Foreign Babes in Beijing: Behind the Scenes of a New China (Hardcover)

by Rachel DeWoskin (Author) "I learned the Chinese for "drop trou" on the set of a nighttime television drama called Foreign Babes in Beijing..." (more)
Key Phrases: foreign babes, yang niu, foreign girls, Zhao Jun, Shi Wei, Zhou Wen (more...)

Editorial Reviews

From Publishers Weekly
DeWoskin moved to Beijing in 1989, shortly after the military squashed the democracy movement in Tiananmen Square, but just as China's younger population began embracing Western ideologies and commodities. This entertaining romp through her five-plus years in Beijing details her life as a PR consultant—and as the star of the wildly popular Chinese nighttime television drama Foreign Babes in Beijing. After getting the gig on a lark, DeWoskin became known, sometimes even in her real life, as the character Jiexi, an American who falls in love with a married Chinese man, in the 20-episode drama, which aired to an estimated 600 million viewers. Her memoir weaves humorous tales of Sino-U.S. culture clashes both on and off the set with astute observations of the two cultures, as well as a significant amount of Chinese history. Though she admits frequently to being homesick for New York, DeWoskin feels for the loss of more traditional Chinese culture: "Consumerism became a religion; companies arrived like missionaries... seducing the average Zhou Schmoe with products he had never known he needed." The book offers a generous helping of Chinese words (along with their English translations and insights into the young people's "Chinglish"), as well as Lost in Translation–esque glimmers of the differences between the Chinese and American acting worlds. Agent, Jill Grinberg. (May)

From The New Yorker
DeWoskin's memoir takes its title from a popular Chinese soap opera in which she starred in the mid-nineties. Working for a P.R. firm in Beijing, she was approached by a producer at a party and was cast as Jiexi, a sexually liberated American girl who embodies China's simultaneous excitement at and nervousness about the spread of Western influence (she seduces a married Chinese man). DeWoskin's cleverly layered account thus charts parallel culture clashes, one that she experiences as a Western woman in modern China, and the other, a TV-ready version of the first, tailored to Chinese expectations. The daughter of a Sinologist, DeWoskin has considerable cultural and linguistic resources, allowing such insights as an implicit comparison between Jiexi and the wilder entries in "Biographies of Model Women," a two-thousand-year-old text of the Han Dynasty.
Copyright © 2005 The New Yorker

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Product Details

• Hardcover: 332 pages
• Publisher: W. W. Norton & Company (May 9, 2005)
• Language: English
• ISBN-10: 0393059022
• ISBN-13: 978-0393059021
• Product Dimensions: 8.3 x 5.9 x 1.2 inches
• Shipping Weight: 15.2 ounces
• Average Customer Review: 4.0 out of 5 stars See all reviews (34 customer reviews)
• Amazon.com Sales Rank: #473,834 in Books (See Bestsellers in Books)

Customer Reviews

Most Helpful Customer Reviews

64 of 72 people found the following review helpful:

5.0 out of 5 stars A Telling Look at Late 1990's Beijing, May 13, 2005

By	Steve Koss (New York, NY United States) - See all my reviews (TOP 500 REVIEWER)    (REAL NAME)

Having lived for much of the period from 2001 - 2004 in Suzhou, (about 50 miles west of Shanghai), I can categorically say that Rachel DeWoskin's new book, FOREIGN BABES IN CHINA, gets nearly everything right when it comes to Chinese culture and interpersonal relations. Her book is a fascinating account of a city, a country, and a culture in transition. The people around her, and she herself, suffer the contradictions of tradition versus modernity, socialism versus entrepreneurial capitalism, blind patriotism versus Westernization, and government control versus individual freedom, yet everyone zooms ahead to find their own way even as the book's timeline approaches the millennium.

