Amazon.com Review
The usual tourist group's stay in Florence begins with the Duomo, runs through the paintings in the Uffizi, includes a visit to Michaelangelo's "David" and ends with a parade through a handful of churches. But the visitor who first reads Sir Michael Levey's portrait of the city will find rewards off that well-worn track. The city, a self-styled "new Athens" supported a wealth of artists, sculptors, humanists, and scholars, not to mention more than its share of wealthy individuals, who taken together, helped turn Florence into one of the world's great provincial outposts. Layering telling details, little-known facts and carefully explained social and intellectual history, Levey weaves a dense tale of this charming city, from the Middle Ages to the Quattrocento, through the Renaissance and on up to the early years of this century.
From Publishers Weekly
Starting with the early Renaissance and continuing into the 19th century, Levey has amassed an admirable trove of material about one of the world's most beguiling cities. Levey, former director of London's National Gallery and author of Early Renaissance, understandably focuses on art and architectural history, adding periodic updates on the political goings-on during each of the periods covered. The chapter on early-14th century Florence, for instance, describes the striking buildings of the time (including many towers used as prisons) and the city's increasing organization into various districts before moving on to greater detail on certain important works of art, such as Andrea Orcagna's Orsanmichele tabernacle and Andrea Pisano's bronze doors. Some of the writing about art becomes numbing, not because of Levey's style but because in an attempt to reflect the volume of art produced in Florence, he covers so much of it. There's little about the daily life of normal Florentines here, and sometimes too much space is dedicated to events like the return of the Medici Pope Leo X. An entire chapter is devoted to "Triumphal Entries and Fatal Exits," which, following more strictly chronological chapters on the Florence of Lorenzo de' Medici and of Savonarola, seems an awkward attempt to cover certain works he is loathe to leave out. If at times the detail overwhelms the big picture, the 150 illustrations (50 in color) and Levey's excellent artistic counsel make this a worthy guide for anyone seriously seeking Florence.
Copyright 1996 Reed Business Information, Inc.