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Forensic Art and Illustration Hardcover – September 15, 2000

ISBN-13: 978-0849381188 ISBN-10: 0849381185 Edition: 1st

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Product Details

  • Hardcover: 608 pages
  • Publisher: CRC Press; 1 edition (September 15, 2000)
  • Language: English
  • ISBN-10: 0849381185
  • ISBN-13: 978-0849381188
  • Product Dimensions: 10.2 x 7.5 x 1.6 inches
  • Shipping Weight: 2.7 pounds (View shipping rates and policies)
  • Average Customer Review: 5.0 out of 5 stars  See all reviews (116 customer reviews)
  • Amazon Best Sellers Rank: #713,223 in Books (See Top 100 in Books)

Editorial Reviews

Review

"For anyone interested in forensic related art, facial reconstruction and identification, this book is a wealth of knowledge. … Certainly, it is a major work that merits serious attention and consideration. Importantly, the language and style of writing is most conducive to a quick grasp of the intended meaning. Finally, noting that the author gave named recognition to other contributors, it speaks well that the book was written for the right reasons."
- RICHARD D. WALTER

"This book is quite literally a vade mecum on the subjects it canvasses. … it is a manual, more than merely a primer, for the investigative uses of the subjects of forensic art and illustration. … would I stock my library with this book? I have two, one for my home study and one for my professional office. Need more be said in praise of this book?"
-PROFESSOR JAMES E. STARRS, LLM, Professor of Law and Forensic Sciences, George Washington University, Law School, Washington, D.C., in Scientific Sleuthing Review

"… a comprehensive text that examines forensic art and its role in criminal investigation … essential not only to law enforcement and criminal justice personnel but also to forensic and social anthropologists, police artists, and mental health care professionals who assist crime victims."
-MICHAEL TAISTER, Forensic Artist, Forensic Science Communications, Federal Bureau of Investigation, Washington, D.C., in Forensic Science Communications

"[a] multidisciplinary approach to many forensic art applications … an excellent publication … this is one of those books that defines a discipline and will be read and referred to for many years …"
-ROY PASCHAL, Forensic Artist, South Carolina Law Enforcement Division, in Journal of Forensic Identification

"Our viewers know we've worked with Karen on many cases. She's one of the best."
-JOHN WALSH, Host of "America's Most Wanted," FOX Television

"… a class act by a class author … a wonderful contribution to the area …"
-DR. RONALD P. FISHER, Department of Psychology, Florida International University, Miami

"As Vernon Geberth's Practical Homicide Investigation is the bible for homicide investigators, Karen Taylor's Forensic Art and Illustration will become the bible for forensic artists."
-DETECTIVE CASEY JOHNSON, King County Sheriff's Office, Seattle, Washington

"… superb. It provides an easy-to-read and practical guide to the esoteric science of forensic art."
-DR. CLYDE SNOW, Forensic Anthropologist

"Great for Television Writers … The book succeeds as both a useful research tool for the experienced analyst as well as being a fascinating, entertaining, easy to follow text for anyone who is new to the field of forensic art … We cannot say enough good things about this book."
-JOSH BERMAN (Co-producer) and DAVID BERMAN (Researcher), "C.S.I.: Crime Scene Investigation", CBS Television

"Karen Taylor, a renowned forensic artist, has created the definitive guide to the art and science of forensic illustration. In her lucidly written and gorgeously illustrated book, Forensic Art and Illustration, she provides an authoritative account of the history and practice of forensic illustration and offers her readers a fascinating glimpse into the world of crime victims and criminal offenders. Her book should become a classic reference text for those interested in forensic science and criminal justice, and an invaluable resource for those of us interested in the faces as researchers, artists, physicians, anthropologists, or simply as human beings."
-NANCY ETCOFF, Ph.D., Psychologist and Neuropsychologist, Harvard Medical School
Author of "Survival of the Prettiest"

"This book should be in the library of every forensic artist and forensic anthropologist. Taylor has managed to produce a comprehensive reference text that is encyclopedic in scope, yet is as interesting as a mystery novel. The book is filled with well-illustrated case reports and step-by-step instructions on the use of techniques … Taylor's artistic talents, which have resulted in successful identification of countless suspects as well as victims, are now matched only by her talents as an author."
-EMILY CRAIG, Ph.D, Forensic Anthropologist, Kentucky State Medical Examiner's Office

"… more than worth the price … it covers simply everything, and even manages to do it in an interesting, extremely well-written manner. I actually found myself sitting down and reading it just for pleasure. A perfectly superb piece of work."
-AARON ELKINS, Anthropologist and Edgar-award winning mystery writer, Washington

