It's funny, me being a fan of science fiction and movies in general, why it is that it took me so long to get around to watching Forbidden Planet (1956). Part of it is I feel as if I've already seen the film, as clips from it are usually always shown whenever someone does a documentary on science fiction in film, as it's just such an influential and amazing piece of work. Now, I've heard that this movie is loosely based on Shakespeare's play, The Tempest, but since I've never read it, I can't comment on comparisons between the play and the film. The film stars Walter Pidgeon, Anne Francis, Leslie Nielsen, and Robby the Robot (Yes, the robot gets a screen credit. If you look on the Internet Movie Database, you'll find it's even listed as an actor).
The story is about a spacecraft sent to learn what exactly happened to a previous spacecraft and its' crew, which had been deployed many years prior, and has since not been heard from in some time. This current mission is under the command of Commander John J. Adams (Nielsen), and soon find themselves on approach to the destination planet of the now lost ship. On their arrival, they get an ominous message, from the planet, issued by a member of the original crew, Dr. Edward Morbius (Pidgeon). Despite his warnings, they land and are soon met by a robot named Robby, who escorts them to Morbius' rather posh abode. Here we learn all the members of that fated crew have been killed off, except for Morbius and his daughter (whom Morbius had when he procreated with another member of the original crew), Altaira (Francis), by some unseen, yet completely nasty, force, to which Morbius and his daughter seem immune. Not expecting to find any survivors, Commander Adams now has to change his plans to include trying to contact his superiors and receive further instructions on how to proceed, despite Morbuis' protests that they should leave as soon as possible, leaving him and his daughter behind so that he may continue his research. What is his research? Well, it seems that many hundreds of thousands of years ago, the planet was inhabited by a highly advanced race of being called the Krell, who mysteriously vanished seemingly overnight in comparison to their collective power, intelligence and abilities, and while their cities have long since gone, a great deal of their technology survived underneath the ground, and Morbius has managed to gain some understanding of these beings, even being able to pry bits of information and such in the 20 odd years that he's been here. This amazing discovery is certainly worth writing home about, and so Commander Adams begins having the men disassemble the ship to create a device powerful enough to send a message back to his superiors, and in the meantime, starts making time with Morbius' daughter, who's never seen a man outside of her father, and is uneducated in the ways of woo. Things seem to be progressing until an unseen late night attack on the ship damages some crucial elements needed for communication, so an electrified perimeter is set up to prevent the approach of any more unannounced and unwelcome visitors. We soon find out the fence works, as a huge beastie, normally invisible, now highlighted by the electrical current, tries to attack the ship, killing a few defenders. What exactly is the nature of this beast? Is it somehow connected to the Krell? Does Morbius know more than he's letting on? Will any get off this planet alive? What the heck were these Krell up to anyway?
Forbidden Planet is inspirational, in my opinion, because it presents an well developed and thought out story above and beyond the usual `scary alien' fare we saw in the early 50's. Similar to The Day the Earth Stood Still (1951), it brought a level of intelligence to the genre while managing to also entertain. Basically, whatever level you view the film on, it will provide enjoyment. It also hallmarked the first film appearance of Robby the Robot, probably one of the most popular, recognizable, and enduring icons in science fiction film history. Also, it is important to note, this is the first film to utilize an entirely electronically composed musical score. Stereotypical characterizations appear to create the various roles, but since the film was releases a good 14 years before I was even born, I can't help but wonder if the stereotypes started here, given the influence of the film. The production value overall is lavish and indicates little expense was spared in bringing the story to life. The special effects, even by today's standards, look remarkably good, and the realism in the matte painting backgrounds is truly spectacular. The tour of the huge underground Krell facility really stood out in my mind, properly highlighting the enormity and intricacies at the same time. Plot holes? Yeah, I noticed a few of them (like how'd Robby show up at the end despite every circuit being blown? And that self-destruct mechanism at the end...that seemed a bit convenient and lacking proper safeguards one would normally apply as to not accidentally cause it to go off), but these tend to pale in comparison to the overall film. As a whole, I think anyone would be hard pressed not to acknowledge this as one of the more influential films in the genre, and just a lot of fun in general.
Warner Brother's gets points from providing an excellent widescreen print (the DVD is double sided, with fullscreen on the flipside), but loses some in their complete lack of special features other than an original theatrical trailer. I find it pretty sad that this film doesn't rate the special features we so often see on new releases. Normally I'd be happy with a good looking print, but surely certain films deserve some preferential treatment, and this, in my opinion, is one of them. Oh well...
Cookieman108