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Maria Irene Fornes (Routledge Modern and Contemporary Dramatists) Paperback – August 31, 2012

ISBN-13: 978-0415454353 ISBN-10: 0415454352 Edition: 1st

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Product Details

  • Series: Routledge Modern and Contemporary Dramatists
  • Paperback: 232 pages
  • Publisher: Routledge; 1 edition (August 31, 2012)
  • Language: English
  • ISBN-10: 0415454352
  • ISBN-13: 978-0415454353
  • Product Dimensions: 0.5 x 5.2 x 8 inches
  • Shipping Weight: 9.9 ounces (View shipping rates and policies)
  • Average Customer Review: 4.0 out of 5 stars  See all reviews (1 customer review)
  • Amazon Best Sellers Rank: #1,504,299 in Books (See Top 100 in Books)

Editorial Reviews

Review

'In this excellent study, Cummings successfully argues Fornes's stature as "the most important unknown playwright in the United States" during the second half of the 20th century. He provides a comprehensive analysis of her career over four decades, demonstrating how her conjoined practices as playwright, director, and teacher form an organic whole and characterize her distinctive style of theater. Cummings analyzes and interprets all of Fornes's plays in a clear, accessible manner, affording a more detailed examination of what he terms the "key" plays--Promenade, Fefu and Her Friends, and Abingdon Square. Cummings situates Fornes's work and influence decade by decade, providing a portrait of the rapidly changing American theater from 1950 to 2000. He highlights Fornes's particular contributions to the Open Theatre, INTAR, and the Padua Hills Playwrights Festival, among others. As a leading figure of the American avant-garde, Fornes was perhaps most influential as a playwright's playwright who was instrumental in shaping the careers of her more famous protégés, including Henry David Hwang, Eduardo Machado, and Sarah Ruhl. Appendixes detail Fornes's published plays and production history; the bibliography is solid. This is a fine volume. Summing Up: Highly recommended.' M.S. LoMonaco, CHOICE

About the Author

Scott T. Cummings is Chair of the Theatre Department of Boston College, where he directs plays and teaches courses in playwriting and dramatic literature. He is the author of Remaking American Theater: Charles Mee, Anne Bogart and the SITI Company, as well as numerous performance reviews, journal articles, and essays on contemporary American theater and drama.


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This woman and her work, is why I committed to theatre. Her work as a playwright and a teacher to some of our current, prolific, Latino playwrights is why I continue to support theatre and the development of new work. Anything by her or about her should be read, re-read, studied and taught.
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