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Footprints: The Life and Work of Wayne Shorter [Hardcover]

Michelle Mercer (Author), Wayne Shorter (Introduction), Herbie Hancock (Foreword)
4.4 out of 5 stars  See all reviews (15 customer reviews)


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Book Description

158542353X 978-1585423538 December 29, 2004 First Printing
The first biography about the man The New York Times recently called "jazz's all-around genius, matchless in his field as a composer, utterly original as an improviser."

Saxophonist and composer Wayne Shorter is one of the great architects of jazz, and a man whose influence will be felt by musicians and music fans for generations to come. In this first biography of Shorter, Michelle Mercer traces the amazing trajectory of his fifty-year career. As fellow jazz great Herbie Hancock puts it: "Wayne Shorter has evolved as a human being to a point where he can synthesize all the history of jazz into a very special, very alive musical expression. Nobody else can do that now."

In many ways, Wayne Shorter's story is the story of modern American music. Born in Newark, New Jersey, in 1933, he learned bebop as an adolescent in cutting contests with Sonny Stitt and Sonny Rollins. In the 1950s, he graduated to some "hard-drinking, hard bop years" with Art Blakey's Jazz Messengers. The saxophonist was the catalyst in the famous 1960s quintet of Miles Davis, then followed the trumpeter on his avant-garde electric excursions. In the 1970s, he and Joe Zawinul pioneered fusion in Weather Report. Into the 1980s and 1990s Wayne's solos graced pop recordings like Steely Dan's "Aja" and Joni Mitchell's "Hejira." And today, at age seventy, he is leading the Wayne Shorter Quartet, a group that critics have compared to Coltrane's classic quartet and to Davis's own groundbreaking quintet.

A rich portrait of a great American artist, Footprints. makes a vital contribution to the literature of jazz.


Editorial Reviews

From Publishers Weekly

Legendary jazz saxophonist and composer Wayne Shorter gets an appreciative appraisal in this excellent biography by music journalist Mercer, who follows this "determinedly eccentric" genius from his early days with Art Blakey's Jazz Messengers in the late 1950s, through his stunning work with the Miles Davis Quintet in the 1960s, to his popular jazz-rock fusion band Weather Report in the 1970s and his ongoing recording and performing. She carefully details his early influences, including his mother's tireless indulgence of his creative whims and his fascination with the 1948 film The Red Shoes, whose central conflict—living for oneself versus living for one's art—would define his career. Mercer expertly investigates Shorter's relationships with the two pianists who most influenced his music, fellow Davis Quintet member Herbie Hancock and Weather Report co-leader Joe Zawinul, as well as the impact of his Buddhist faith on his music. Mercer also shines in her consideration of some Shorter's less critically acclaimed efforts, including his genre-defying work with Joni Mitchell and Brazilian pop singer and composer Milton Nascimento. Interviews with Shorter, Carlos Santana, Amiri Baraka and dozens of others lend depth and tone to this clear-eyed account. B&w photos not seen by PW.
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

Review

Footprints is a fascinating, often intimate account of his creative journey. -- San Francisco Chronicle

Intelligent and revealing. -- Financial Times

May be the closest we will come to an autobiography of one of the greatest composers and improvisers in jazz. -- The New York Times

Mercer untangles Shorter's web of metaphysics, historic films and music making, and reties them all together for an engrossing narrative. -- Downbeat

Mercer untangles Shorter's web of metaphysics, historic films and music making, and reties them all together for an engrossing narrative. -- Billboard

Mercer's book is pleasurable and empathetic, essential for anyone who wants to get closer to this inscrutable genius. -- The New Republic

[A]n elegant, questing biography into the mindset of the great jazz sax man.... -- Kirkus Reviews

[I]t's impossible to imagine a book that would give any better understanding of this enigmatic man. -- Los Angeles Times

[a] well-told, thoroughly researched, and ultimately inspiring story of a jazz giant. -- Jazziz

a compelling and fascinating story, told with grace and candor. -- Sunday Seattle Times and Seattle Post-Intelligencer

Product Details

  • Hardcover: 320 pages
  • Publisher: Tarcher; First Printing edition (December 29, 2004)
  • Language: English
  • ISBN-10: 158542353X
  • ISBN-13: 978-1585423538
  • Product Dimensions: 9.1 x 5.9 x 1.4 inches
  • Shipping Weight: 1.2 pounds
  • Average Customer Review: 4.4 out of 5 stars  See all reviews (15 customer reviews)
  • Amazon Best Sellers Rank: #666,249 in Books (See Top 100 in Books)

More About the Author

In addition to producing regular essays and reports for National Public Radio, Michelle is the author of Footprints: The Life and Work of Wayne Shorter and Will You Take Me As I Am. Her writing has appeared in the New York Times, Wall Street Journal, Village Voice and numerous magazines. She has been awarded artist residencies at the Sacatar Foundation in Brazil, Vermont Studio Center, and Anderson Center for the Arts. Michelle holds an MFA in Literature and Writing from the Bennington Writing Seminars. She lives with her husband in Colorado.

