Bowen's poetry reveals the moments when home and history collide. In "Love in the Days of the Strangler" the speaker recalls the day the police came to talk with his young mother about the man who broke into the house at night and knelt by her bedside. "The Gypsies at St. Patrick's" is a portrait of intolerance by both gypsies and churchgoers, one group insulting the other in turn. In "History Lessons" Bowen cants his Irish "history / of bones / ...of late night lies and morning betrayals / the history of slow fuses and phone calls." The lament of "The Poetry Garden at Song Be" mourns a buffalo boy who had "run screaming from the bunker, / then the hand from the past reaching up / to take it all so fast away." Bowen's visions bridge a path between East and West. --Susan Swartwout
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This review is from: Forms of Prayer at the Hotel Edison: Poems by Kevin Bowen (Paperback)
"[Bowen's] poems about Vietnam convey the experience of war, but they also portray the country, its myths, its colors, its tragic history, and its graceful, resilient people." --The Boston Irish Reporter"...marked by beautiful imagery...full of strong images and touching scenes." --Socialist Worker "The sense of loss, of both life and place, experienced by both sides in the Vietnam war is evoked." --Irish Emigrant
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