Customer Reviews

Florida

5 star:		(2)
4 star:		(1)
3 star:		(3)
2 star:		(0)
1 star:		(0)

 

 

In blissful prose that demands attention, Schutt is ruthless, brutal and passionate, as she tells the story of a motherless daughter. From the beginning I am in tears, so deeply does this small novel reach into the hidden places of my heart. Even while the author's transcendent words fill me, my mind reaches to my own mother, in her final days railing against a world she refused to relinquish.

Alice, namesake daughter, is a child born to survive her environment, with a mother who seeks emotional safety in confinement to a sanatorium. There follows a series of homes, but never one of her own and a need to find comfort in a world bereft of comfort, after her father's death and mother's virtual abandonment.

In her ensuing sleep-over life, little Alice must always ask, "may I...?", remain unobtrusive, be pliant, flattering. Moving from her Uncle Billy and Aunt Frances' possession-filled, strict-ruled, child-proofed home to her Nonna's luxurious estate, Alice spills her heart out to an old woman who can barely move, rendered speechless by a stroke. Her sleep-over life motherless and rudderless, Alice grows up with a vengeance, scraping a private existence from the leftovers of others.

Meeting her mother again later in California, the two women move cautiously around each other. In prose that reads like poetry, Alice describes this mother in a series of stark, hurtful observations and the realities of her own life as the generations turn full circle, Alice the woman, a mother almost indistinguishable from the silent Nonna.

Women of a certain age, and there are many, will find this part of the novel exquisitely painful, full of recognition. Florida reflects a validation of women, their ability to survive the direst of circumstances. Here is understanding for the terrible errors made by family, both intentional and unintentional. In the end, Alice's mother is "an old woman, made innocent". So are they all, their frail bones leached of ill intentions, forgiven by years of attrition. This slight book contains the experience of a lifetime, ridged with sorrows and shallow joys too meager to squander. Florida is a rite of passage and an exorcism of grief; I am in awe of this author`s talents. Luan Gaines/2004.

Nominated for the National Book Award for this debut novel, Christine Schutt creates an impressionistic and moving picture of young Alice Fivey's difficult life from age five, when she is left fatherless, until she is in her thirties. When her mother's mental problems lead to her stay in "the San" within a year of her father's death, Alice is shuttled among family members, living at various times with her Uncle Billy and Aunt Frances, who systematically appropriate her mother's belongings, and for several years with Nonna, her grandmother, who is bedridden and unable to talk.

Schutt presents short, jewel-like memories of the past as they come unbidden to the growing Alice, filling them with the kind of descriptive detail which children remember so vividly. As Alice tries to reconcile the present with the past, she confronts and tries to understand life's big issues--acts of fate, illness, death, and love and their effects on families and one's dreams. Her peripatetic childhood leaves her without strong family role models and even less guidance, but she does form several meaningful friendships which are crucial to her development--with Arthur, a family retainer, and with Mr. Early, her high school English teacher, who encourages her writing talent.

When Alice, in her twenties, reconnects with her mother, she tries to sort through her mother's confused recollections to learn something about her father, but she also learns much about her mother and about the family dynamics involving her parents, her grandmother, and her aunt and uncle. As time passes and death takes its toll on those around her, Alice dreams about all the might-have-been moments, wishing that she could "look at the clock to see how much time you have left."

Repeating symbols unify the novel. Alice's parents believe that "In Florida...it was good health all the time," and Florida becomes a symbol for the good life. Arthur even makes a "Florida" for her mother, a sun-tanning box which her mother uses during the winter. Her mother's self-destructive relationship with someone named Walter, leads Alice to refer to other men in bad relationships as "Walter," while Arthur, the humble man whose kindness and desire to serve never flags, is the Good Man. Slowly, Schutt assembles a picture of Alice, her life and family, and her special friends--Arthur and Mr. Early--while illustrating her growing independence and strength. Presented in spare, simple style which avoids melodrama, the novel uses the intimate scene, the unique observation about life, and the poetic detail to flesh out and bring to life the story of Alice and her family. n Mary Whipple

