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For Floating Point, which was recorded in India, McLaughlin used several of the best Indian musicians in the world. McLaughlin calls these players the 'young lions' of India. They include keyboardist Loiuz Banks, drummer Ranjit Barot, electric sitarist Niladri Kumar, flautists Shashank and Naveen Kumar, percussionist Sivamani, vocalist Shankar Mahadevan, electric mandolinist U.Rajesh, and Hindustini slide guitarist Debashish Bhattacharya. Joining them were other Western stars, saxophonist George Brooks and bassist Hadrien Feraud. With a line-up like that, you would expect a very Indian experience. But, McLaughlin says not necessarily so.
'Now while this CD features predominantly Indian musicians, we are in quite another form compared to the group Shakti,' McLaughlin says. 'The music is for the most part 'Jazz-Fusion' if a label has to be put on it. But with the musicians involved in this project, it has also a 'world' kind of atmosphere.'
McLaughlin adds, 'I really am happy with the outcome of this CD which actually came about quite spontaneously and without any real planning. You can hear in the music where I am in my development, and in which directions I'm moving. It was a real thrill to play with these players, and I offer my thanks to them for their unique contributions. I truly wish and hope that it brings something to the listeners. I also offer my deep thanks to them for their continued support to my dedicated work.'
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Most Helpful Customer Reviews
26 of 31 people found the following review helpful:
5.0 out of 5 stars
Brilliant Indian-fusion heading for outer and inner space,
By Bodhi Heeren (Copenhagen) - See all my reviews
This review is from: Floating Point (Audio CD)
Well into his 60s the illustrious John Mclaughlin is as creative as ever. Having made music history with Miles Davis, Lifetime, Mahavishnu, Shakti he never rests on his laurels but continue to explore and expand his musical universe. And in many ways is this new release a mixture of everything from his past yet given a new twist. Sounding most of all like the criminally underrated 80s version of Mahavishnu Orchestra, not least thanks to John's widespread use of the guitarsynth. The album is recorded in India with a host of talented (mostly young) Indian musicians - some of which, like John himself, also participates on the highly interesting "Miles From India" tribute-album. The core on all tracks consiting of the excellent and rather Trilok Gurtu like drummer Ranjit Barat, percussionist Sivamani, the rather discreet Louiz Banks on keyborards and the stunning young French bassvirtuoso Hadrien Feraud. While McLaughlin's claim that he is the 'new Pastorius' might be slightly exaggerated, Feraud is none the less a formidable force on the low end. On each track except "Maharina" these are supplemented by a host of guest soloists, all young Indian supertalents except for the fine, lyrical sopranosax of George Brooks. All of them showing the stunning ability of Indian musicians to combine the virtuosic with the profound and the spiritual. The fluteplaying of Shasanti on "Off The One" and Naveen Kumar on "1 4 U" simply breathtaking. It's not Indian music like (Remember)Shakti, but jazz-world-fusion, or rather uniquely McLaughlin music. Not just great and inspired improvisations and solos, but also complex, moving and well-crafted compositions. And all of it infused with a tangible feeling of plain Joy. Endning on a very high note with a beautiful exchange between Niladri Kumar on electric sitar, sounding so much like McLaughlin in his younger days and the maestro himself. As every McLaughlin-release in recent years, this is quite simply an important musical event.
18 of 23 people found the following review helpful:
5.0 out of 5 stars
Fine Playing - Excellent Album,
By
This review is from: Floating Point (Audio CD)
John McLaughlin's recordings are a reflection of his changing interests and pursuits. However, his playing has been a constant throughout his career, ever setting new standards of creativity and excellence. "Floating Point" presents McLaughlin's most lucid and musically interesting improvisations so far. His playing is highly chromatic and yet, at the same time, very bluesy. This recording is a good companion to "Industrial Zen" and has a very similar sound. There were some complaints in other reviews about the drummer. I found the drums to be very exciting and clever. This is an excellent recording by a guitarist whose style and taste have steadily improved with age.
8 of 10 people found the following review helpful:
2.0 out of 5 stars
What was he thinking?,
By
This review is from: Floating Point (Audio CD)
"This may be by far the most exciting album I've ever made"(paraphrased) What was he thinking? This does not even come close to his best work. I've been a JM worshipper for decades, but unless I'm missing something this is a mediocre performance. It's missing the fire he had on Industrial Zen. This cd sounds like a casual jam session to me.
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