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Four Corners [Hardcover]

Ruth Clapsaddle-Counts (Author), Luis Foyt (Author)
5.0 out of 5 stars  See all reviews (1 customer review)


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Book Description

March 1998
Here's a model family man, tremendously successful in his public life as the powerful czar of the nation's proposed 21st century transcontinental bullet train, The Windjammer. Worthington Rhodes is highly respected, even by the President of the United States. He has everything going for him: support from Congress, the construction industry, suppliers, labor unions, and according to the latest D'Camp-CNN opinion poll, the general public.

We first see him in the Dulles Airport where he is to meet his estranged father, "Dusty", an eminent archaeologist who is arriving from Athens to join with the renowned Dr. Anna Ardmore on her forthcoming Southwest excavation in the Four Corners. Worthington has taken his little daughter Emily with him, hoping to avoid an unpleasant confrontation with his father in which he might lose his temper as he had in an adolescent fracas twenty years earlier.

Preservationist Anna Ardmore, beautiful, vivacious, obsessed with the prehistory Anasazi people of the Four Corners, is determined to save their many archaeological sites that are destined to be bulldozed for the wide right-of-way for Worthington's train. She can't fathom how this attractive man can be so insensitive to America's heritage.

In a premeditated scheme Anna seduces Dusty in an effort to get the dirt (so to speak) on Worthington so that she can pressure him into abandoning his project. Dusty, wanting to get even with his son for not becoming an archaeologist and carrying on a three-generation family tradition, tells Anna an unbelievable story that Worthington was responsible for his uncle's death. When she challenges the validity of that yarn, he tells her to talk to Aunt Hattie up there in Maine.

Meanwhile, Anna's fanatical cohort, Quentin Ford IV, chairman of the influential non-profit Institute and Living Museum of Archaeology (ILMA), has his own scheme for doing away with Worthington. After a fund-raising reception for Anna in Washington, D. C., Quentin tells her his plan is the only way to derail the economic development interests supporting the bullet train. Anna, believing Quentin means to assassinate Worthington, pleads for 48 hours to do it her way.

In the never-never world of the coast of Maine, Anna and Worthington meet unexpectedly. Anna has arrived to interrogate Aunt Hattie, but it's Aunt Hattie's funeral that has summoned Worthington. That evening, in an old sea captain's bed and breakfast, Worthington and Anna put aside their public facades for a private night of passion.

An unfaithful Worthington returns to the nation's capital and wife Sara's domestic scene. With Anna dominating his thoughts, he buries himself with work as he prepares for his cross-country promotional tour for The Windjammer.

A self-delusive Anna escapes back to her familiar Four Corners and tries to put Worthington out of her mind, concentrating instead on her immediate task of getting ready for the arrival of the seminarists who will help excavate her Noah's Ark site. Alexander Parish, former baseball star, leads the roster which includes a Houston oil man and his wife, a Wall Street economist, a school teacher, a female banker, Dusty, and Daisy, the woman in short shorts. Isolated from the outside world, they bond together, supporting Anna to the extreme as she forsakes the truth and fabricates an Anasazi discovery in order to focus the whole world's attention on preserving her archaeological wonders.


Editorial Reviews

Review

What a pleasant surprise to discover Ruth Clapsaddle-Counts' wonderful archaeological novel! I found the story fascinating - on its own merits, and because it touched a thread in my own life. Last fall I was privileged to be logistic person for a dig at the 1607-8 site at the mouth of the Kennebec. We found specific remnants of the major building in the fort complex - a storehouse. As we worked, I had much the same experience as Ruth's heroine, Anna - feeling the spirits of those who inhabited the site in the past. Then "visiting" Ruth's Four Corners, I loved the plot, was drawn into its intricacies, and the characters were living - believable - persons. -- Maine Maritime Museum Review, 1998

From the Publisher

Four Corners is a word drama of preservation versus progress. As she tells the story of the lengths to which one woman will go to preserve America's Southwestern archaeological wonders, Ruth Clapsaddle-Counts interweaves political, sociological, and philosophical threads which make Four Corners as thought-provoking as it is entertaining.