Ms. DeWoskin arrives in Beijing on something of a lark, a college grad with an English degree, a little Mandarin, and a desire for something adventurous. She has taken a position with the Beijing office of an international public relations firm (we later learn that "P.R." sounds uncomfortably like the Chinese word for an unflattering body part) but quickly finds the work empty of content. She unexpectedly gets offered a spot as one of the two foreign female leads in a new Chinese soap opera entitled "Yang Niu Zai Beijing," or "Foreign Babes in Beijing." She is duped into signing a contract for far less than she's worth to the producers (there are still relatively few attractive young Western women in Beijing in 1995), and a series of acting misadventures and cast romances ensue. DeWoskin can barely separate her real-life feelings for her hunky co-star Wang Ling from their respective romantic roles in the soap opera. In the end, "Foreign Babes" is a huge success throughout China, and Ms. Dewoskin is recognized everywhere she goes as Jiexi, the "loose" Western woman who steals a married Chinese man (Wang Ling's character, Tianming) from his wife and takes him to America.

The author eventually quits her P.R. job and takes on a series of small acting and spokesperson roles, and even takes a brief turn as a runway model. Along the way, she meets and briefly profiles four young Beijingers (two female and two male, despite oddly labeling their chapters, "Biographies of Model Babes") and describes their lives, beliefs, and aspirations. Each is fiercely independent and nontraditional, seeking to find their own identity and purpose in a newly-opened society. These four people are sometimes misinformed and often obstinate, even foolishly obstreperous, but there's no doubt they are brave, going where relatively few in their country have gone before.

DeWoskin develops close relationships with each of her four Beijingers, including a live-in relationship with the actor/screenwriter Zhao Jun. The last one-third of the book details her post-Jiexi life, which seems to devolve into clubbing and bar-hopping punctuated by occasional vague hints at working. Two tragedies -- the sudden death of a close Chinese friend juxtaposed against the mistaken U.S./NATO bombing of the Chinese embassy in Belgrade -- bring DeWoskin's relationships and her Chinese life to an abrupt end just as the 20th Century is drawing to a close. It is time to go home, to find her place in her native country.

Ms. DeWoskin tells her story in casual prose with easy pacing. Her writing is sometimes poignant and other times humorous. The reader feels her confusion about Chinese life and language; she doesn't even learn until later that her Chinese name, Du Ruiqiu (Du for DeWoskin, Ruiqiu to sound like Rachel), actually means "Bumper Harvest." She finds huge cultural gaps and differences with everyone around her. She makes repeated cultural faux pas, but muddles through nonetheless, just like any American in her place. Interlaced with her story are bits and pieces of Chinese history and language. Ms. DeWoskin also offers a number of surprisingly on-target, passing observations about Chinese life and culture: the importance of face, women covering their mouths when laughing, lack of winter heating, foreigners' prices, women holding hands but not hugging, and a host of others. Combined, these little bits add to a greater whole, creating a "Beijing atmosphere" that effectively complements her personal story.

It is hard not to see FOREIGN BABES IN CHINA as a coming of age story, both for the naïve, young college graduate author and for the country in which she is perpetually an outsider. She uses China and the Chinese for her own adventure story as surely as they use her for her "exotic" foreignness. This book is also a story about cross-cultural personal relationships, about roles assumed and played out, about what is thought and said, and not said, between any two people, complicated a hundredfold by cultural differences and ways of thinking. In the end, Ms. DeWoskin's confused, conflicted, and ultimately lost relationship with Zhao Jun may well serve as a metaphor for the instability, and perhaps the utter hopelessness, of the larger Sino-American relationship.

31 of 36 people found the following review helpful:

5.0 out of 5 stars Dead-on, descriptive, humorous account of 1990s Beijing, May 30, 2005

By	Alexander M. Moir "Lt. Moir" (Vero Beach, FL and Huntington, NY) - See all my reviews (REAL NAME)

Rachel DeWoskin spent a great part of the 1990s in Beijing, China first as a post-college lost soul looking for a good job opportunity, and finally becoming a national soap opera star and remaining within the powerful and frustrating lure that China holds over many Western expats.

