| |||||||||||||||||||||||||||||||||
|
Frequently Bought Together
What Other Items Do Customers Buy After Viewing This Item?
Product Details
Would you like to update product info or give feedback on images? |
Special Features
Editorial Reviews
Amazon.com
It isn't just the career highlights, though those have been treated royally. The Iron Horse, the epic 1924 Western that became a breakout success for its 30-year-old director, is presented in two editions, a British release version and the American version. Three Bad Men (1926), Ford's even better, last silent Western, is here, as well as the two pictures that brought him back-to-back best director Oscars in 1940-41, The Grapes of Wrath and How Green Was My Valley. The Grapes of Wrath has been newly restored, and you'll find three other towering collaborations with Henry Fonda: Young Mr. Lincoln (1939), Drums Along the Mohawk (1939), and My Darling Clementine (1946)--both the director's preview cut and the release version.
Yet the real richness of Ford at Fox isn't limited to the known masterpieces. Some of it has to do with the dozen-and-a-half titles that are far from household words--the movies that put us in touch with the self-described "picture man" who did a "job of work" for the studio where he was under contract for much of the three decades beginning with Just Pals in 1920. Some of these are great films awaiting proper recognition. But even the least among them give off the ozone snap of discovery, affording simultaneous insights into the evolution of an artist, a medium, and a distinctive studio.
In this regard, the new feature-length documentary Becoming John Ford is an invaluable element of the set. Premier Ford biographer Joseph McBride, screenwriter Lem Dobbs, Peter Fonda, and others astutely testify about not only the life, artistry, and cantankerous personality of the director but also Fox studios and the mogul who served as a key Ford collaborator, Darryl F. Zanuck. Ford famously despised producers, but he respected Zanuck's movie sense and was content to leave the cutting of their films to him. (To the nighttime scene in The Grapes of Wrath when Tom Joad wanders outside the fruit-pickers' barracks and finds the strikers' encampment, Zanuck added the sound of crickets--a touch that made the superbly composed and lighted moment more "Fordian" than ever.)
Fox was the studio most identified with Americana, even before Zanuck--the favorite son of Wahoo, Nebraska--took charge. And so the legacy of Ford at Fox includes the three pictures he made with the beloved actor, comedian, and national political scold Will Rogers. Doctor Bull (1933) is a scrappy adaptation of a James Gould Cozzens novel, notable chiefly for its wintry New England atmosphere (Ford was a native Down Easter), but Judge Priest (1934) and Steamboat Round the Bend (1935) are luminous fables from the rural South. Judge Priest is especially remarkable for its subversive playing-off of Rogers' wily-rascal persona against the sly Stepin Fetchit in profoundly egalitarian comic scenes; the movie has been neglected because of Fetchit's infamous political incorrectness, but it has, and deserves, a place of honor here.
Also very fine is the 1936 The Prisoner of Shark Island, about the martyrdom of Dr. Samuel Mudd (Warner Baxter), who unwittingly set the leg John Wilkes Booth broke following his assassination of Abraham Lincoln. The moment of Lincoln's death, the president virtually passing into history before our eyes, is a mystical triumph by Ford and cinematographer Bert Glennon. Critic Joe McBride claims Pilgrimage (1933) as one of Ford's early masterpieces and likens the dark-hearted Hannah Jessop, played by stage actress Henrietta Crosman, to the similarly driven Ethan Edwards in The Searchers (not a Fox picture and not included in this set). The setting is again the rural South, and to break up her son's romance with a local girl, Hannah forces him to march off to war in France--where he is killed. The rest of the film becomes, spiritually and then literally, a redemptive journey for Hannah. This stark character study lacks marquee names but has Ford's heart and some of his most powerfully visualized sequences.
Pilgrimage, like the late silents Four Sons and Hangman's House (both 1928), displays evidence of how influenced Ford was in that period by German director F.W. Murnau, who had come to Fox in 1927 to make Sunrise; Four Sons, a mostly German-set story, was even shot on sets left over from the Murnau picture. The essential Ford style was based on dynamism defined within a fixed frame, but watching the director experiment here with elaborate camera movement is fascinating. Similarly, the gangster movies Up the River and Born Reckless (both 1930) and the WWI naval adventure Seas Beneath (1931) take their interest not from their slapdash scenarios but from Ford's crash course in accommodating the presence of sound. Seas Beneath is especially striking among early talkies for being filmed almost entirely in the open air, on the water and on picturesque Catalina Island, with astonishing long-take, real-time coverage of submarines surfacing and submerging, boats sinking, and a naval artillery duel nerve-wracking in its relentless slowness.
