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Flux: Tales of Human Futures
 
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Flux: Tales of Human Futures [Mass Market Paperback]

Orson Scott Card (Author)
4.4 out of 5 stars  See all reviews (5 customer reviews)


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Book Description

September 15, 1992
Seven tales of possible fates for the human race by one of science fiction's most revered authors portrays the inner struggles of characters exploring their hidden selves. Reprint.

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Editorial Reviews

Review

''The award-winning author of Ender's Game, Speaker for the Dead, and the 'Alvin Maker' series demonstrates his talent for shorter fiction in this collection of forty-six stories that range from fantasy and SF to horror and theological speculation . . . Detailed introductions and afterwords reveal insights into the thought processes of one of the genre's most convincing storytellers. An important volume; for most libraries.'' --Library Journal

''Definitive . . . A series of introductions and afterwords offering Card's thoughts on his life and his writing are as absorbing as the stories.'' --Publishers Weekly --This text refers to the Audio Cassette edition.

About the Author

ORSON SCOTT CARD, the author of the New York Times bestseller Ender's Game, has won several Hugo and Nebula awards for his works of speculative fiction. His Ender novels are widely read by adults and younger readers and are increasingly used in schools. Besides these and other science fiction novels, Card writes contemporary fantasy, biblical novels, the American frontier fantasy series 'the Tales of Alvin Maker', poetry, and many plays and scripts. He currently lives in Greensboro, North Carolina, with his family. --This text refers to the Audio Cassette edition.

Product Details

  • Mass Market Paperback: 288 pages
  • Publisher: Tor Books (September 15, 1992)
  • Language: English
  • ISBN-10: 0812516850
  • ISBN-13: 978-0812516852
  • Product Dimensions: 6.6 x 4.1 x 0.8 inches
  • Shipping Weight: 0.8 ounces
  • Average Customer Review: 4.4 out of 5 stars  See all reviews (5 customer reviews)
  • Amazon Best Sellers Rank: #1,714,385 in Books (See Top 100 in Books)

More About the Author

Orson Scott Card is the bestselling author best known for the classic Ender's Game, Ender's Shadow and other novels in the Ender universe. Most recently, he was awarded the 2008 Margaret A. Edwards Award for lifetime achievement in Young Adult literature, from the American Library Association. Card has written sixty-one books, assorted plays, comics, and essays and newspaper columns. His work has won multiple awards, including back-to-back wins of the Hugo and the Nebula Awards-the only author to have done so in consecutive years. His titles have also landed on 'best of' lists and been adopted by cities, universities and libraries for reading programs. The Ender novels have inspired a Marvel Comics series, a forthcoming video game from Chair Entertainment, and pre-production on a film version. A highly anticipated The Authorized Ender Companion, written by Jake Black, is also forthcoming.Card offers writing workshops from time to time and occasionally teaches writing and literature at universities.Orson Scott Card currently lives with his family in Greensboro, NC.

 

Customer Reviews

5 Reviews
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Average Customer Review
4.4 out of 5 stars (5 customer reviews)
 
 
 
 
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Most Helpful Customer Reviews

2 of 2 people found the following review helpful:
4.0 out of 5 stars A Mixed Bag in Terms of Quality, but Still Worth it., July 13, 1997
By A Customer
This review is from: Flux: Tales of Human Futures (Mass Market Paperback)
Flux contains seven stories, each of varying quality (as Card himself admits). Because of this, a brief comment on each story:"A Thousand Deaths"-compelling, and my favorite, but not for the squeamish,"Clap Hands and Sing"-Mediocre time travel love story,"Dogwalker"-Interesting Cyberpunk, but you'll have to read every paragraph at least twice,"But We Try Not to Act Like It"-Bizarre TV-stations-rule-the-world story, with a hint of black comedy (OSC hated it),"I Put My Blue Genes On"-Highly imaginative recombinate DNA story,"In the Doghouse"-Ridiculous story about aliens possessing our dogs,"The Originist"-Based on Asimov's Foundation universe, it's interesting, but easy to put down. Although a couple stories were a real snooze, it's still worth curling up with on a rainy day
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7 of 10 people found the following review helpful:
5.0 out of 5 stars Somewhat sanguinary but mostly enjoyable collection, March 18, 2002
By 
Jerry Ball (Dexter Circle) (FOB Hughie, Jalalabad, Afghanistan) - See all my reviews
This review is from: Flux: Tales of Human Futures (Mass Market Paperback)
Card's short stories frequently differ thematically from his longer work. While his longer work revolves around free will and human interaction, his short stories are often written for one main point. It's fair, I think, to judge his short stories by how well and interestingly he gets that point across.

