heartfelt dialoguing. Here's a sampling:
" 'I don't know what you're going through, Kev. I have no idea what it feels like to be gay.'
'It feels like being human, only you get persecuted for it.'
'Yeah, but you don't have to believe that the people who persecute you are right.'
Kev's eyes flashed resentment. 'That's easy for you to say, Rob. You straights don't know how easy you have it. This is your world. Turn on the TV, what d'you see? Boy meets girl, parents and children---even in the ads. Gays are only allowed if they tell jokes about themselves.'
'Us straights don't have it all our own way, Kev.'
'Don't you?'
'No. Just before your mum rang, Milena gave me the boot.'
I hadn't meant to break down, but I did, and it was Kev's turn to put his arm around my shoulders.
It didn't matter that Kev was gay and I was straight. What we'd believed would drive us apart brought us closer together."
Rob has been on only two dates with Milena at this point yet he is reduced to sobbing in his friend's arms when she breaks up with him? The only way this scenario works as fiction is as a plot device for a gay porn video.
The writer treats the serious issues of sexual identity, gender crisis, and suicide as if he is writing 'A Very Special...' episode of a bad 80's sit-com. Worse, he betrays his own message (and ultimately the reader) when Rob apparently sacrifices his cross-dressing in order to keep his girl. He has had his hair cut short, donned cowboy boots, a thin tie, and a duster. "We were talking gunslinger; we were talking John Wayne and Clint Eastwood; we were talking smell my pheromones!"
And later, during the soulful reunion...
" 'Rosalind's still here, Milena. She's me. I don't need a costume to be her. I mean, take away our clothes and what have you got?'
'Indecent exposure?' (cue laugh track)
'You've got a boy and a girl--basic fact that can't be changed without expensive surgery. The rest is open to negotiation. Clothes don't make us what we are, we do!'
The author has managed to reduce a complicated gender issue to a stupid platitude. This (mercifully) brief novel reads like one, big, stupid platitude. AVOID!!!
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4.0 out of 5 stars
The Flip Side, June 2, 2005
A book review for
The Flip Side
The Flip Side is a story about a 15 year-old boy named Rob. Rob is in a play for his English class. The play is, "My Fair Rosalind" by William Shakespeare. But somehow, the kids in his class convinced the English teacher to make this one of those plays where girls play boy parts and vice-versa.
When Rob gets the main part, as Rosalind, he realizes that he must be a pretty good actor. So he should do well in the play, but the only thing that might stop him is the main boy part, played by a girl named Melina. Melina is the prettiest girl Rob has ever met! Rob has liked Melina for as long as he can remember. He thinks she is beautiful, even in the tattered slacks and big baggy shirt that she is wearing. He thinks she would look beautiful in whatever she was wearing, even if she was wearing a garbage bag!
After the play is over, Melina thinks Rob is cute and she agrees to go out with him! Even though he now has a girlfriend, he still sometimes wants Rosalind to come out again. He tries putting on one of his mother's dresses and her old make-up, but he looks like a monster!
Rob has a fabulous time every time he sees Melina, but when his best friend, Kevin, starts feeling lonely and starts having relationship problems, he needs to put his love life to the side and help his best friend.
This is a book that you will enjoy if you like leaning off the edge of your chair to see what's going to happen next! Recommended for a mature reader, about 11 years of age and up because the subject matter is confusing.
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4.0 out of 5 stars
The joy of self-discovery, May 1, 2004
While the plot was sometimes predictable, sometimes simplistic, sometimes convenient, I enjoyed this book for at least opening to me transgender issues. I think it would certainly be beneficial for gay teens to read to know that they're not alone in the struggle with their wonderful gift of sexuality, that there are both highs and lows in working out who they are, that there are allies to walk their journey with them, but, most of all, unless they embark on that journey they'll miss out on the delight that results when they discover their true self.
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