4 of 4 people found the following review helpful:
5.0 out of 5 stars
Galsworthy's Victorian epic, February 23, 2007
This review is from: Forsyte Saga (Penguin Modern Classics) (v. 1) (Paperback)
Everyone's heard of "The Forsyte Saga," the BBC family epic of the late Victorian Age. Fewer have read the Galsworthy book, and that's a shame, because it's fascinating on so many levels.
On the surface it's the story of Soames Forsyte, the quintessential icon of the growth of the upper middle classes and the decline of the nobility during the Victorian era. Descended from a farmer in Dorset in the not-too-distant past, Soames is a lawyer and a man of property. He buys wisely, sells more wisely, and husbands his wealth and that of the family. He is in control of everything that affects him, except one thing--his wife. Desiring to possess the sensitive, beautiful, genteel but poor Irene, and with the help of a callous mother, Soames pressures Irene into becoming his wife. From this single mistake, the one time Soames let passion rule, his life and the lives of his family and their descendants are changed in unpredictable and frightening ways. Galsworthy's theme is the constant tussle in life between property and art, love and possession, freedom and convention. In the fine tradition of family sagas, these themes play themselves out over and over with each generation.
On another level, this is the story of an age, the story of the British Empire at its peak. Galsworthy packs his book with allusions to the great crises of the time, the Boer War and WWI, the rise of Labour, the death of the Queen, the spread of "democracy." The Forsyte homes are meticulously detailed, from the French reproduction furniture to the dusty sofas to the heavy drapes, to the fireplace grate, to the electric lights in the old chandeliers. Soames collects art, and Galsworthy showers us with the opinions of a British gentleman of the great and not so great art of the day.
The saga was written over a period of many years, and on yet another level I found the the changes in Galsworthy's style from the rather clipped, detailed recitations of events and commentary typical of the 19th century to the more expressive style of the 20th. Especially in the first volume of the three, family relationships are painstakingly laid out, the rounds of dinners and family gatherings carefully chronicled. By the third volume, To Let, Galsworthy reveals the love of the countryside and the pain of repressed emotions that the family members a generation ago would have hidden. The writing is very beautiful--as in this sentence: "Fleur raised her eyelids--the restless glint of those clear whites remained on Holly's vision as might the flutter of a caged bird's wings."
It took me a good six weeks to plow through The Forsyte Saga, but it was worth it.
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4 of 6 people found the following review helpful:
5.0 out of 5 stars
Sprawling "Saga", April 23, 2005
This review is from: Forsyte Saga (Penguin Modern Classics) (v. 1) (Paperback)
Family secrets, dirty little problems, and a dash of adultery, scandal and forbidden love. Soap opera? Well, sort of -- it's Nobel Prize Winner John Galsworthy's sprawling family epic "The Forsyte Saga." While it has a distinctly soapy flavor, "Saga" retains its dignity and look at turn-of-the-century mores and society.
The Forsyte family is determinedly regal and hard-nosed, almost to the point of a fault. One staid family member, Soames Forsyte, becomes obsessed with the beautiful but poor Irene, and finally gets her to marry him -- on condition that if their marriage doesn't work, she walks. Well, their marriage doesn't work. Soames is frustrated that Irene shuts him out of her life and her bed -- even more so when he learns that she is in love with sexy, arty architect Bosinney, who is building them a new house.
Soames rapes Irene and ruins Bosinney. His marriage falls into ruins, and Bosinney is killed in a car accident. So Irene leaves permanently, living in an apartment by herself. Then Soames announces that he wants to marry a pretty French girl, Annette, and Irene weds Soames' cousin. But the problems of the older generation get inherited by the younger one -- Soames's daughter falls madly in love with Irene's son, but their parents' secret pasts doom their love.
Three novels ("A Man of Property," "In Chancery," and "To Let"), connected with two short stories ("Indian Summer of a Forsyte" and "Awakening") -- it's a pretty big story, sprawling over three generations and four decades. It's a bit soapy, with all the scandal and family weirdness, but the dignified writing keeps it from seeming sordid.
It's a credit to Galsworthy that he can communicate so much without ever getting into his characters' heads. He displays emotion in undemonstrative people like Irene through little mannerisms and twitches. At the same time, he can give us heartrending looks into aging patriarch Old Jolyon's lonely mind. His writing is very nineteenth century, dignified and with plenty of furniture/clothing details. It's pretty dense, but all right once you get used to it.
Galsworthy was a solid supporter of women's rights, and you can see in Irene and Soames' relationship -- Soames, who sees his wife as another piece of property, and the determined Irene who only wants her own happiness, but can't afford to live on her own. Their respective kids Jon and Fleur are nice but kind of boring beside their darker, more intense parents.
For a look at the social shifts that helped define the twentieth century, take a look at the "Forsyte Saga." Or if you just want to soak in a tale of family woe, love, hate and dark secrets, "Saga" still works.
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