For much of his tenure at Fox, Ford had little to say about what films he'd be assigned, or who'd be cast in them. His response was to fill the backgrounds of his movies with his personal stock company of memorably ugly mugs (supremely, Jack Pennick), and to improvise passages of visual poetry or comedy (a baseball game amid the WWI section of Born Reckless!) to keep from getting bored. Apart from some anthology-worthy battlefield sequences, the 1934 The World Moves On is so diffuse and devoid of interest in its rambling family saga, we suspect it might have been the film that inspired one of the great Ford legends: how, advised by the front office that his current production was falling behind, he tore a handful of pages out of the script and said, "Now we're back on schedule."
Mostly, though, the picture man triumphed in spite of himself. Saddling John Ford with a Shirley Temple movie would seem to border on insult, but the director turned the Kipling-based Wee Willie Winkie (1937) into something enchanting instead of cloying. Also partly set on the Indian frontier, Four Men and a Prayer (1938)--a preposterous Boy's Own Adventure tale that hops from India to England to Latin America to Egypt as the titular quartet of British brothers try to clear their late father's name--was just about Ford's last obligatory assignment before embarking on the amazing 1939–41 streak of The Grapes of Wrath et al.; he disliked the story (and the British), but he turned an Indian saloon scene into a classic "Oirish" brawl, and invested a night of civil war in a Latin American town with a memorably surreal air of shock and terror.
How might Ford at Fox have evolved if WWII hadn't intervened? The director spent the war years shooting documentaries (several are included on the Becoming John Ford disc). Upon mustering out, his ambitions focused on developing personal productions for Argosy Pictures, the company he had formed with Merian C. (King Kong) Cooper before the war. Apart from My Darling Clementine, Ford directed only two more pictures for Fox, When Willie Comes Marching Home (1950) and an inferior remake of the silent Raoul Walsh classic What Price Glory (1952)--both semi-musicals featuring Fox's new star Dan Dailey. So, anticlimactically, Ford at Fox: The Collection ends there. But let's not dwell on that; this big box is very full. "There is no fence round time," the narrator says in How Green Was My Valley, "you can go back and have of it what you will." The films of John Ford are forever. --Richard T. Jameson
Product Description
Disc 1: WHAT PRICE GLORY Disc 2: MY DARLING CLEMENTINE Disc 3: HOW GREEN WAS MY VALLEY Disc 4: TOBACCO ROAD Disc 5: GRAPES OF WRATH Disc 6: DRUMS ALONG THE MOHAWK Disc 7: WEE WILLIE WINKIE Disc 8: YOUNG MR. LINCOLN Disc 9: PRISONER ON SHARK ISLAND Disc 10: STEAMBOAT AROUND THE BEND Disc 11: WORLD MOVES ON Disc 12: PILGRIMAGE/BORN RECKLESS Disc 13: DOCTOR BULL/JUDGE PRIEST Disc 14: FOUR MEN AND A PRAYER/SEAS BENEATH Disc 15: WHEN WILLIE COMES HOME/UP THE RIVER Disc 16: FOUR SONS Disc 17: THREE BAD MEN/HANGMAN'S HOUSE Disc 18: JUST PALS Disc 19: BECOMING JOHN FORD DOCUMENTARY Disc 20: THE IRON HORSE SPECIAL EDITION UK VERSION DISC 1 Disc 21: THE IRON HORSE US VERSION: DISC 2
Customer Reviews
Just Pals (1920)- only 50 minutes long, stars Buck Jones as a small town fellow who befriends a homeless boy.
Feature film with Dolby 5.0 Surround Sound and Spanish/French subtitles
The Iron Horse (1924) - George O'Brien stars in the story of the building of the Union Pacific Railroad
Two versions - U.K. and United States
Feature film with Dolby Digital 5.1 sound and Spanish/French subtitles
Commentary by Author & Film Historian Robert Birchard (International only)
"Scoring The Past: The Iron Horse Sessions with Christopher Caliendo" featurette (International only)
Restoration comparison (International only)
Vintage program (International only)
Advertising gallery (International only)
3 Bad Men (1926) - stars George O'Brien in a saga of three outlaws of the wild west who become protectors of a little girl after her mother is killed. Sports some of Ford's great scenic long shots that his westerns are known for.