"Karen Taylor's much anticipated text on forensic art happily lives up to the highest expectations. Karen is preeminent in the field and one of the few people practicing today who has professional experience in ALL aspects of forensic art … Chapters [which are] co-authored with Betty Pat. Gatliff (the 'Grand Dame' of forensic facial reconstruction) will be especially appreciated by the students of these two distinguished international teachers."
-ROBERT GEORGE, Ph.D., Professor of Anatomy and Biology, Florida International University, Miami

"Karen Taylor has done a thorough and painstaking job to make this technical arena both fascinating and accessible. … no one will come away without having learned an immense amount about how art aids in criminal investigation."
-DR. KATHERINE RAMSLAND, Court TV/Crime Library

"In addition to being a wonderful … 'how to do it', the book is enjoyable and interesting to read even for the lay reader. … I suspect that the very simple and straightforward approach conveyed in Forensic Art and Illustration only comes from those who feel the masters (or mistresses) of their field of expertise. I consider this book an essential part of every forensic anthropologist's and odontologist's library."
-DR. JOHN G. CLEMENT, Professor of Oral Pathology and Forensic Odontology, University of Melbourne, Australia

"Taylor has made a wonderful contribution for all future Forensic Investigation … a must read."
-SUSAN KLINGER, D.O., Pathologist, Anchorage, Alaska

"… the quintessential forensic art book that sets the standard for the discipline and for all future textbooks to come. Taylor's book has well over 500 pages of illustrations and information … meticulously researched, organized, referenced and indexed … great aid for criminal lawyers, police departments, colleges with criminal justice courses and … research psychologists."
-DETECTIVE FRANK DOMINGO, Forensic Artist, New York City Police Department, Retired

"Impressive … thorough coverage of all the diverse aspects of facial reconstruction … every work step and work background is described extensively, and detailed descriptions of specific cases are given … this book is a new standard!"
-PROF. DR. FREIDRICH W. ROSING, Anthropologist, Institute for Human Genetics and Anthropology, Ulm, Germany

"… an amazing contribution for portrait artists and teachers of art at high school and adult levels …"
-DR. JUDY KULA, Professor of Art, Phoenix College, Arizona, USA

"… an extraordinarily concise and helpful guide in my efforts to understand this field of research. … Taylor finds the exact balance of effective teaching … she is able to demystify the complexities of such work by a step by step approach based in common sense … I consider this book to be a prize possession and it no doubt will, as Ms. Taylor hoped, be dog-eared and worn from frequent use."
-DONNA CLINE, M.A., Cline Medical Illustration, Sierra Madre, California

"Finally, one of the most accomplished Sketch Artists of our time has brought the discipline of Forensic Art into focus …"
-GIL ZAMORA, Forensic Artist and Instructor, San Jose, California

"… this book reads as though you are sitting next to Ms. Taylor and she has decided to reveal the secrets of the forensic art universe over a cup of tea … no artist will be able to claim he or she is properly trained without having studied with Karen or from her book."
-KAREN HARE, Crime Scene Investigator, Midland, Texas

"… an invaluable aid for any practitioner in this field."
-JANET RICHARDSON, Forensic Artist, United Kingdom

"… a gift to all who toil in the trenches of police investigations."
-KAREN WISNIEWSKI, Police Officer, Fingerprint Examiner, Composite Artist, Dearborn, Michigan

"… Karen has handed down to us a career's worth of precious and priceless knowledge …"
-LT. LISA SHEPPARD, Texas Department of Public Safety, Corpus Christi

"… the most comprehensive, detailed, methodical, insightful and visual presentation of the profession …"
-DETECTIVE KEVIN RICHLIN, San Jose, California

"… the definitive book on artists who use their talents to help law enforcement catch criminals …"
-LOIS GIBSON, Forensic Artist, Houston Police Department, Texas

"This is a classic portrait drawing book. Karen Taylor's book deserves 5 stars … There is nothing like it … fascinating reading."
-JAMES L. FERRY, Art Instructor, Sacramento, California

"… THE ONLY complete source on the subject of forensic illustration available today. … It is a must for every potential police sketch artist and every law enforcement agency!"
-DOROTHY NALLS, Forensic Artist, Carpinteria, California

"… will no doubt be the bible of forensic artists for many, many years to come."
-CHARLES T. JACKSON, Forensic Artist, Haddon Township, New Jersey

"… I'm certain that the excellent presentation of material, coupled with the easy-to-follow information will keep the novice reader and professional artist involved from cover to cover. And it should hold a proud spot on everyone's shelf as a learning resource for years to come."
-LORI FRANZ, Continuing Education Staff, University of Texas, Austin

