From Publishers Weekly
Matthews (Scorpio's Child) again offers a resonant novel exploring a youngster's immense loss and gradual healing. As the tale opens in 1937, the 13-year-old narrator, LaMarr, is on a bus heading to South Carolina. "I was scared-so deep down inside that it felt like my bones were crumbling," she says, then explains that several days earlier the plane carrying her dancer mother and her mother's stunt-pilot beau disappeared over the ocean. Settling into the home of her mother's warm, big-hearted brother and his cool, crusty wife, LaMarr bottles up her loneliness and fright, certain that a letter from her mother will arrive any day. The girl strikes up a saving friendship with a wise elderly man-a writer of pulp westerns-who alone recognizes the depth of her sorrow. Together, the two track the around-the-world flight of LaMarr's idol Amelia Earhart on a map tacked to the wall. The disappearance of her plane triggers a dramatic catharsis: "Something wild and dark rose up inside me, like a tornado... and whatever it was holding me together gave way." A mystical element involving angels seems underdeveloped and incompletely integrated. However, the author tightly weaves together the tale's remaining threads to create an eloquent and affecting work. Ages 10-14.
Copyright 2002 Reed Business Information, Inc.
From School Library Journal
Grade 6-8-Matthews has incorporated themes of death and personal loss with the reality of coping with and accepting the truth. It's 1937, and 13-year-old LaMarr Conroy is traveling with her mother's dance troupe, dreaming of becoming a female pilot like her idol, Amelia Earhart. Her introduction to and consequent love of flying comes about when her mother's stunt-pilot boyfriend takes her on a trial flight. Her adventurous life is suddenly shattered when her mother and the boyfriend take off in his plane and are presumed lost. Determined that her mother has only gone to Hollywood to become a star, LaMarr is forced to move in with relatives she has never met: her mother's understanding and compassionate brother and his wife, a no-nonsense, rigid nurse. LaMarr's vagabond, theatrical lifestyle and her fatherless situation are frowned upon by her aunt yet tolerated and even absolved by her uncle. Strong characterization comes through the voice of the young protagonist as she describes her new kinfolk and her relationships with the black maid, who offers her stability, and with the downstairs boarder, a wheelchair-bound writer of Western novels who provides subtle, emotional support. Matthews brings the story to a realistic open-ended conclusion, using both the imagery and analogy of Earhart's tragic end together with the insightful relationship that LaMarr develops with her new family and adult friends. A poignant look at a difficult adjustment to death within a coming-of-age scenario.
Rita Soltan, formerly at Baldwin Public Library, Birmingham, MICopyright 2002 Reed Business Information, Inc.