Review
Visceral and fearless, the poems in Forms of Intercession offer realities that never fail to leave the reader unmoved, perhaps even unscathed. Jayne Pupek has the uncanny ability to dissect relationships, objects--even situations--and rearrange them according to the blueprint of her secret house of mirrors. A stunning debut. --Arlene Ang
Halfway through Jayne Pupek's Forms of Intercession--in a poem about sickness, corpses, and suicide--is the line, "What it gives is disturbing and raw." In fact, the line could describe most any poem in the book, as could adjectives like intense, brave, and brilliant. With her caustic imagery and spare lines, Pupek is an heir-apparent to Plath and Olds, just as imaginative, even more "disturbing and raw." These poems take you to dark and startling places, but Pupek fearlessly draws you in to subjects like adultery and abortion without an iota of remorse. As another poem in the collection states, "Sometimes there is no absolution" --Scott Wiggerman
As André Breton famously said of the painter Frida Kahlo, whose kindred, post-Lapsarian vision of ardor and pain haunts Jayne Pupek's Forms of Intercession, her art is "a ribbon around a bomb." In Pupek's work, the bomb is the body--bone house, blood-jet, impediment, given to extremes of despair and ecstasy. The ribbon is the frank, anguished bondage of language: full-frontal, insomniacal, and deeply sexual in its shadows and luminosities. With the forthright, gothic lyricism of a Sally Mann, ever her own confessor and intercessor, this brave conjure woman/poet "with a knack for surviving godless nights" honors life's complexly-dealt hand with relentless looking. An ambivalent abortion, a lover's abandonment, childhood abuse, a bad case of intestinal flu, her own fierce fulfillments and longings--all are granted the potent grace and gracious force of Pupek's attentive, inimitable mediations. --Lisa Russ Spaar
About the Author
Jayne Pupek holds an MA in counseling psychology and has spent most of her professional life in the field of mental health. Her short fiction and poetry have appeared in numerous print and online literary journals. Her work has twice been nominated for the Pushcart Prize. She is the author of two poetry chapbooks: Local Girls (DeadMule, 2007) and Primitive (Pudding House Press, 2004). Her first novel, Tomato Girl, will be published by Algonquin in 2008. Jayne resides near Richmond, VA with her husband, two sons, and a menagerie of animal companions.