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Two years after "Kezia" made its splash (Three counting the original Canadian release), PTH has returned with "Fortress", in the hopes of recapturing some of that intial glory. For the most part, these five extremely talented musicians (The average age of the band is under 21 years old) have yet again carved out a sonic masterpiece. If you liked "Kezia", you will love "Fortress".
From the get-go, PTH is ready to show they aren't simply a one-trick pony: The blistering leads are there, enforced, and even more complex than before. Their presence isn't as saturated as it was in previous albums, but they are used to greater effect. The chugging riffs have even disappated somewhat, and in the place of these PTH has brought out the big chords: Massive-sounding, epic, legato chords that give the songs on "Fortress" a much more epic feel than any of the previous albums. The bass has taken a much higher priority in the mix this time as well, and that is extremely fortunate: The bass lines slide and wiggle inbetween the guitars and drums, rarely mimicing the two young virtuosos as it creates another layer to the overall sonic blast.
The sticking point is the same as it was before: The falsetto wails of Rody Walker, while much more controlled and somewhat more spaced out, are still present.Read more ›
While describing an album that you're really excited about, it's hard not to throw around adjectives like "amazing" and "mind-blowing", and "stunning", but after one listen, I think you'll agree with me. The musicianship is top-notch, to say the least. The song structures are other-worldly. There is not one wasted note in the whole mix. It also has to be said that it never sounds the same twice.
Without any reservation whatsoever, it gets a 10/10 from me. Ignore the samples here and just get the album. If you're already here looking and you've managed to get all the way through my review, then it's almost a guarantee that you've found your album. Enjoy.
The main thing one will notice and most likely be impressed by on this album is the musicianship. Fortress, while still metalcore at heart, takes a much more metal-sounding approach than the previous album, Kezia, allowing for more "wiggle room" with the music. The guitarists come up with a decent variety of entertainingly clever riffs and fills throughout the album, generally tending to exude a somewhat "epic" sound. Bassist Arif has his shining moments, as well; there are a few solos throughout the album, and aside from this, he is audible through the entire record, which can be rare for a bassist. Drummer Moe exhibits some sick sticksmanship, whether pounding on the double bass drums or cracking out a nice jazzy fill. But the single most impressive aspect about the musicianship on the album is this: every instrument flows together. Perfectly. There is never a song where the guitarists take front-and-center with an all-consuming solo, or anything of the sort. At any moment in time throughout the album one could listen closely and state something notable about any given musician playing at the point. This musical union is, in my humble opinion, a rarely attained and highly valuable feat in the world of metalcore, and is a primary reason why I find this album to me so satisfying.
As for the vocals...well, let's just say Rody Walker has some pipes.Read more ›
Most Recent Customer Reviews
Great album, I love this band, however, is anyone having trouble ripping their copy to iTunes?Published 14 months ago by Ashlee Tyler
Fortress is the second full-length studio album by the unique Canadian band Protest The Hero. It was released in early 2008 and produced by Juice Butty (Alexisonfire, City &... Read morePublished 21 months ago by Kingcrimsonprog
Great buy, get each song on the album, and the instrumental version of each song. Definitely recommend for metal fans or if you want to fight things with awesome music.Published on October 5, 2013 by Sean Dolan
This is probably my favorite album from PTH. If you are a fan of odd time signatures, these guys will blow your mind away. Read morePublished on September 4, 2013 by Timothy A. Elliott
Although they were certainly not the first to do so (see also: Between The Buried And Me, The Faceless, The Red Chord, Psyopus, etc. Read morePublished on August 26, 2013 by A. Stutheit
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