I myself spent the year 2000 in Beijing as a study-abroad from college and a part-time English teacher. I gobbled up "Foreign Babes" as soon as I read the review in EW magazine. I can categorically say, as a relatively kindred spirit to Ms. DeWoskin in many respects, that she nailed Beijing in every possible aspect 100% correctly. I usually refrain from overgeneralizations, but let me put it this way: my personal journal from my time in China reads almost exactly like this book.

There is a bizarre love-hate that most Americans in China have with their host country. At once exotic, larger-than-life, enormous, confining, frustrating, ancient, ultra-modern and flagrantly obsessed with Western imports the China of DeWoskin's pages is the China that anyone who up and goes to Beijing right now will find. She even hits on and offers some fascinating analysis on the difference between Chinese and Western patriotism, linguistic nuances that make intimate communication nearly unattainable between the two cultures, and delivers beautiful character studies of wily Western expats and locals from all walks of life. Her characterizations of the people that populated her dusty, seamy Beijing are so honest and human that I could swear I've met them (in some cases I probably have, of course). Oh, and she's right about the ease of attaining celebrity in China. Though I wasn't on TV, I had a friend who wound up a talk show host in southern China and I myself never was able to shake off the constant stares and comments from Chinese shocked that I could speak their language.

There was a slight slow point in the last quarter of the book, in which the expansive nature of the narrative caved in a tad as the author focused in on a small group of her friends, however I took this in stride and do not fault her for it, as it becomes apparent after some reflection that the individuals on whom she focused were integral to her life there. The culmination of the narrative in the awful Chinese embassy bombing incident in Serbia in 1999 is absolutely perfect even in its dreadful raminications, as it affords DeWoskin an opportunity to wrap up her story with a bang, and certainly no pun is intended here.

I can see where some of the negative reviewers may be coming from, as I myself am biased in my inclination toward acceptance and engrossment in this book considering my own experience in Beijing. Perhaps not all readers will find the story and characters as real and endearing as I, but for the reader seeking to know what it is like to live in Beijing as an American or even for those who, like me, are looking to revisit the miasmic cultural enormity that is Beijing, China I can offer my highest recommendations for "Foreign Babes in Beijing."

14 of 17 people found the following review helpful:

5.0 out of 5 stars Social Commentary - Served Hot and Spicy, May 15, 2005

By	Thai Jones (Woodstock) - See all my reviews (REAL NAME)

Rachel DeWoskin arrived in Beijing during the mid-90s, among the first wave of Westerners to see the city since the protests and reprisals at Tiananmen Square a few years earlier. During her stay, China relented from rigid socialism, opened up to foreign capital, and incorporated western business practices. On one level, "Foreign Babes" is the story of this process. DeWoskin's descriptions of these cultural convulsions are pithy and delightful. From the introduction of Coke and McDonald's (and the resulting obesity epidemic), to the latest trends in Chinese rock music and performance art, she was a witness and an insider - the perfect guide.

DeWoskin was not just an anonymous tourist, though, she was a pop-sensation. Starring as an American temptress in China's version of Beverly Hills 90210, her weekly seductions were seen by half a billion people each week. Hundreds of fans mobbed her on the streets of Beijing and followed her through stores, buying whatever random products she put in her bag.

But the heart of "Foreign Babes" is not the fascinating backdrop of Beijing in bloom, or the glamorous and sexy soap opera, but the relationships between the characters. Sparring across a huge divide of language, politics, and culture, they must shed stereotypes and find a personal space in which to understand each other - not as American or Chinese, but as individuals and friends. DeWoskin possesses an astute social sensibility, a pitch-perfect ear for conversation, and the gift of spot-lighting the most awkward - and revealing - moment in any interaction.

Just going to China after college was adventurous. Signing on for the TV-show was audacious. Most impressive, however, was DeWoskin's ability to bridge the gaps and surround herself with friends in a foreign country. Impressive, but not surprising, since the author's warmth and grace are apparent on every page.