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14 of 14 people found the following review helpful:
5.0 out of 5 stars
a terrific historical thriller, October 21, 2010
If by some chance you missed Chains, you'll want to read it before delving into this sequel--the second volume of a planned trilogy. Chains, set at the beginning of the Revolutionary War, focuses on the story of Isabel, a 13-year old slave owned by a prominent New York City family who support the British. Isabel meets another slave, Curzon, with ties to the Patriots, and becomes a spy for the Patriot cause--with the hopes of obtaining her freedom.
In Forge, the story begins where Chains ends, with Isabel and Curzon escaping to freedom, but the focus of the story quickly changes from Isabel to Curzon. The two have separated again, with Isabel running away to try to find her sister and Curzon finding himself in the middle of the Battle of Saratoga, then enlisting in the Patriot army. The irony of a slave fighting for the freedom of others does not escape Curzon, who attempts to argue his case with his friend and fellow soldier Eben. Curzon questions whether bad laws deserve to be broken, but Eben is frustrated by Curzon's logic. "Two slaves running away from their rightful master," he says," is not the same as America wanting to be free of England. Not the same at all."
But when the army arrives at the winter encampment at Valley Forge, white and black soldiers alike are unprepared to deal with the conditions there: about 12,000 soldiers with no barracks, bitter cold, and no meat. The author begins each chapter with a quote from a contemporary source, many of which are increasingly desperate reports from General Washington to the Continental Congress on the need for supplies of all kinds, from food to shoes to clothing. Most days rations consisted of nothing but firecake, a mix of flour and water that tasted like ashes and dirt, and was "hard enough to break rat's teeth." Anderson so successfully evokes conditions at the camp that we groan along with the men at their terrible conditions. But the men manage to find a little humor in their situation..no food means "we've got nothing to fart with." A special treat for Christmas is a piece of chewy pigskin to chew on (I'm assuming like the pigs ears people buy now for our dogs).
Through all the hardship Curzon manages to keep secret that he is really an escaped slave, but he can't stop thinking about Isabel and what might have become of her. Fate is to bring them together again at Valley Forge. While General Washington and Baron von Steuben try to forge the raggedy American volunteers into real troops, Curzon and Isabel try to forge their way to a new relationship...are they more than friends or an ever-bickering brother-sister pair? And can they in turn forge their way to a life of freedom along with the Patriot army?
This book equals Chains in its ability to bring the complex world of Revolutionary America to life--a world in which some struggled for freedom while others were condemned to a life of slavery. What will happen to Curzon and Isabel? We won't know until the last volume in the trilogy comes out next year.
While the main characters in the story are fictional, Anderson integrates their story seamlessly around real-life figures such as Washington, Nathaniel Greene, Charles Wilson Peale, and others, and in an afterword explains clearly which characters are "real" and which are fictional, as well as additional historical explanations. For example, she explains how black Americans fought for both the Patriots and the British. The appendix also provides a wealth of suggestions for future reading.
But don't call her book historical fiction. The author believes historical fiction gets a bum rap from kids. Please, she begs teachers and librarians, in her blog, call her books "HISTORICAL THRILLERS." The phrase historical fiction, she says, makes kids bolt for the exit or writhe on the floor in agony because between Johnny Tremain and the excruciating boredom of history class, they think all things historical are worse than chewing on barbed wire." I think the "thriller" label is justified for Forge, as it is for Chains--I had a hard time putting the book down, and literally gasped with shock at times as I turned the pages. Put this in the hands of young readers, please, and kudos to Anderson for another page turning thriller (with some non-excruciating history thrown in).
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4 of 4 people found the following review helpful:
5.0 out of 5 stars
Forging Connections in So Many Ways, November 4, 2010
I fell in love with strong Isabel in Laurie Halse Anderson's first book, Chains. She is a compelling, original character that, although her status as a slave, didn't accept things as they were. Living in New York City, she befriends another boy in a prison named Curzon, who together escapes to a better life. The sequel, "Forge", picks up the story, with a shift in narrators, and tells an equally compelling story of American independence mixed with slavery.
