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Miles and Me (George Gund Foundation Imprint in African American Studies) [Hardcover]

Quincy Troupe (Author)
3.4 out of 5 stars  See all reviews (12 customer reviews)


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Book Description

George Gund Foundation Imprint in African American Studies March 8, 2000
Quincy Troupe's candid account of his friendship with Miles Davis is a revealing portrait of a great musician and an intimate study of a unique relationship. It is also an engrossing chronicle of the author's own development, both artistic and personal. As Davis's collaborator on Miles: The Autobiography,Troupe--one of the major poets to emerge from the 1960s--had exceptional access to the musician. This memoir goes beyond the life portrayed in the autobiography to describe in detail the processes of Davis's spectacular creativity and the joys and difficulties his passionate, contradictory temperament posed to the men's friendship. It shows how Miles Davis, both as a black man and an artist, influenced not only Quincy Troupe but whole generations.
Troupe has written that Miles Davis was "irascible, contemptuous, brutally honest, ill-tempered when things didn't go his way, complex, fair-minded, humble, kind and a son-of-a-bitch." The author's love and appreciation for Davis make him a keen, though not uncritical, observer. He captures and conveys the power of the musician's presence, the mesmerizing force of his personality, and the restless energy that lay at the root of his creativity. He also shows Davis's lighter side: cooking, prowling the streets of Manhattan, painting, riding his horse at his Malibu home. Troupe discusses Davis's musical output, situating his albums in the context of the times--both political and musical--out of which they emerged. Miles and Me is an unparalleled look at the act of creation and the forces behind it, at how the innovations of one person can inspire both those he knows and loves and the world at large.

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Editorial Reviews

From Publishers Weekly

Growing up in St. Louis, Mo., in the 1950s, Troupe idolized jazz trumpeter Miles Davis, seeing him as an alternative to his own white-dominated neighborhood and high school. Miles, as a successful black man embodying all that was hip and proud, was a favorite role model for Troupe and his friends. Thirty years later, Troupe met his hero, and eventually collaborated with him on Miles: The Autobiography. Now he's documented his relationships with man and music in this slim, conversational volume. In casual, sentimental language ridden with gossipy details about Miles's Italian designer clothes, Troupe notes every interaction between Miles and himself that preceded their collaboration and relates favorite vignettes from that project. But what's notable about these anecdotes is how banal they are, from a story about an incompetent roadie, whom Miles predicted would drop everything because he "walked out of tempo," to Troupe's reflections on Miles's habit of hurling harsh insults at strangers who approached him. Although Miles's fans may be happy to read sketches from his life, this book works more as a commentary on the phenomenon of devoted fandom than as another biography of the trumpeter. The book's third section, in which Troupe (now a professor of literature at UC-San Diego) writes about how Miles affected his own coming-of-age, is by far the most compelling, because it deals with the emotional effects music can have upon its listeners--which is, after all, both the cause and the most lyrical side of fandom. 16 b&w photos not seen by PW. (Mar.)
Copyright 2000 Reed Business Information, Inc.

From Library Journal

Miles Davis's open-mindedness toward innovation (musically and personally) set an example that inspired many of his listeners. He made young blacks in particular feel special and free; and some, like Troupe (Choruses, Avalanche), were able to use their imaginations in ways not probable without Davis. Pithy and succinct (one wishes he had written twice as much), Troupe continues to flesh out and demystify Davis in this follow-up to their collaboration, Miles: The Autobiography (LJ 10/1/89), and the Miles Davis Radio Project (a multipart radio series). Filled with "Milesian" humor and off-color language (those sensitive to gratuitous swearing may find this an arduous read), Troupe's book reveals Davis as profoundly, artistically sensitive yet maddeningly mean-spirited and rude. From his teenaged impressions during the 1950s to his mature, deeper reflections at the time of Davis's passing, numerous vignettes clearly show that a rewarding and richly hued relationship had developed between the two men. Recommended for public and academic libraries.
-William Kenz, Moorhead State Univ. Lib., MN
Copyright 2000 Reed Business Information, Inc.