"… Her book has been a tremendous guide for me in understanding the interview process of victims/witnesses, and her examples of her own drawings have been an aide to me that is unsurpassed."
-CORPORAL WALTER SIEGEL, Police Officer, Shaker Heights, Ohio

"… a must for all forensic artists."
-ROBER T. EXTER, Forensic Artist, Reddind, California

"The clearly described detail makes this book a must as a reference/resource for all professional personnel involved in forensic identification."
- RONN TAYLOR, Forensic Sculptor, Victorian Institute of Medicine and School of Dental Science, The University of Melbourne, Australia

"… a MUST tool for any forensic artist! …"
-STEVEN L. JOHNSON, Forensic Artist, Davenport, Iowa

"an excellent resource manual for us to keep nearby when consulting and working on active cases"
-MICHAEL STREED, Detective, Orange County, Calfornia

"For any artist who desires to understand the human head, this book is a must."
- DETECTIVE BOB POWERS, Chief Forensic Artist, Maricopa County, Arizona Sheriff's Office, USA

"Forensic Art and Illustration is the perfect synthesis of art and science applied to forensics... An outstanding landmark in the field, Forensic Art and Illustration is the one book for anyone interested in the application of art and illustration to forensic investigations."
-Science & Justice 2001; vol. 41;4 (November)

"...In a highly interesting and fascinating presentation, leading forensic artist Karen T. Taylor explains how we can use art for administration of law and justice...."
Anil Aggrawal's Internet Journal of Forensic Medicine and Toxicology, Volume 3, Number 1, January - June 2002

For established forensic artists, it would prove to be an excellent text for recapitulation or even for familiarization of new facts. People in other sub disciplines of forensic science (e.g. forensic pathologists like this reviewer) would find this book immensely interesting, if only to know what this new and exciting branch is all about.
—Anil Aggrawal's Internet Journal of Forensic Medicine and Toxicology


 


More About the Author

Karen T. Taylor has always been passionate about faces and all their reflections. After studying art at the University of Texas and in London, she worked at Madame Tussaud's Wax Museum as a portrait sculptor. The native Texan then returned home to embark on a career she would never have dreamed of in her youth. The next quarter century was spent using her artistic skills to help resolve prominent criminal cases for law enforcement agencies throughout the world.

As an instructor for over twenty years at the FBI Academy in Quantico, Virginia, Taylor shared knowledge learned in the trenches with the next generation of artistic crime fighters. Credited with coining the term "forensic art" in the early 1980s, her cases have involved a wide variety of challenges and innovative techniques. Her expertise includes composite drawing, child and adult age progression, postmortem imagery and forensic facial reconstruction. Taylor pioneered the method of two-dimensional facial reconstruction by drawing facial features over front and profile skull photographs using anthropological data. Her textbook, Forensic Art and Illustration, is the widely-acknowledged standard for the field.

A long term contributor to America's Most Wanted, she has often been profiled on Forensic Files and other reality-based programs. Fiction and true crime authors and television writers regularly seek her input on plot and script scenarios regarding faces and forensic art. CBS crime drama CSI: created a character based on Taylor and her hands and artwork have appeared on the show.

Taylor considers herself a life-long crime victims' advocate and forensic artist, but now also uses her skills in other applications. She creates skull-based faces of the long dead for historical projects for museums, the Discovery Channel and the History Channel. Her greatest passion these days is a portrait sculpture project honoring the "Good Guys". After years of depicting the "Bad Guys" and their victims, she enthusiastically commemorates in bronze individuals who have made a significant contribution to society...those she calls the "Good Guys".

A well-established specialist in the human face, Karen is currently working on a new textbook called Understanding the Human Face for Watson-Guptill. A nuts and bolts reference resource meant to benefit all those who deal with faces, it will enhance the artistic reader's ability to capture likeness in any two-or three-dimensional medium.

Customer Reviews

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I recommend this book to anyone who is in the field of Forensic Art!
DianaTrepkov
It moves the reader through the different topics with a logic that makes this book incredably easy to read and understand, even though the material is complex.
Monica Ares
Karen Taylor's book "Forensic Art and Illustration" is a wonderful distillate of many years of experience as a forensic artist.
Prof John Clement

