From School Library Journal
Grade 4-7-Debon has distilled four periods in the Canadian artist's life (1871-1945) into enticing vignettes that illuminate her passions, determination, health problems, relationships with fellow Group of Seven artists, and, most of all, her dramatic progression as a painter. Presented in a comic-book format reminiscent of French classics "Tintin" and "Asterix," the book draws on Carr's extensive journals to tell her story primarily in her own words and also includes a brief biographical prologue. Each chapter opens with a faithful reproduction of one of her paintings. Of the four pieces of art, only the story of Carr's Scorned as Timber, Beloved of the Sky is fully integrated with the text, allowing readers to see the scene that inspired it through the artist's eyes. While the book lacks the specific detail found in a straight biography and perhaps has more fictionalizing of dialogue, it successfully delivers a fascinating account of Carr and her work. Engaging artwork and brisk storytelling make this a consideration for most libraries.
Sophie R. Brookover, Mount Laurel Library, NJCopyright 2003 Reed Business Information, Inc.
Gr. 5-9. Debon blends several genres in this small biography, in comic-book format, about the innovative Canadian artist Emily ("Millie") Carr, one of a few women painters who worked during the late nineteenth and early twentieth centuries. Each of the four chapters, headed by a small reproduction of one of her paintings, relates her story in a graphic style that evokes
Tintin as well as other art styles, traditional and modern. The first chapter focuses on Carr's fascination with Native American art and spirituality. Then Debon traces the artist's painful struggle to express her unique vision, showing Carr's connection with some of the great artists of Europe at the time. He cites Carr's own writings as well as some books about her life and work, and he includes a guide to the paintings that inspired his illustrations. It's hard to appreciate the artist's work in the very small pictures, but, for the most part, the comic-book style works well, depicting Carr's feelings of alienation as well as her joy. See also
Emily Carr, Jo Ellen Bogart's picture-book biography [BKL N 1 03].
Hazel RochmanCopyright © American Library Association. All rights reserved