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Form Emphasis for Metalsmiths
 
 
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Form Emphasis for Metalsmiths [Paperback]

Heikki Seppa (Author)
3.6 out of 5 stars  See all reviews (7 customer reviews)

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Book Description

August 1978
A master artist and teacher of metalwork presents a bold new approach to creative expression in metal.

Believing that the time has come for the artist to free himself from the functional forms that have dominated the metal smith's craft, the cup, the box, the pitcher, etc.--Heikki Seppa urges the craftsman to create in terms of pure form, and in this book he shows him how.

Two Things are essential. The first is a thorough understanding of the special properties of metal as an artistic medium and an intimate knowledge of techniques for working it. Only when he has mastered the physical means of working with metal can the artist free his imagination for unimpeded creation. Though not addressed to the beginner, Seppa discusses the fundamental techniques of planishing, soldering, and hinging all the basic means by which metal is shaped.

The second is to free the artist from thinking in terms of function, since this limits his concepts of what can be created. Even such traditional forms as the cube, the cone, the cylinder, and the dome have their limitations, and Seppa opens new possibilities by creating a new vocabulary, new terms by which to identify the many shapes metal can take under skilled hands.

A major feature of this book is an extensive glossary of these terms, each one illustrated with a sketch by the author. The book is profusely illustrated throughout with the author's own sketches of the ideas and techniques discussed. It will be of significant value to the accomplished craftsman as well as to teachers and advanced students of this exciting and growing art form.

The artistic metal creations of Heikki Seppa have won international acclaim, from his award of master status in silversmithing from the Ministry of Education in his native Finland to numerous exhibits and awards here and abroad. As a teacher of metalsmithing in the School of Fine Arts of Washington University, Mr. Seppa's work with young artists led to the formulation of the new approach to creativity in metal that he details in this book.


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Product Details

  • Paperback: 146 pages
  • Publisher: Kent State University Press (August 1978)
  • Language: English
  • ISBN-10: 0873382129
  • ISBN-13: 978-0873382120
  • Product Dimensions: 10 x 6.9 x 0.5 inches
  • Shipping Weight: 12.8 ounces (View shipping rates and policies)
  • Average Customer Review: 3.6 out of 5 stars  See all reviews (7 customer reviews)
  • Amazon Best Sellers Rank: #586,448 in Books (See Top 100 in Books)

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Customer Reviews

7 Reviews
5 star:
 (1)
4 star:
 (3)
3 star:
 (2)
2 star:
 (1)
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Average Customer Review
3.6 out of 5 stars (7 customer reviews)
 
 
 
 
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38 of 40 people found the following review helpful:
3.0 out of 5 stars Was the start of the conceptual form metalsmithing school, April 8, 2006
By 
PTSideshow "GRP" (Macomb County Michigan) - See all my reviews
This review is from: Form Emphasis for Metalsmiths (Paperback)
I have to say that this book isn't for everyone. It is for the person that enjoys learning some new info on things that one takes for granted. In conjunction with their avocation. Since it was published in 1978 some of the information at first glance may seem a rehash of the basics. That is far from the truth, The author does go over the things like the role of the formal shells, soldering,raising, planishing, layouts, tubing, hinges and linkages. In each of the sections or chapters he does go into things in somewhat more detail than the more modern books.Having been in metalsmithing off and on for over 40 years. Since high school I learned more from this book than I have from some classes I have taken over the years. The surface enrichment,refinement and finishing chapter and the one on the spout. Were of interest if for no other reason it pointed out things I never thought of in regards to the design of the opening in the spout. Having only made items with a spout for general shop work. No tea services ect. But the info will still work.
The art work is done by the author and are numerous. Since he was doing the drawing they reflect what he was thinking to a fine point. The pictures are in the style of the 70's brightly lit black and white. Each chapter has definitions of all things described. The glossary at the end of the book is illustrated with the drawings of the author ,the generic terminology,alternative terminology and etymological origins.
Having heard,and read all the artsy,2 dollars words thrown about by people that have no idea what they mean in relationship to the forms they are describing. It was a enjoyable read and I do own it.
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7 of 7 people found the following review helpful:
4.0 out of 5 stars Great reference for advancing silversmiths, September 16, 2009
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This review is from: Form Emphasis for Metalsmiths (Paperback)
Seppä has written the best book I know for anyone looking to expand their range in creating forged metal objects. Although this touches on a few additional topics, like surface treatments and linkages, the largest part of Seppä's discussion addresses raising, forging, and planishing.

This book starts where others leave off. As a result, it skips the basics that a reader is expcted to know already. Those include soldering, annealing, raising or sinking of simple forms, and matching of complex shapes to be soldered to each other. Instead, Seppä goes into detail about forging of complex forms, including anticlastics, multi-part shells, and even a forged cube! Within each section, Seppä guides the prepared reader through steps, with special focus on the unusual techniques needed. The well-prepared reader will easily follow along as Seppä shows which part of the workpiece requires attention, and the kinds of blows needed to create the desired form.

The other major thrust of this book addresses the language in which metalsmiths describe their forms. Seppä asserts that terms like "bowl," "platter," or "box" create un-needed confusion between form and function. That, he believes, restricts the creator's imagination. If, instead, the smith thinks of a rounded concavity rather than a bowl, it suggests many more ways to incorporate that same shape into different design contexts. So, in addition to using unfamiliar shape-words (like 'spathe' and 'xiphoid') in the how-to section, Seppä adds 30+ pages of glossary. That creates a verbal short-hand, summarizing a complex thought in one word. Then, when those complexities have been reduced to single words, it becomes that much easier to combine them into larger structures. The fact is, I have not seen this vocabulary put to use, but the idea remains intriguing.

Once the reader accepts the relatively advanced level of this book's discussion, I have only a few qualms about it. One appears when Seppä says, "The statement that 'anything that works is right' is no more than simple-minded sanction of inefficiency." True, well-known techniques make work faster and easier, and avoid deleterious side effects that might not be immediately obvious in poor technique. Still, I would not want hidebound obedience to rules to prohibit thoughtful experimentation, or combinations of techniques from different bodies of knowledge. A reader at this book's level will understand that, though, and have the background to incorporate Seppä's new advice with the reader's own knowledge and experience. This shouldn't be anyone's first or even second book on forged forms, but should be in the library of every advanced student of metalwork.

-- wiredweird
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5 of 6 people found the following review helpful:
4.0 out of 5 stars The Master of Master Metalsmiths, December 12, 2008
By 
Judith E. Moore (San Diego, CA USA) - See all my reviews
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This review is from: Form Emphasis for Metalsmiths (Paperback)
This book was highly recommended by my instructor who is, herself, a master of metals. She referred to Heikki Seppa as the Master of Master Metalsmiths. His book has taken me to a higher level of understanding and creativity. A valuable addition to any metalsmith's library.
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