Feature film with Dolby 5.0 Surround Sound and Spanish/French subtitles
Four Sons (1928) - Three German brothers enlist in the German army during WWI, the fourth goes to America.
Feature film with Dolby Digital 5.1 sound and Spanish/French subtitles
Hangman's House (1928) - screen debut of John Wayne stars Victor McLaglan in a saga set in Ireland. A predecessor to "The Informer" this time McLaglan is the hero.
Feature film with Dolby 5.0 Surround Sound and Spanish/French subtitles
Previously listed films are all silents and can be purchased as a 5-set in John Ford's Epic Silent Collection, due out the same date as this large set.
Born Reckless (1930) - the early problems of sound in movies, and in particular dialogue, plague this tale of a gangster sentenced to fight in the war.
Feature film with English Mono and Spanish/French subtitles
Up The River (1930) - More early sound problems in which singing and dancing (not done very well) are inserted into a film that has the only mutual appearance of Spencer Tracy and Humphrey Bogart. No early talkie was complete without a musical number.
Feature film with English Mono and Spanish/French subtitles
Theatrical trailer
Still gallery
Seas Beneath (1931) - stars George O'Brien in a maritime thriller.
Feature film with English Mono and Spanish/French subtitles
Doctor Bull (1933) - stars Will Rogers in the first of three collaborations between Ford and Rogers.
Feature film with English Mono and Spanish/French subtitles
Pilgrimage (1933) - Drama about a son who is sent off to war to prevent him from marrying a girl that his mother thinks is beneath him. The son is killed in battle. However, all of this is too late to prevent a grandchild from being produced from the union.
Feature film with English Mono and Spanish/French subtitles
Commentary by Biographer & Film Historian Joseph McBride
Restoration comparison
Judge Priest (1934) - stars Will Rogers as a southern Judge who enjoys taffy pulls and croquet when not on the bench.
Feature film with English Mono and Spanish/French subtitles
The World Moves On (1934)- moves from reconstruction to the depression much like the British-made Cavalcade did, except that film took on a much smaller slice of time.
Feature film with English Mono and Spanish/French subtitles
Steamboat Round The Bend (1935) - stars Will Rogers (already on DVD) The final collaboration between Rogers and Ford is perhaps the best. Rogers plays a man going up and down the Mississippi on an old steamboat charging the local population admission to look at the wax figures he is carrying. He plans to use the money he raises to hire a lawyer to free his nephew from a serious charge.
Feature film with English Stereo and English Mono and Spanish subtitles
Commentary by Author Scott Eyman
Restoration comparison
Theatrical trailer
Will Rogers Theater: Doubting Thomas, In Old Kentucky, Life Begins at 40
The Prisoner of Shark Island (1936) - Warner Baxter plays Dr. Samuel Mudd, who was sent to prison after treating Lincoln's killer while not realizing his patient's true identity.
Feature film with English Mono and Spanish/French subtitles
Restoration comparison
Interactive pressbook gallery
Advertising gallery
Still gallery
Wee Willie Winkie (1937)- A perhaps over-long Shirley Temple film seems an odd vehicle for John Ford. It's good enough, but not the best that Temple made as a child.
Feature film (tinted version) in English Stereo or English Mono, Spanish Mono and Spanish/French subtitles
Feature film (black & white) in English Stereo or English Mono, Spanish Mono and Spanish/French subtitles
Restoration comparison
Four Men and a Prayer (1938) - A British officer is branded as a coward and his sons try to clear his name. Another reviewer aptly described it as "The Four Feathers Meet Nancy Drew (Loretta Young)".
Feature film with English Mono and Spanish/French subtitles
Drums Along The Mohawk (1939) (already on DVD)
Feature film with English Stereo or English Mono, Spanish/French Mono and Spanish/French subtitles
Commentary by Film Historians Julie Kirgo & Nick Redman
Theatrical trailer
Still galleries:
Advertising
Lobby cards
Studio portraits
Behind the scenes
Production stills
Young Mr. Lincoln (1939) (On DVD in Criterion Collection) - Henry Fonda plays Abe Lincoln in this highly fictionalized account of Lincoln's life as a young adult.