Product Details

  • Hardcover: 189 pages
  • Publisher: University of California Press; 1 edition (March 8, 2000)
  • Language: English
  • ISBN-10: 0520216245
  • ISBN-13: 978-0520216242
  • Product Dimensions: 8.6 x 5.8 x 0.9 inches
  • Shipping Weight: 14.4 ounces
  • Average Customer Review: 3.4 out of 5 stars  See all reviews (12 customer reviews)
  • Amazon Best Sellers Rank: #239,469 in Books (See Top 100 in Books)

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Customer Reviews

12 Reviews
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 (2)
4 star:
 (6)
3 star:
 (1)
2 star:
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1 star:
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Average Customer Review
3.4 out of 5 stars (12 customer reviews)
 
 
 
 
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12 of 12 people found the following review helpful:
3.0 out of 5 stars Listen to the music--it speaks loudest, April 28, 2000
By 
joel fass (bronx,, n.y. United States) - See all my reviews
This review is from: Miles and Me (George Gund Foundation Imprint in African American Studies) (Hardcover)
I read Troupe's tome, and neither recommend nor disrecommend it. Those interested will read it. However, to me it brings to mind two comments I recollect: "I don't want to hear the bathroom noises of the artist" (Bill Evans), and "The greats are disappointing when you meet them" (Woody Allen).

I read "Miles" and was riveted. It is valuable, hard-hitting oral history. Reading this though, is a perplexing, even depressing exercise. (I'm not saying it's not well written, it is, and has some moving passages)The book is as much about Troupe as Davis, and I'm not sure what his modus operandi is for making public the tyrannical rages and assorted uglier impulses of Davis. Is he trying to bask in reflected glory, tripping that he "really knew" Davis? Is it necessary for music fans, etc. to read how Troupe stood up to Davis's verbal taunts? Does this have anything to do with, or cast any light whatsoever on the MUSIC( which, after all, is what we'll remember long after books like these fade away)?

Honesty notwithstanding, as a musician the more I read about Miles Davis the person, the more I'd like to forget.

The really important stuff is down on record.

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11 of 13 people found the following review helpful:
1.0 out of 5 stars Miles of Troupe, May 21, 2000
By A Customer
This review is from: Miles and Me (George Gund Foundation Imprint in African American Studies) (Hardcover)
Troupe is an outstanding poet and performer of his words, he was also Miles Davis's biographer, and has written a memoir of that relationship which is redundant, self-serving, fan-mag ooze which makes one reconsider the biography Troupe assembled from taped interviews with Davis, perhaps the most durable and ominpresent jazz soloist since Louis Armstrong. Published by a University press obviously trying to hit the trade marketplace, this slim volume reads like it were much longer.
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3 of 3 people found the following review helpful:
4.0 out of 5 stars Very interesting, January 24, 2001
By 
This review is from: Miles and Me (George Gund Foundation Imprint in African American Studies) (Hardcover)
I picked up this book not knowing what to expect, hoping mainly to get some insight into one of my favorite musicians. On that level this book delivers. The author was very close friends with Miles through the later stages of his life and the book centers around the time they spent together and Troupe's perceptions of Miles during this time. We learn that Miles, while a brilliant and influencial musician, had his share of flaws and Troupe makes no attempt to cover these up - this book is not for those who cannot conceive seeing their hero portrayed in a sometimes negative light. The only reason I didn't give this book 5 stars was because sometimes the author let his personal views and beliefs get in the way. Personally I would rather read about Miles than Troupe, but oh well, it is his book.
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Inside This Book (learn more)
First Sentence:
Miles Davis was a great poet on his instrument. Read the first page
Key Phrases - Statistically Improbable Phrases (SIPs): (learn more)
bad motherfucka, bitches brew, meeting miles, voodoo woman, peacock alley, working band
Key Phrases - Capitalized Phrases (CAPs): (learn more)
Miles Davis, New York, John Coltrane, James Brown, Los Angeles, Philly Joe, Central Park, Charlie Parker, Dizzy Gillespie, Gil Evans, Avery Fisher Hall, Chuck Berry, Marcus Miller, Cicely Tyson, Jimi Hendrix, John Hicks, Uncle Albert, United States, Clark Terry, Fifth Avenue, Joseph Foley, Max Roach, Paul Chambers, Quincy Jones, Ricky Wellman
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Front Cover | Table of Contents | First Pages | Index | Back Cover | Surprise Me!
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