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Flying Lessons Paperback – September 1, 1992


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Product Details

  • Paperback: 262 pages
  • Publisher: Faber & Faber (September 1992)
  • Language: English
  • ISBN-10: 0571162177
  • ISBN-13: 978-0571162178
  • Product Dimensions: 7.8 x 4.7 x 0.7 inches
  • Shipping Weight: 6.4 ounces
  • Amazon Best Sellers Rank: #10,268,019 in Books (See Top 100 in Books)

Editorial Reviews

From Publishers Weekly

Australian writer Johnson's intriguing U.S. debut is a poetic tale of family heritage, the power of memory and one woman's attempt to find herself.
Copyright 1992 Reed Business Information, Inc.

From Kirkus Reviews

One of those novels that promises much, by acclaimed Australian writer Johnson, now making her US debut, but never quite fulfills the expectations it raises. Family business left incomplete, stories flawed in the remembering, and a personal quest for fulfillment are the themes that Johnson explores in elegant, even poetic prose, as she tells the story of Ria Lubrano, who finally learns the truth in the metaphorical flying lessons she takes. Ever since brother Scott disappeared in the northern part of Australia, Ria, a singer of jingles, has found that her ``looking eye seems trained on other losses, other griefs. The world seems unbearably fragile, teetering a little on its axis.'' Her eyes become infected, and this condition--a metaphor for her blighted perceptions--together with the story of her grandmother Emma, who (Ria believes) defied her family, and a need to find Scott lead to her own flight to the great northern tableland. Here, in the town where her father and grandmother were born, she hopes ``to live fully and well.'' Ria joins a commune, hears tantalizing news of Scott, and, in alternating sections, relates the story of her grandmother Emma's life--as she understands it. A brief affair with a charismatic commune leader, and a meeting with her surviving great-aunt, provide the necessary lessons and moments of epiphany. When she learns that in truth Emma had never been ostracized by her family for marrying Italian--and Roman Catholic--Sam, Ria realizes that it's time she does ``some joining'' for Emma and Scott. ``She must go home for Scotty, so they will all be there to greet him. She must live with ordinary happiness, and embrace the living who need comfort more than the dead.'' Somehow Ria and her flight are too minor in key for the significance that Johnson tries to attach to them. Evocative descriptions of Australia, but this is too laden with unfulfilled intellectual ambitions to really take off. -- Copyright ©1991, Kirkus Associates, LP. All rights reserved.

More About the Author

I was born in Brisbane but moved to Sydney at the age of three months, which is where I spent my childhood. I grew up mostly around Sydney's North Shore (St.Ives) and moved to Queensland with my family (to a pineapple farm) where I finished my last years of high school. I attended Nambour High (the same year as the Australian Prime Minister, Kevin Rudd, but I don't remember him, and I am sure he does not remember me). My last two years were spent at Clayfield College.

I am the author of eight books: six novels; a memoir, A Better Woman; and a recent non-fiction book, an essay, On Beauty, published by Melbourne University Press. Several of my books have been published in the UK, the US, and in European translation (French, Polish) as well as in Australia. I am currently contracted to Allen and Unwin to deliver a seventh novel, My Hundred Lovers.

My novel The Broken Book (Allen and Unwin, 2004) was longlisted for the Miles Franklin and the International IMPAC Dublin Award, and shortlisted for the Commonwealth Writers' Prize, the Queensland Premier's Prize for fiction, the Nita B Kibble Award, the Association for the Study of Australian Literature (ALS) Gold Medal Award and the CAL Waverley Library Award for Literature. Flying Lessons, (Heinemann, 1990; Faber UK, 1990; Faber US, 1990) was shortlisted for the Victorian Premier's Prize for fiction; A Big Life, (Picador, 1993; Faber UK, 1993; Faber US, 1993) was shortlisted for the Victorian Premier's Prize and the Banjo Award and my memoir, A Better Woman (Random House, 1999; Aurum Press, UK, 2000; Simon and Schuster, US, 2001) was shortlisted for the National Biography Award.

Several of my books have been released as recordings by the ABC and also as Louis Braille audio releases. My short stories have been broadcast on BBC Radio 4. I am a contributing editor of Agni literary magazine http://www.bu.edu/agni/staff.html published at Boston University and supported by the graduate Creative Writing Program.

I have more or less been a full-time writer of fiction since 1985, when I received the first of three New Writers' grants from the Literature Board of the Australia Council which allowed me to write full time. Before that I was a full-time journalist (starting at the Brisbane Courier-Mail and going on to work for such diverse publications as The Australian Women's Weekly, The Sun-Herald, The Sydney Morning Herald and The National Times).

The same year I was awarded my first grant I co-edited and contributed to a collection of Queensland short stories called Latitudes: New Writing From The North (UQP, 1986). In 1989 I was awarded the Keesing Fellowship at the Cite Internationale des Arts in Paris. I have been a participant at most of Australia's writers' festivals and have a wide experience of readings, guest lectures and teaching work in universities in Australia, as well as in England, Hong Kong and the United States, including guest lectures at New York University, Amherst College, Boston University and Emerson College, Boston.

Throughout my years as a writer of fiction I have continued to publish journalism and essays on mainly literary matters for newspapers and magazines including The Guardian, The Times, The Age, The Sydney Morning Herald, The Australian and Q Magazine of The Courier-Mail). In 1999 I returned to full-time journalism for a period of two and a half years as editor of an 18-page arts and culture section of The Age, Melbourne.

My literary papers have been purchased for collection by the State Library of New South Wales, an ongoing acquisition program. My website http://www.abetterwoman.net/ has been archived as part of the National Library of Australia's Pandora Project as a site considered by the library to be 'of significance and to have long-term research value'. I have lived in London with my family (my sons Caspar and Elliot and my partner) since 2001.

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