 

Customer Reviews

15 Reviews
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Average Customer Review
4.4 out of 5 stars (15 customer reviews)
 
 
 
 
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Most Helpful Customer Reviews

14 of 14 people found the following review helpful:
5.0 out of 5 stars Where is Wayne? Right Here, February 28, 2005
By 
This review is from: Footprints: The Life and Work of Wayne Shorter (Hardcover)
Michelle Mercer has done the seemingly impossible: she has fully inhabited the far-out imagination of one of our greatest, and at times, seemingly most unreachable musicians, and brought back the subject from the outer space he's been confined to. Yes, it's a book about jazz; but only, truly, as an explication of life. Yes, it's a biography, but it's neither a Pollyana bio-pic nor is it a psychobabble psychobiography. Additionally, despite the affirming names of Shorter and Herbie Hancock on the cover, this effort is hardly an as-told-to "approved" bio. It's actually quite wonderfully like its subject: funny, strange, compelling--and as serious as your life.
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11 of 11 people found the following review helpful:
5.0 out of 5 stars masterpiece, February 12, 2005
By 
Kat "Kat" (San Franscisco) - See all my reviews
This review is from: Footprints: The Life and Work of Wayne Shorter (Hardcover)
This is book is amazing. I am neither a jazz expert nor a Wayne Shorter authority, but this book "puts me there." It's good writing if I want to continue with a story with which I am not familar and this book does just that. I am educating myself in the world of jazz and this is the best book I've come across yet.
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9 of 9 people found the following review helpful:
5.0 out of 5 stars Jazz, buddhism, dreams..., June 29, 2006
By 
souldrummer (Washington, DC United States) - See all my reviews
(VINE VOICE)   
This review is from: Footprints: The Life and Work of Wayne Shorter (Hardcover)
I'm a big Wayne Shorter fan. In high school, Weather Report's fusion was one of the building blocks of broadening music past rock and R&B. In college, I went deep into Wayne's Blue Note period, and over the last several years Wayne's editions of the Jazz Messengers have moved me with their 60s ethereal tunes plus hard driving swing. Speak No Evil is one of my favorite albums, and I've always wanted a picture of Wayne that was deeper than the "Mr. Weird" character he's been tagged with. With the rise of his acoustic group, Wayne's finally earned enough acclaim to get this biographical treatment that should appeal to a wide range of his fans and musician admirers.

Technically inclined musicians may hunger for something a little deeper than this. The book does not go into musical analysis or explicit aspects of the creative process. What it does do is depict Wayne consistent to how he sees himself. The book is filled with Wayne's nonmusical influences. How he arrives at his Buddhist faith. How tragedy has been a consistent struggle for him. How he tries to create movies in sound. Wayne's a complex cat and I doubt it's easy to try to peg him down in under 300 pages. But this book adds a lot to my picture of Wayne the human being.

I agree with the earlier reviewer who says this book doesn't reveal but so much of his solo Blue Note sides. The book doesn't try to recreate the studio experience of those classic sessions in the way that Ashley Kahn's "Love Supreme" or "Kind of Blue" books do. Perhaps it's because this author chooses to emphasize Wayne the touring musician over Wayne the compositional genius. In that vein, the glimpses of Weather Report as a touring band are very insightful. Many of Wayne's fans have struggled to see how he seemed to be dominated by Joe Zawinul in Weather Report. Mercer's take [probably Wayne's take too] is that Wayne chose to cede more organizational control to Zawinul as he focused on more extramusical illuminations.

I'm a real big fan of Wayne so it's hard for me to be objective. No, this is probably not the first jazz biography you should read. But if you're a fan of jazz in its present and you'd like a good read on one of the last living legends connected to this great music, you can't go wrong with this book.

4.5 stars

--SD
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Inside This Book (learn more)
First Sentence:
WAYNE SHORTER'S earliest memory is the first time he saw a lake so large that he couldn't find the end of it. Read the first page
Key Phrases - Statistically Improbable Phrases (SIPs): (learn more)
michelle mercer, bop fiend, electric band, human revolution, soprano saxophone, native dancers
Key Phrases - Capitalized Phrases (CAPs): (learn more)
Weather Report, Ana Maria, New York, Wayne Shorter, Miles Davis, Charlie Parker, Lester Young, Los Angeles, Art Blakey, Bud Powell, Lee Morgan, Plugged Nickel, Nat Phipps, Arts High, Native Dancer, Carlos Santana, Herbie Hancock, Chick Corea, Dizzy Gillespie, Freddie Hubbard, Maynard Ferguson, Super Nova, Thelonious Monk, Down Beat, Horace Silver
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