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Audio, Cassette, October 17, 1990
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"The story began in Harold Macmillan’s “never had it so good” ’50s Britain. It should be fiction: four teenagers with no more than eight O’Levels between them, running and biking and busing and busking all over Liverpool in search of new chords and old guitars and half-decent drum kit and any gig at all.
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Product Details

  • Audio Cassette (October 17, 1990)
  • Label: Capitol
  • ASIN: B000002UAJ
  • Average Customer Review: 4.2 out of 5 stars  See all reviews (326 customer reviews)
  • Amazon Best Sellers Rank: #421,701 in Music (See Top 100 in Music)

Editorial Reviews

CASSETTE.

Customer Reviews

Let me start off by saying this is a really good Beatles album with alot of really good covers.
Grumblebees
Songs like No Reply, Im a Loser, Baby's in Black, 8 Days a Week, I don't want to Spoil the Party, and What your Doing to me...are great songs.
Matt Brooks
For that reason, and since this is still a must have for any Beatles fan I recommend this album.
William M. Rand

Most Helpful Customer Reviews

88 of 99 people found the following review helpful By Daniel J. Hamlow HALL OF FAME on November 5, 2002
Format: Audio CD
The fourth album by the Fabs is, yes, kind of subdued, but not by much. There are upbeat numbers like "Rock And Roll Music," the US #1 single "Eight Days A Week," Ringo's cover of Carl Perkins' "Honey Don't," and the Little Richard medley to speed things up. Gee, I've listed the bright spots of the album already!
However, songs like "I'm A Loser," "Baby's In Black," and "I Don't Want To Spoil The Party" reflect a kind of weariness creeping in that later evolved into the introspective Rubber Soul. I mean, check out the sombre mugs on the album cover!
There aren't that many cover songs here than there were on their first two albums, but the ones they cover are beauts. The best of these is Chuck Berry's "Rock And Roll Music" with that immortal chorus, "give me that rock and roll music/if you wanna dance with me."
That being said, the Beatles have expressed that melancholy in upbeat songs such as "No Reply." That is about a girl who dates someone else and has her family covering for her. The poignancy expressed with the "I nearly died" refrain. And "I'm A Loser," in the same uppity vein, has lyrics such as "Beneath this mask I am wearing a frown." is it for her or for myself that I cry?"
The mid-paced "Baby's In Black" has shades of Dylan, hard to tell since all four of them are singing in contrast to Dylan's stark solo vocal. Love that lyric: "Baby's in black and I'm feeling blue."
Paul sings a nice slow ditty "I'll Follow The Sun", which happened to be one of his earliest compositions dating back to the late 1950's. In contrast, he wildly covers the engaging Little Richard medley, "Kansas City/Hey, Hey, Hey, Hey." Wonder how it sounds compared to the original.
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42 of 45 people found the following review helpful By Alan Caylow on October 15, 2004
Format: Audio CD
"Beatles For Sale," the Fab Four's fourth album, is not regarded as highly as their other works. The Beatles hammered this record out pretty fast as they recorded it between tours, and they were pressed for time in coming up with new stuff. Thus, the album is only half original material, while the other half are cover songs (8 Beatles originals and 6 covers, to be precise). But I'm not bothered by this one single bit. Yes, more original songs would've been appreciated, but we must remember that one of the Beatles' early trademarks was doing excellent cover songs as well as their own stuff, and "Beatles For Sale" gives you a healthy dose of both. The end result is a wonderful Beatles album. Regarding the band's original compositions, they're all classics: John Lennon's "No Reply" and "I'm A Loser," Paul McCartney's "I'll Follow The Sun" (an older song that McCartney dug up from his club days with the group) and "What You're Doing," and the duo's brilliant collaborations on "Baby's In Black," "Eight Days A Week," "Every Little Thing," and "I Don't Want To Spoil The Party." The Beatles ain't no slouches when covering other people's songs either, and the batch of covers on "Beatles For Sale" are all tremendous fun. Lennon has a great time at the mike on Chuck Berry's "Rock And Roll Music," McCartney tears it up on the medley of "Kansas City" and "Hey Hey Hey," Ringo Starr gets one of his signature vocal performances on Carl Perkins' "Honey Don't," and George Harrison, also a Carl Perkins fan, does great justice to "Everybody's Trying To Be My Baby." "Mr. Moonlight" is another fine cover, as is the group's rendition of Buddy Holly's "Words Of Love" (with Ringo playing on a packing case!).Read more ›
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30 of 34 people found the following review helpful By Peter Durward Harris HALL OF FAMETOP 100 REVIEWER on January 17, 2004
Format: Audio CD
This, their fourth album, is similar to Please please me and With the Beatles in its general style, featuring a mix of covers and originals. The covers remind us all of the singers who inspired the Beatles - this time it's Carl Perkins, Little Richard, Buddy Holly and Chuck Berry.
The original songs include three songs that were considered for UK singles release but weren't. Eight days a week was released as a single in America, where it went to number one. The other two, No reply and I'm a loser, were not released as singles anywhere as far as I know. I don't want to spoil the party is (by Beatles standards) generally overlooked, but Rosanne Cash covered it and took it to the top of the country charts in the eighties. It was the first cover of a Beatles song to top the country charts and may still be the only one. I'll follow the sun and Baby's in black are other brilliant originals.
This album was the last of its kind. Subsequent album took the Beatles away from their roots as they experimented with different sounds and styles. To some people, that's when the Beatles became interesting, but I enjoy all their music. If you enjoy their early music, you'll love this album.
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22 of 24 people found the following review helpful By William E. Houser Jr. on September 12, 2009
Format: Audio CD
I just purchased this at a local store, as I am too impatient to wait for the other 6 I ordered through Amazon. Those people that say that they can hear no difference do not know what they are talking about. All of the accoustic guitars are now bright and jangly as they should be. The bass is more prominent and the drums are crisper, all without overpowering the vocals.

There is more seperation between the voices so you can tell who is singing which part. It is not all muddled together, each individual instrument stands out on its own. Anybody who expects a modern digital recording from a 1964 analog source is just being unrreasonable. Remember, these were recorded on two- and four-track recorders, so with any bounce down to add instruments, you will have some loss of sonic ability, in spite of all they can do. It's just the limit of the 1964 analog source tape. For what it's worth, in my mind, it's a welcome addition - a veritable breath of fresh air. I highly recommend this album.
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Banged Up In A Hurray???
It has never sounded like a rushed album, not in my opinion, anyway. As a kid I heard the Capitaol versions of this album and I loved all the songs - still do. I don't really blame Douglas Wolk for the confusion as this album has shades of Rubber Soul. I had often confused this with "With... Read More
Jan 3, 2010 by Brendan Chenowith |  See all 2 posts
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