Amazon.com Review
The charming and resourceful 4-year-old at the center of Karen Roberts's
The Flower Boy enjoys roaming around his environs, and who wouldn't: this 1930s Ceylon tea plantation is so splendid and enchanted that "one almost expected to see a gnome scuttling away into the undergrowth, or a couple of fairies swinging from the vines." But Chandi's mother is a housekeeper, his father is too poor to give up his job in a distant village, and the child dreams of "a house of his own, not a room off the kitchen. He wanted his mother to wander through gardens picking flowers." In other words, he wants the life of John Buckwater, the English planter his mother works for. And although Chandi has an enterprising business of hawking stolen flowers to the English upper crust, he sees a trip to England, where everyone "seemed to have huge bungalows and beautiful books and red-and-green checked shorts," as a faster way to achieve his goals. As the years go by, the slowly developing relationship between Buckwater and Chandi's mother, Premawathi, gives him hope that someday he'll continue his education in England.
Lush with period detail, Roberts's debut is elegant and moving. The characters are without much moral shading, either good or evil; even so, the author avoids some obvious stereotypes, undermining the predictable power struggle of employer and employee (or imperialist and native) in favor of a more complicated theme, the intense solitude of love doomed by circumstances. Much of the novel is limited to Chandi's consciousness. Where an adult narrative voice takes over, or where the point of view switches to an adult character, Roberts achieves in a few sentences what the Chandi passages, with all their discoveries and overheard, scarcely understood ideas, can take pages to convey.
That said, Chandi's education is vital to the story, and it is here that The Flower Boy is at its most dramatic. The affair between his proud mother and the gentle Buckwater, which parallels the illicit friendship Chandi has cultivated with Buckwater's daughter Rose-Lizzie, violates an entire package of social norms (not only are they breaking a racial taboo, but both are married). These are decent people following their hearts--yet in a situation where doing so will lead to disappointment, if not tragedy. Roberts is most effective when showing how this reality, intertwined with a distant war and the crumbling of an empire, cuts through Chandi's naive perspective and willed paradise. --John Ponyicsanyi
From Publishers Weekly
Set during the 13 uneasy, final years of British rule in Ceylon, Roberts's debut novel relates in simple yet eloquent prose the story of two children and their families whose lives, despite cultural and class differences, become deeply entwined. In 1935, at Glencairn, a British-run tea plantation in Ceylon, Chandhi lives with his housekeeper mother and two older sisters in a small room off the kitchen of the elegant main house. Enterprising little Chandhi sells flowers on the roadside; he is saving to go to England, "because everyone who came from England seemed to have huge bungalows and beautiful books." On Chandhi's fourth birthday, John Buckwater, the Sudu Mahattaya ("white gentleman") of the estate, and his wife, the Sudu Nona, have a baby girl, Lizzie. Lonely Chandhi immediately decides that she will be his special friend, and christens her "Rose," which the two later change to "Rose-Lizzie." The pair's mutual devotion is supported by a humane, good-hearted few, such as Rose-Lizzie's father, John, and Chandhi's mother, Premawathi, and is deprecated by many, including Rose-Lizzie's mother (who returns alone to England when her daughter is four), Chandhi's servile father (who also leaves) and most of the Buckwaters' British acquaintances. As the plantation-owner's daughter and the housekeeper's son move from childhood to adolescence, they grow even closer when Premawathi and John become lovers. But Premawathi's conviction--as Ceylonese independence from Britain approaches in 1948--that she and John "belong in separate worlds" and that the Buckwaters must eventually return to England without her or her son drives the families apart, leaves Premawathi to a life of poverty and devastates Chandhi's dream of England as the promised land. With sensitivity and touches of gentle humor, Roberts renders a quiet tragedy of small, good lives crushed beneath larger circumstances. Agent, Rose Billington and Heather Allen at the Wylie Agency. 3-city author tour. (June) native Sri Lankan.
Copyright 2000 Reed Business Information, Inc.