From Publishers Weekly
Elegantly divided into three sections, this 1965 novel by the celebrated Japanese author of Scandal calibrates the dislocation of Easterners transplanted to the West. "A Summer in Rouen," set shortly after WW II, follows the recipient of a church-sponsored scholarship that has brought him from Japan to France to study Christian literature; his interest in the West is returned by his well-intentioned hosts' paralyzing inability to view him as more than a blank canvas for their own designs. "Araki Thomas" tells of the first Japanese student in Rome, a Christian sent there at the dawn of the 17th century who, realizing that the importation of the foreign religion brings with it certain death, renounces his faith after he returns home, choosing survival for himself and for his people. The themes of these two sections are deepened in "And You, Too," in which an ambitious academic named Tanaka goes to Paris in the 1960s to become an authority on the Marquis de Sade. Despite the presence of a community of Japanese scholars and artists, Tanaka feels as alienated as the hero of "Rouen," "constantly experiencing the sense of distance between himself and a great foreign spirit, and keenly aware of his own inferiority." The effort destroys his health; as in "Araki Thomas," the price for integrating the force of a foreign culture is life. Paradoxically, Endo transcends all cultural barriers; far from foreign, his work has the intimacy and the vastness of the universally true.
Copyright 1990 Reed Business Information, Inc.
--This text refers to an out of print or unavailable edition of this title.
Review
An accomplished piece of writing - as well as an instructive insight into Japanese reactions to Western religion, culture, and the tolls these reactions can exact. European in setting, except for a brief interlude in Japan, the novel is divided into three complementary sections, which illustrate the theme rather than share any common narrative. In the first part, Kudo, a young Japanese student - a Christian - has come to France, just after the end of WW II, to study on a scholarship provided by the Far Eastern Mission of the Roman Catholic Church. Staying with a French Christian fancily, Kudo is aware not only of the great gulf between the two cultures but is depressed by these good and well-meaning people's implicit wish that he become a priest who will return to Japan to proselytize. In the second section, set in the 17th century, Japanese apostate Araki Thomas, of whom the Church expects great things, is appalled by the brutal persecution of Christians in Japan. Araki feels that the Church in distant Rome, which does not appreciate the tremendous sacrifice Japanese Christians are making, is asking too much of Japanese converts. Tanaka, of the third and longest section, visits France on a research grant. He increasingly feels not only isolated from the French, but from his fellow Japanese in Paris, and doubts whether his projected study of the Marquis de Sade is even possible, given the great gulf he perceives between the two cultures. The futility of the whole experience is further underlined when he has to return prematurely to Japan because he has tuberculosis. Endo's delineation of isolation, of feeling terribly and irrevocably foreign, is moving and effective, with implications that go beyond the specificity of his Japanese characters to the wider problems of communications between all cultures. A thoughtful and timely book. (Kirkus Reviews)
Set in post-war Rouen, 17th century Rome and Paris in the 1960s, these three linked stories concern the experiences of Japanese students abroad. In describing their feelings of alienation, the author provides an insight into the differences between Oriental and Western cultures. A powerful, thought-provoking novel. --Kirkus UK