Product Details

  • Hardcover: 199 pages
  • Publisher: Ivy House Pub Group (March 1998)
  • Language: English
  • ISBN-10: 1571970797
  • ISBN-13: 978-1571970794
  • Product Dimensions: 9 x 5.8 x 0.8 inches
  • Shipping Weight: 1.1 pounds
  • Average Customer Review: 5.0 out of 5 stars  See all reviews (1 customer review)
  • Amazon Best Sellers Rank: #8,407,052 in Books (See Top 100 in Books)

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1 of 1 people found the following review helpful:
5.0 out of 5 stars "Here's a book, Daddy. It's all about archaeology.", April 5, 2001
By 
Brian Wheeler (Tesuque, NM USA and London UK) - See all my reviews
This review is from: Four Corners (Hardcover)
Four Corners is a romantic novel written in third person. Judicious uses of slang, informal language, and potent visual imagery help to achieve a consistently romantic tone. Passages such as the one below and others set in Washington, DC and the Southwest illustrate this well. The gray-bearded driver nodded a greeting and opened the back door. "Wheah you goin', lady?" "The Chickawaukie Nursing home." "Youah not from around heah." It was a statement not a question. "I'll give you the scenic touah." As the cab passed the harbor crowded with boats, Anna saw the lobstermen in their yellow slickers sitting on their rope lockers, Winslow Homer foul-weather helmets covering their heads. They were staring out to sea. Their green vinyl-coated-wire lobster traps with their lines attached to their family's distinctively-painted wooden floats, were neatly stacked, waiting, begging to be baited and dropped into the ocean there to lure and capture their soft and hard shell prey. "No fishing today?" "Nope, see over theah? The entrance to the hahbah is blocked by the Coast Guard." Aside from illustrating the effective use of nonstandard language and visual imagery, the last sentence in this passage also introduces a passage that raises questions about issues such as cultural preservation and economic development. There is a continuous undercurrent of philosophical, political, and social issues that ebb and flow throughout the story. This is a distinctive characteristic of the manuscript that truly sets it apart from other works. Not only do the authors smoothly introduce these themes, but they do so in way that is both thought-provoking and inoffensive. Other highlighted subjects in the manuscript are investigative journalism, family values, the mass media, and the search for truth. Plot structure and characterization are skillfully handled. The basic plot is realistic. Events unfold in an orderly fashion that does not confuse the reader. Instead, effective use of subtle innuendoes and ambiguous statements tease the reader and keep him guessing about what turn of events will occur next. The climax is dramatic and in the end differences are reconciled and balance is restored to the world of Four Corners. Each character is precisely developed to carry out his role. There is a well-accented contrast between the main characters. Worthington is a champion of economic development; Anna a champion of cultural preservation. Important moral and psychological differences also exist between the two. Anna is depicted as promiscuous and somewhat unstable; Worthington is a model family man who generally keeps his troubled past in check. Symbolically the two are Yin and Yang. Their eventual union symbolizes the balance of opposing forces. Other characters such as Emily, Popé, and Dusty not only support the main characters, but, also act as symbols. Popé, Anna and Worthington's love child, is a symbol of hope for the future. Though romance readers are the most obvious target for this book, those interested in the behavioral sciences may enjoy this work as a refreshing, light alternative to the relatively dry works available on these subjects.
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Inside This Book (learn more)
First Sentence:
"Here's a book, Daddy. Read the first page
Key Phrases - Statistically Improbable Phrases (SIPs): (learn more)
magnetic train, press aide, lobster boats
Key Phrases - Capitalized Phrases (CAPs): (learn more)
Silver Bell, Four Corners, Worthington Rhodes, Quentin Ford, Uncle Bill, Anna Ardmore, New Mexico, Aunt Hattie, Henry D'Camp, Congressman Roybal, Noah's Ark, Brenda Turner, New York, World News Syndicate, American Southwest, Grandfather Dusty, Stuart Wales, North America, White House, Alexander Parish, Angelo Angelopolous, Barbara Waters, Chaco Canyon, Clarence Short, Club Nostalgia
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