Most Helpful Customer Reviews

6 of 6 people found the following review helpful By Lisa Sheppard on January 11, 2001
Format: Hardcover Verified Purchase
As an officer with the Texas Department of Public Safety's Special Crimes Service, I have seen firsthand how a competent, professional, forensic artist can make the difference between success or failure in an investigation. Karen Taylor, in particular, has been instrumental in putting countless violent criminals behind bars. Numerous police agenices, communities, investigators and crime victims owe Karen Taylor a tremendous debt of gratitude for her contributions to law enforcement; many other individuals as well, because swift apprehension of predators meant they never had to experience the pain of becoming a crime victim. Unfortunately, I have also seen the wasted time and effort and the counterproductive confusion that accompanies substandard or marginal forensic art attempts. Forensic Art & Illustration should be "the reference" that sets the standard for forensic artists. It is also imperative that investigators, police administrators and prosecutors read and digest every word of this book. These professionals need to be able to evaluate the credibility of individual police artists and the techniques they employ to ensure that serious criminal investigations are not compromised. Thank you Karen for giving them the means to understanding. The intense labor and meticulous research that went into writing this book is apparent from start to finish. Karen Taylor has handed down to us a career's worth of precious and priceless knowledge. Her next project should be an anthology of case studies!!
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4 of 4 people found the following review helpful By Jerferd on January 11, 2007
Format: Hardcover
Forensic Art and Illustration is completely indispensible to anyone serious about learning any aspect of forensic art, and also to the merely curious. I bought it because I had long been interested in facial reconstruction, and wanted to try it on my own. This book made the process remarkably easy, detailing how to build a stand to mount the skull on, lengths and locations of the tissue depth markers, and proper application of the clay, all accompanied by clear and easy-to-follow photos of Betty Pat. Gatliff's excellent work. There is also a very comprehensive section on two-dimensional facial reconstruction (largely Ms. Taylor's own innovation) that is worth the price of admission in itself.

The book is highly approachable, and accessible to anyone with even the vaguest interest in the subject. Every facet of forensic art (including its history) is covered in brilliant detail, so that the book serves as a truly practical manual as well as a fascinating read. Forensic Art and Illustration really is the gold standard in the field. Don't be caught without a copy in your forensic library.
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4 of 4 people found the following review helpful By Susan Klingler, D.O. on November 9, 2000
Format: Hardcover
9Nov2000 Really exceptional, textbook quality but novel read! This book was used during a recent class by Betty Pat. Gatliff the famous Forensic Sculptor (chapters 11 and 13). Details of forensic portrait art and illustration from history to actual instruction with emphasis on identification of missing persons in drawing , sculpture, or composite from artifact facial bones or by other postmortem methods to reproduce the likeness including aging and other image modification. There are multiple case histories outlined and discussed. Karen T. Taylor has made a wonderful contribution for all future Forensic Investigation. I predict this text will be a "must-read" for lawyers/law enforcement, all artists, writers and also physicians such as myself in Forensic Pathology.
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4 of 4 people found the following review helpful By Tan Kwan Seng on July 6, 2001
Format: Hardcover
I had thought that this book deserve a look... and I was right!!
The information is practical and essential to anyone dealing with forensics, especially dealing with skulls and reconstructing a close approximate illustration of the dead. It gives very useful, clear explanation with essential illustrations to bring the ideas to the reader.
I have bought the book and find it useful and interesting. ALL the other reviewers before me gave it a rating of 5 stars. Yes, it is truly a top-notch book and I have no doubt that it deserve such a rating.
If you want to get a good book on Forensic Art and Illustration, this book is a good one.
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3 of 3 people found the following review helpful By Dr. Judith A. Kula on January 31, 2001
Format: Hardcover
While Karen Taylor's book is an excellent resource for forensic artists, it is also an amazing contribution for portrait artists and teachers of art at high school and adult levels. As such, it reaches beyond the audience of original intent to enrich still another professional group as well.
The author provides detailed information on drawing the human head with excellent supportive illustrations of the variations of facial anatomy and with specific and careful regard for the many variations of gender and ethnicity. This basic framework is followed by a comprehensive instructional section that covers materials, styles, and lighting, facial proportions, features, hair and accessories.
A special chapter is co-authored with Betty Pat. Gatliff, an expert in three-dimensional facial reconstruction. Using the skull as the base, this section includes detailed, step-by-step illustrations and process information for understanding the relationships of bone, muscle, soft tissue and skin. The combination of technical and artistic components contributes significantly to the understanding of differences and similarities between portrait drawing and portrait sculpture.
This book is a rich resource that generously informs readers about the history, breadth and potentials of forensic art as a profession. It also provides fascinating, detailed and richly illustrated data on facial expressions and age progression as components of the human condition. Special sections on standards, ethics and trends toward technological applications provide glimpses of the tremendous responsibilities and potentials for the role of the forensic artist in society.
Karen T. Taylor has given an amazing gift of knowledge to us all with her depth of experience and passion for this work.
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