This group of stories is tied together by their speculation on what the future holds for us (hence, "Flux," or a fluid future). Let me run down the plots of each of the stories and give you my rating of them.

"A Thousand Deaths." The point: Some people, at least, no matter what you do to them, cannot change their view of what is right or wrong. This story is an excellent counterpoint to "1984," which posited that people can be completely degraded and crushed. Despite the horrific murders in the story, I liked its humanism. The Ruskies as bad guys was a departure from the usual science fiction fare, and was also appreciated. Rating: Excellent.

"Clap Hands and Sing." The point: everyone, even those we least suspect, has the desire to redo some important aspect of their lives. This story resonates with me, since I too have a Rachel Carpenter in my past, and I wish I had a THIEF to make that one decision differently. Not that I made the wrong decision the first time, but like all human beings, I would love to have it both ways. Rating: Outstanding.

2010 update to my 2002 review. Well, I didn't have a THIEF, but I did the next best thing: I looked up my Rachel Carpenter, got together with her, and we finished what we started 23 years ago, and it was just as good as what I thought it would be!

"Dogwalker." The point: A clever adversary overcomes even genius and well-made plans. I don't know whether the purpose of this story was for Card to prove to himself that he could write a good cyberpunk story, or to make a moral point -- something tells me it's the former. Card himself even admits as much in his "Afterword." But there's no need for atonement. The story is very enjoyable either way, and Card can, indeed, write good cyberpunk. Rating: Excellent.

"But We Try Not to Act Like It." The point: a person is dehumanized and destroyed by a society that treats the person paternalistically and as a member of a class as opposed to an individual. This story reminded me of many other (and better) works, from Bradbury's "Fahrenheit 451" to Jack Williamson's "With Folded Hands" to Huxley's "Brave New World." This would be a good story to read if the person has not read any other stories in this genre, but for anyone else it's unsatisfying. Rating: Unsatisfactory.

"I Put My Blue Jeans On." The point: attempts to destroy your enemy will destroy you instead, even to the point of robbing you of your humanity if not your life. The story about biological warfare gone amuck is superficial and a little silly, and the point has been made numerous other times. Still, as a Brazophile the Brazilian references were appreciated. Rating: Satisfactory.

"In the Doghouse." The point: intelligence is overlooked because of bias. Card originally planned to use an American ethnic group instead of dogs as the beings to receive superhuman intelligence, but I have to agree with him that had he done so, he probably would have been tarred and feathered, and ridden out of town on a rail. Oh well, even though it ducks a political fastball, it still deserves a Good rating.

"The Originist." The point: human beings are defined by their relationships -- and ability to form relationships -- with each other; those relationships are evidenced by emotional ties, private language and common myths. Card's bites off more than he can chew here, because an ontological examination of human beings is a topic that invites a book or a series of books, and really cannot be adequately addressed in a short story or novella. Card has consistently explored this idea throughout his books, frankly without too much success. He actually does his best on this subject when he briefly mentions it in "Ender's Game," where Graff explains to Valentine that the emotional connections between humans are real, and proof of their reality is found in the fact that they can cause Valentine and Ender to act in ways they otherwise would not.

As you read through this story, don't get too bogged down in the idea of humanity's planet of origin. Card uses the question of planet origin as a MacGuffin; the story never resolves it (actually, we learn terra's fate only in Asimov's "Foundation and Earth" and "Robots and Empire"). Rating: Good.
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2 of 3 people found the following review helpful:
5.0 out of 5 stars Best Story, December 20, 1999
By 
Scifihead (New York, NY) - See all my reviews
This review is from: Flux: Tales of Human Futures (Mass Market Paperback)
I loved this book. It's a great series, but this was my favorite in the collection. The two stories I loved most were "A Thousand Deaths" and "Dogwalker". The first one is excellent and, event though there are some out of date concepts in it, it still freaked me out.

The second story, though, is the BEST! "Dogwalker" is good science fiction, but also a really great story with emotion that will totally make you cry.

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