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A Fly in the Soup: Memoirs (Poets on Poetry)
 
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A Fly in the Soup: Memoirs (Poets on Poetry) [Hardcover]

Charles Simic (Author)
3.0 out of 5 stars  See all reviews (1 customer review)


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Book Description

Poets on Poetry December 27, 2000
A Fly in the Soup is a book of memoirs. Charles Simic was born in 1938 in Belgrade, Yugoslavia, and spent his childhood in a city bombed by the Nazis in 1941 and then by the Allies in 1944. He was jailed with his mother after the war for trying to flee what was by then a communist country. He managed to emigrate in 1953, first to Paris and then a year later to the United States. He lived in New York, completed his high school education in Chicago and began writing in English and publishing his first poems in 1959 when he was twenty-one years old.
The book collects pieces written on such diverse subjects as memory, history, the bombing of cities, cuisine, philosophy, life in the army, movies, and growing up in wartime. Arranged chronologically, they make an unusual memoir of exile and refugee life, a collage of stories, anecdotes, meditations and poetic fragments from one of the most barbaric periods of the last century. This is a story of a young man whose travel agents were Hitler and Stalin--the autobiography of the early years of one of the most respected contemporary American poets.
Charles Simic has published more than sixty books in the United States and abroad for which he has received a number of prestigious literary awards including the Pulitzer Prize for poetry and the MacArthur Fellowship.


Product Details

  • Hardcover: 200 pages
  • Publisher: University of Michigan Press; First Edition edition (December 27, 2000)
  • Language: English
  • ISBN-10: 0472111507
  • ISBN-13: 978-0472111503
  • Product Dimensions: 8.3 x 5.6 x 0.8 inches
  • Shipping Weight: 14.4 ounces
  • Average Customer Review: 3.0 out of 5 stars  See all reviews (1 customer review)
  • Amazon Best Sellers Rank: #3,297,360 in Books (See Top 100 in Books)

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7 of 9 people found the following review helpful:
3.0 out of 5 stars Good, but lacks his usual brilliance., March 1, 2006
Charles Simic, A Fly in the Soup (University of Michigan, 2000)

Charles Simic is a fantastic poet; a case could be made that he is, in fact, the best poet working in the English language today. Pick up any random book of Simic's poetry and you'll be holding a wonder; you might even be holding a masterpiece. He's written enough of them. Which is why I find it so surprising that, while one can't call A Fly in the Soup a mediocre book, it seems to be lacking some sort of spark that turns Simic from a gifted poet into one of the planet's best.

A collection of essays previously published in various spots collected and made into a memoir, A Fly in the Soup presents some truly harrowing pictures; Charles Simic did not, to say the least, have an easy life. Those who cringe at the present spate of "poor, poor pitiful me" memoirs will probably find this one a breath of fresh air, as Simic, even in moments of deepest sorrow, looks back on these situations with wry amusement and a touch of cynicism (his relation of an encounter at a writers' workshop with Daniel Hoffman-- who was flying one of the jets that bombed Belgrade during Simic's WWII childhood-- is itself worth reading this book for). The book is suffused with that same wryness, and while these events are not depicted through rose-colored lenses, they're not seen through the gunmetal grey of many recent memoirs, either; there's much here to like.

And were it any other author, really, I'd call this one of the best memoirs I'd seen in quite a while (not the best; Charles Burns' Black Hole takes that cake). And if I'm going to be fair about it, it really is. It's intellectually engaging, readable, and will at least keep you entertained.

What it is not, though, is great. I know the folly of looking at a great poet and expecting him to be a fantastic short story writer, or vice versa; Bukowski was a much better poet than short story writer, as much as my admitting that is going to destroy my cred. Raymond Carver is a brilliant prose stylist, but his poetry often leaves me banging my head against the nearest sharp metal object. The number of people who can do both with equal grace and talent is a handful, at best. So when I read this and see a great poet who is a good prose stylist, why do I feel so let down? Eh, I'm raising my review half a star on the general principle that I shouldn't let my expectations rule my impressions. ***
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