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Product Details
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| Disc: 1 | |||
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| 1. Overture | |||
| 2. Beautiful Girls | |||
| 3. Don't Look at Me | |||
| 4. Waiting for the Girls Upstairs | |||
| 5. Rain on the Roof | |||
| 6. Ah Paree | |||
| 7. Broadway Baby | |||
| 8. The Road You Didn't Take | |||
| 9. In Buddy's Eyes | |||
| 10. Who's That Woman? | |||
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| Disc: 2 | |||
| 1. Buddy's Blues | |||
| 2. Losing My Mind | |||
| 3. The Story of Lucy and Jessie | |||
| 4. Live, Laugh, Love | |||
| 5. Finale: Waiting for the Girls Upstairs and Beautiful Girls (reprises) | |||
| 6. Stavisky: Theme from "Stavisky" | |||
| 7. Salon at the Claridge #1 | |||
| 8. Arlette by Day | |||
| 9. Auto Show | |||
| 10. Easy Life | |||
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Most Helpful Customer Reviews
17 of 17 people found the following review helpful:
5.0 out of 5 stars
FOLLIES - the best recording ...so far,
By
This review is from: Follies in Concert (1985 Live Performance) + Stavisky Film Score (Audio CD)
If any one album makes a case for FOLLIES is is this set of FOLLIES IN CONCERT. It is not the definitive FOLLIES, but about as close as we're likely to get. The sound is very VERY good, especially for a live recording, but as such there is quite a bit of applause on this disc. Producer Thomas Shephard originally taped the dress rehearsal so he would have quiet endings for all the numbers but when the audience nearly tore the roof off Avery Fisher Hall, he decided that eliminating applause would negate the event that led to the album. So, he comprmised and used applause after the "follies" numbers but not after plot songs. If you didn't know this you might wonder why "Beautiful Gilrs' gets such a huge hand and the next song "don't Look at me" seems to be met with stoney silence. The cast is sensational. Perhaps not in the same league as the originals but a fine "revival" cast. Lee Remick and Barbara Cook are ideal as leading ladies Phyllis and Sally and its a joy to hear Cook's glorious voice in "Losing My Mind." Mandy Patinkin effectively uses his energy to put a new spin on "Buddy's Blues. " I know some object to his over-the-top style but it was effective on stage. Elaine Stritch has fun singing "Broadway Baby" and Carol Burnet makes the most of "I'm Still Here." Really, there isn't one bad track in the whole package. Completists may quibble with the slight cuts here and there..the last bit of the Overture (including a segment of "Can That Boy Foxtrot") has been cut, as has "Bolero D'amour." The original montage ending of "Rain on the Roof/Ahh Paris/Broadway Baby" was dumped, and the spoken interludes in "Loveland" have been re-arranged. NONE of this will impair your enjoyment of this wonderful show. As a bonus RCA has filled out the second CD with the soundtrack of Sondheim's score for STAVISKY. Many cut songs from FOLLIES were used in this film score, so its a natural tie-in. The booklet has all the lyrics but no synopsis to place the songs within the context of the story. It is a minor flaw in an otherwise first rate package.
7 of 7 people found the following review helpful:
5.0 out of 5 stars
Just the best.,
By "mfeuer" (Colts Neck, NJ USA) - See all my reviews
This review is from: Follies in Concert (1985 Live Performance) + Stavisky Film Score (Audio CD)
I love theater. Every six months I buy myself another six to twelve broadway CDs, plus grabbing a few inbetween at stores and the like. And do you know why I do this? Because I keep hoping to myself that if I look long enough, I'll find another Follies. This musical is, first and foremost, a deep and incisive discussion of aging and the pains of middle age, but if one looks deeper, one finds that it is in fact a metaphor for the situation of Broadway at the time Follies entered the scene. For those who don't know, the early 1970s was a very bad period for Broadway, and many thought it would never again recover. Follies, with each and every one of its songs written in the style of a famous old Broadway composer, is a tribute to the aging "Wiesmann Follies" that ran "between the wars" but now is being replaced "by a parking lot". This performance is far superior to the original recording, with particular standouts being Elaine Stritch and Lee Remick. However, in sheer terms of quantity, this is NOT the best recording. The best recording for amount of Follies music is the 1999 Paper Mill Playhouse cast. Still, this is a fantastic CD and I recommend it, and especially the show, above all others in existence at this time.
9 of 10 people found the following review helpful:
5.0 out of 5 stars
A star-studded cast gives a glorious "Follies",
By A Customer
This review is from: Follies in Concert (1985 Live Performance) + Stavisky Film Score (Audio CD)
If you want only one version of Stephen Sondheim's "Follies," this is the edition to own. Sondheimaniacs ponder the differences between this and the Original Cast, the London production, and a recent New Jersey attempt, and are doubtless hoping for a fifth version when a revival opens on Broadway in spring of 2001. To simply enjoy the music, this concert edition provides the cast. George Hearn is the best Ben on any recording; Mandy Patinkin is wonderfully Mandy Patinkin as Buddy, which will delight many and annoy others. A particular delight is hearing the incredible talents of the then incredibly young Liz Callaway, Daisy Prince, Jim Walton, and Howard McGillin as the "young" characters. Pulling in Betty Comden and Adolph Green to sing "Rain on the Roof" was a great idea. The casting is fabulous throughought. Complaints about Licia Albanese miss the point: she's supposed to be an aged opera singer with voice to match. This concert version provides every bit of the drama of "Follies."
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