Escapaing together, Isabel quickly ditches Curzon to find her only surviving family member, younger sister Ruth. Curzon quickly finds himself enveloped once again in the fight for liberty, enmeshing himself with a group of patriots, some more accepting of his skin color than others. Bad timing. The Continental army is spending a very cold winter at Valley Forge. Everyone fights off cold, near starvation, thievery and infighting, until a surprise twist whisks Curzon away into a new set of complications I honestly didn't see coming.
For those of you like myself that adore Isabel, and may have been put off with a change in narrators, I encourage you to not to give up hope. Anderson's book is definitely Curzon's story. It ends up being interesting to view Isabel through this lad's eyes. You get quite a different sense of her, which I truly appreciate. In some ways, Isabel becomes more alive this way, more rounded, more real.
It all comes down to Halse's writing style. Brisk, extremely well researched without dwelling in period details or language that would leave the reader lost, the story moves along at a great pace. Short chapters lend themselves to building tension and drama, and make it ideal for a read aloud. The kids will relate to Curzon right away; his reduced status, in the eyes of some, make him a smart, "cheer"-able underdog. While I didn't think this at first, it was a great move to have Curzon pick up this part of the story.
In all, this series of books is a brilliant twist on an all-too-familiar story. Having African-American characters participate in a battle for freedom, in which their own freedom is non-existent, speaks volumes to the unexplored in children's literature racial conflict that is a compelling paradox to our American Revolution. In Halse's deft and skilled writing hands, it ultimately is a winner of a book all around.
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4 of 4 people found the following review helpful:
4.0 out of 5 stars
Readers will likely relish its sensitive storytelling as well as its gutsy depictions, November 1, 2010
When Laurie Halse Anderson's novel CHAINS was published in 2008, it became a finalist for the National Book Award and won the Scott O'Dell Award for Historical Fiction. The book introduced young people to an important --- and often overlooked --- chapter in American history, as Anderson told the story of the dawn of the American Revolution through the eyes of a young slave girl.
Anderson now continues this work in FORGE, the second book of what will eventually be a trilogy. Here the narrative shifts gears from Isabel to her friend Curzon, a fellow runaway who becomes separated from Isabel but finds safety --- of a sort --- when he enlists as a soldier fighting on the American side during the Revolutionary War. As one of the few black soldiers, he is disrespected --- and worse --- by some of his peers and his officers. With his customary courage, hard work and loyalty, however, Curzon gains the respect and even the friendship of many of his fellow soldiers.
All the young men's fortitude is brutally tested, however, when they are told to report to Valley Forge, Pennsylvania, during the winter of 1777 and 1778. As Curzon and his comrades struggle just to survive, Anderson vividly brings to life the horrifying details of life in Valley Forge, unflinchingly documenting the hardships that most high school history books just gloss over. From surviving days without food to digging trenches in frozen ground to trudging through snowdrifts in just a pair of wet, stinking socks, Curzon's story, and that of all the men, will both repulse readers and remind them of the soldiers' remarkable fortitude and bravery.
Besides being a compelling, unfailingly realistic account of the winter at Valley Forge, though, FORGE's story also serves as a powerful metaphor: "This camp is a forge for the army," remarks one character. "It's testing our qualities. Instead of heat and hammer, our trials are cold and hunger. Question is, what are we made of?"
What indeed? Curzon finds himself asking this question and others when his past as a runaway slave starts to catch up with him. By all accounts, he should be freed; he has kept his part of a bargain that he made months earlier. But he doesn't have paperwork showing he's been freed, and if he's revealed as a runaway, hunger and cold will be the least of his problems. One beloved but complicated relationship from his past also resurfaces when he encounters Isabel once more and must deal not only with their shared and separate histories but also with his evolving feelings toward her.
Once again, in FORGE, Laurie Halse Anderson has managed to compose a historical novel that feels both entirely true to its period and completely contemporary. Curzon's voice rings true as that of an 18th-century young man, but its sophisticated narration and storytelling style introduce contemporary perspectives seamlessly in ways that will not only allow readers to reflect on their own times but also to reconsider their understanding of and approach to history. With its extensive historical notes and glossary, FORGE (like CHAINS) would be an ideal classroom companion to more traditional history-book fare, one that readers will likely relish as much for its sensitive storytelling as for its gutsy depictions.
--- Reviewed by Norah Piehl
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