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12 of 14 people found the following review helpful:
4.0 out of 5 stars
Odd, but engaging., February 21, 2005
"Forests Of The Night" is built on a weak premise: that Charlotte Monroe has a "sixth sense" about people, particularly criminals. The story is really a mishmash of pseudoscientists trying to harness Charlotte's semi-psychic abilities, a decades old spat between Cherokees and a local family, a dark spot in Charlotte's and the public defender who rescued and then married her. Throw in a psychotic daughter, a son who magically appears, a direct line to the FBI's head and a few other odds and ends and you have it all. The story is stilted to a large degree, depending on contrivances to move the plot forward. There is never any real suspense, but Hall is still readable. My suggestion is to put this one on the list for when there's nothing else you really want to read. It isn't bad; it just isn't a page-turner. Jerry
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5 of 5 people found the following review helpful:
4.0 out of 5 stars
Another solid effort from James Hall, January 27, 2006
With Forests of the Night, James Hall takes a break from his series of Thorn novels. This book follows Miami cop Charlotte Monroe, a woman with an exceptional ability to read other people. One day she returns from work to find her husband Parker chatting with a young Cherokee named Jacob Panther. Charlotte quickly identifies him as one of the FBI's most wanted, but before she can do much, he gets away and goes into hiding. The bombshell of having this man in her house is followed by an even bigger one from Parker: Panther is apparently his son from a teenage romance. Parker, a criminal defense lawyer by trade, refuses to accept Panther's guilt, leading to a major conflict with Charlotte. In the middle is their sixteen year old, schizophrenic daughter who has run away in search of Panther. Indeed, there is more to Panther's story than is initially presented, and it's all linked to an event that took place back in 1838 and is described in the prologue. (There is one historical error in this prologue, as Andrew Jackson is referred to as president; actually it was Martin Van Buren.) It is Charlotte's role to find out what this link is, even as she acts to get her daughter home. This is a very good, well-written crime novel, although a little atypical for Hall. In most Hall books, the villain is a rather off-beat character who is warped in a unique way. In this book, the villain is a bit plainer and actually remains faceless through most of the story. Also, although Hall's books are never comic (unlike fellow Florida writer Carl Hiaasen), there usually is a touch of humor that this book doesn't have. That is not to say this book is flawed, but it is just a little different from other Hall books. However, whether you've read Hall or not, this book should not disappoint.
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4 of 4 people found the following review helpful:
5.0 out of 5 stars
This fast-paced thriller is a page-turner with smarts, February 20, 2005
This stand-alone thriller from South Florida series writer James W. Hall weaves an intricate tale of intrigue, from a posh neighborhood in Coral Gables, Florida to a hard-scrabble trailer in the hills of North Carolina. It spans generations of history, from a Cherokee murder in 1838 to current-day vendettas. Police detective Charlotte Monroe arrives home from a grueling day of tests devised to ascertain her special skills at reading faces and body language, and finds her husband and daughter deep in conversation in the kitchen with a stranger. He looks vaguely familiar, and when she recognizes him as Number Eight on the FBI's most wanted list, she slips into her home office to alert the authorities. While she is on the phone, the man, Jacob Bright Sky Panther, abruptly leaves, and Charlotte soon discovers that her teenaged daughter Gracey has gone missing. The SWAT team is called, the chase is on, and Hall's singular skill at interweaving a dense, complicated plot into a very readable thriller has the reader turning pages. Gracey, who suffers from schizophrenia, is a particularly interesting character whose separation from family and medications leads her to fantasies in her own delusional world. She is at great risk as her parents frantically try to find her trail. Hall is masterful at letting us into Gracey's Steven Spielberg version of life, which adds pathos and occasional humor to the extreme danger in which she finds herself. This fast-paced literary thriller fuses historical fact, political intrigue, corruption and family feuds with deep characterizations of a troubled family facing inner terrors of their own. Charlotte's innate ability to read facial expressions could and should lead to a fascinating new series based on her character. Hall has produced thirteen other novels, several of them featuring a Key West beach bum troubleshooter named Thorn, which have been widely received and critically acclaimed. For fans of South Florida mystery thrillers, James W. Hall is perhaps more literary than some of his famous cohorts, like Laurence Shames, Carl Hiaasen, and Randy Wayne White. FORESTS OF THE NIGHT delivers not only as a thriller but also as a page-turner with smarts. Discovery of another exceptional mystery writer is always exciting, if costly. James W. Hall has been added to my must-read list. --- Reviewed by Roz Shea
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