From Library Journal
Budnitz's debut collection drops the reader onto familiar terrain and then twists the expected like a fun-house mirror. Whether set in a hospital waiting room, in a strange new city, or around a family dinner table, the 23 stories radiate with hidden truths and unanticipated revelations. In "Train," for example, we are made privy to the lives of several people on a crowded New York City subway. "We're sitting in a car full of stories," the 26-year-old-Budnitz writes, and one after another, we marvel as snippets of everyday life are explicated and pondered. "Herschel" takes us back, way back, to the "Old Country" and a time when an aged bread maker molded babies out of dough. "Yellville" places Russell, a teenager from rural Arkansas, into a middle-class family who have no idea how to deal with someone from the lower strata. Both humorous and politically pointed, these often surreal stories are explicitly feminist and pro-working class. A yearning for human connection and a reverence for the offbeat makes them both entertaining and touching. Highly recommended for all libraries.?Eleanor J. Bader, New Sch. for Social Research, New York
Copyright 1997 Reed Business Information, Inc.
From Kirkus Reviews
The title is apt; this nimble debut collection of 23 stories takes a variety of chances, impressing by its audacity and originality. Budnitz, a Village Voice cartoonist whose fiction has appeared in literary quarterlies, seems a kind of homegrown surrealist, launching expeditions into strange terrain from such disarmingly mundane settings as back porches, hospital waiting rooms, and crowded city streets. ``Dog Days'' has to do with a man in a dog suit who takes up residence on the porch of a Middle American family, this after an unexplained disaster that has led to the gradual dissolution of society. In weird yet convincing fashion, the family--and particularly the young daughter--begin to treat the man, who offers a remarkable impersonation of a canine, as a dog. This leads to a ghastly ending when, pressed by hunger, the other members of the family suddenly realize that, in some parts of the world, people view dog as a delectable dish. ``Guilt'' offers a grimly funny take on family guilt, carrying filial neurosis to new levels of absurdity as a healthy young man is browbeaten by his two harridan aunts into donating his heart to his dying mother--having been assured by the doctors that he can live some time without one. In ``Directions,'' a variety of figures--a middle-aged couple going to the theater, a man who's been told that he has a fatal disease, a young woman apparently haunted by a collapsed affair, two tough- talking hustlers planning a score--get lost in the city and end up seeking guidance in a dusty shop where maps are sold and, apparently, the deity works behind the counter. Each of the characters gets the help he or she deserves. In ``Burned,'' a young couple are, quite literally, consumed by their passion. Throughout, Budnitz's wry, conversational tone is nicely leavened by precise lyrical passages. A good mix, overall, of the fantastic and mordantly funny. --
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