Florida was the last of the five National Book Award nominees that I came to read, and while it broke the trend of the books getting worse as I read, I have to say, as I've said of the others, that I'm not quite sure why it received such high honor. But if the five as a whole were weak, Florida at least is one of the two best in that weak group.
Like the other decent nominee, Madeleine is Sleeping, Florida is more a collection of vignettes than a single run of novelistic narrative. Though less surreal and playful than Madeleine, the two also share a highly poetic prose, and both display a strong talent for language, if not story or character.
The vignettes are the first-person narrative of Alice Fivey, who loses first her father when she is quite small, then her mother (to a treatment facility known as the Sans) when she is about ten. She is first shuttled off to her Uncle Billy's and Aunt Frances relatively strict home, then to the rich estate of her grandmother ("Nonna"), aged, speechless, stroke-impaired. We dip in and out of her childhood, adolescence, young adulthood, and adulthood as she moves toward a more independent life and yet remains tied to the family, especially circling around an uneasy relationship with her mother who now lives in California. Her two most intimate relationships are with the family chauffeur/servant Arthur and a high school teacher, Mr. Early.
The prose is at times strikingly beautiful and usually has a spare loveliness to it that carries the reader along. The vignettes are small, the book slight, and while the prose isn't simple, it's a relatively easy and quick read. Style is the book's strong suit.
My biggest problem with the book was a lack of engagement. The structure doesn't allow for much of an intense impact as it glides so quickly from scene to scene, not letting anything linger too much, a problem Schutt sometimes overcomes with strong finishing lines at the end of sections. The character, for me, never truly developed into a real person or a fully detailed one, except a few times in her interactions with Arthur. As her older family members (mother, uncle, aunt) and others important to her life (Arthur, Mr. Early) spiral down into aged frailty and/or death, there is sadness, but it is more general and abstract than particular. I didn't feel moved by or for this narrator or these characters; I felt moved by the general sadness of the human condition. One could have substituted any characters and it would have had the same effect. Since I am also moved by the sad plight of the human condition by phone commercials, I can't give the writer too much credit for making me sad towards the end.
I would have liked a stronger sense of individuality, a more precise and intimate sense of character(s). But the book's structure, length, and voice didn't really allow for it. Since it's such a fast read and the prose is at times nicely poetic, I wouldn't recommend against reading it; it's a nice evening spent. But there is so much out there that is as well-written, or more moving, or more stimulating/thoughtful that I can't give it a strong recommendation either. I would, however, give Schutt another chance with her next book in hope that her language use is better served by her story/characters.

A series of reminiscences and sketches rather than a novel. Alice's father is killed when she is is five (or seven, I wasn't sure). Her mother has obnoxious lovers and suffers a vaguely described mental illness which results, for some reason, in her spending years in a mental hospital. Alice is brought up largely by her aunt and uncle and spends time living with her decrepit grandmother.
Alice seems lonely (no school friends are ever described) and forms bonds with the family chauffeur and and her English teacher, who both die. (I was reminded a little of Lemony Snicker's disaster-prone Beaudelaire children). Later she connects up again with her mother. Alice's boy friend resembles one of her mother's, and parallels are drawn between the behaviors of the three generations. She never talks to any of her mother's doctors or discusses her diagnosis and treatment.
As an account of growing up with a mentally ill mother it suffered in my estimation because I had recently read Virginia Holman's superb "Rescuing Patty Hearst." There is some fine poetic writing, perhaps overly poetic. The opulent surroundings in the Midwest and Arizona are well described but I felt that the wealth of the characters detracted from realism. Everyone is filthy rich. They make their money the old-fashioned way; they inherit it. They drift in a never-never land, where money problems may involve the dreadful prospect of selling great grandmama's pearls.
It's only 156 pages, eked out with blank pages and single sentence chapters. It seems that this is a graceful and elegant literary short story writer who has yet to make the transition to the major leagues.

Her father dead from a mysterious car accident, her mother sent to a sanatorium, ten-year-old Alice Fivey continues to experience life as a series of disappointments and occasional prospects, living with various relatives, including her Aunt Frances and Uncle Billy and the aged, bedridden, spectacularly rich Nonna. Aching from the emotional damage wreaked by her mother's various boyfriends (collectively referred to as "Walter"), she manages to find solace from the chauffeur Arthur and from a teacher, Mr. Early. But the psychic wounds run deep; this unofficial orphan struggles to find warmth in the cold tundra of a Minnesota-like state. Like her mother, she dreams of sunshine and escape in a faraway, make-believe Florida.

I loved the first half of this novel; both the prose and Alice are alive on every page. To some extent, the novel reads like a puzzle as the pieces of this lonely child's life fall into place. Schutt disregards chronology and plot, but Alice's story is presented in impressionistic episodes, and much of it is disarmingly wry. The substance lives up the style.

But, as the series of adults in Alice's life fail or disappoint her, and as Alice becomes an adult herself, Schutt's novel becomes increasingly sparse, harder to pin down, more open to ambiguity, less attuned to plot; Alice vanishes behind the prettiness of the author's poetry. In an interview, Schutt has argued that writing "should be hard and clean in the sense that there is nothing extraneous about it, no feathery adjectives." Yet plucked of too many feathers, prose can also seem skeletal, and the author turns the poetry of her prose (much like Alice's Florida paradise) into a desert of expectations and dread. ("It was cold where we lived; I was most often thirsty." "I walk in the desert carefully. I know about snakes.") There are random bits of exquisiteness in the novel's final pages--just as one can find beauty in a desert. But readers, too, might suffer from thirst.

As a prose poem Florida is a success. I never would have thought I'd be a fan of the form.
It was spare, unsentimental, but moving, even heartbreaking.
Alice's childhood, as is typical of such memories, are given only in fragments. Not everything is explained.
You are told all you need to know. There is no excess in this book.
I thought Florida was going to be about a sad childhood, but it turned out to be about a sad adulthood as well. I liked that: There was balance to it.
Father dead, Mother in a mental institution, young Alice lives first with her Uncle and Aunt who show her less affection than the stroke-damaged Grandmother who later takes her in.
As an adult Alice learns more about her family dynamics, repeats some of her mother's missteps, and forges her own bad habits. But she is also self-reliant, with a love of books and words, and a teaching job that she just might love. But love shared with another person is elusive.
I finished this book within a matter of hours, and am still haunted by it days later.