Feature film with English Dolby Digital 1.0
The Grapes of Wrath (1940) (on DVD under the Studio Classics series). The story of the Joads as they suffer mistreatment when they move from their repossessed Dust Bowl farm to California. The first of only two Best Actor nominations for Henry Fonda.
Feature film with English Stereo or English Mono, Spanish Mono and Spanish subtitles
Commentary by Biographer & Film Historian Joseph McBride
U.K. prologue
Biography: Daryl Zannuck: 20th Century Filmmaker
Restoration comparison
Theatrical trailer
Movie Tone News:
1934: "First Drought In Many Years Hits Mid-West"
1934: "Drought Distress Is Increasing In The Mid-West"
1934: "Mid-West Drought Distress Becomes National Disaster"
1934: "Outtakes"
1941: "Roosevelt Lauds Motion Pictures At Academy Fete"
Still gallery
Tobacco Road (1941)
Feature film with English Mono and Spanish/French subtitles
Interactive press book
Poster gallery
How Green Was My Valley (1941) (on DVD under Studio Classics series). Stars Walter Pidgeon and Maureen O'Hara in the story of how lush Welsh countryside became an ugly strip-mined area over time. Won Best Picture.
Feature film with English Stereo or English Mono, Spanish/French Mono and Spanish subtitles
Commentary by Anna Lee Nathan and Biographer & Film Historian Joseph McBride
Backstory: How Green Was My Valley
Still gallery
Theatrical trailer
My Darling Clementine (1946) (on DVD under Studio Classics series). John Ford, who actually knew Wyatt Earp, directs Henry Fonda, who plays Wyatt Earp.
Disc One
Feature film with English Stereo or English Mono, Spanish/French Mono and Spanish subtitles
Commentary by Wyatt Earp III
Disc Two
Alternate pre-release version (Ford's cut)
What is the pre-release version featurette
Theatrical trailer
Behind the scenes
When Willie Comes Marching Home (1950) - stars Dan Dailey. Willie joins the army to become a war hero, but winds up doing training duty right back in his home town.
Feature film with English Mono and Spanish/French subtitles
Restoration comparison
Advertising gallery
What Price Glory (1952) - stars James Cagney (already on DVD). This was based on an anti-war play that Ford turned into a comedy with rather strange results. Probably one the oddest and the weakest of the entries.
Feature film with English Stereo or English Mono, Spanish Mono and Spanish subtitles
Two theatrical trailers
Fox Flix: Crash Dive, The Hunters, Morituri
Becoming John Ford (2007)
Feature-length documentary with English Stereo and Spanish/French subtitles
The Battle of Midway (doc. 1942)
Battle of Midway - Additional Footage (1942)
December 7th (doc. 1943)
Torpedo Squadron (doc. 1942)
Ford at Fox Photo Galleries (estimated 29 to be broken out by title)
Ford at Fox Movie Poster / lobby card gallery
Pressbook Galleries
Vintage Programs: The Iron Horse, Four Sons
The following titles will be available individually that were not previously available on DVD: When Willie Comes Marching Home, The Iron Horse, Hangman's House, 3 Bad Men, Up The River, and The Prisoner Of Shark Island. There are also 3 smaller sets of Ford classics, Ford silents, and Ford comedies. Thus there is something in this release for every budget.
Some parting words... If you are a fan of classic films and DVD sets and you can possibly afford it, then BUY THIS SET. Fox has taken a very big chance on releasing such an expensive package. If it flops we've probably seen the last of such an extra-laden classic volume from Fox. Read more ›
My set arrived-- with all of the discs on their spindles appropriately-- and EVERY ONE had significant scratches due to the method by which they were SCREWED ON to the spindles.
Were I the only person with this issue, I wouldn't score this set so poorly, but I have talked to dozens of people who purchased the set. Only ONE received his without significant scratching. I've tried contacting Fox, but they have been no help at all.
It is one of 3 collaborations between John Ford and Will Rogers. The film, like all of Rogers's work, has charm and image of 19th Century american... Read more
His sly wit and loving attitude were a "must see."
His Honor was honorable.
