- Audio CD (April 13, 1999)
- SPARS Code: ADD
- Number of Discs: 2
- Label: Philips
- ASIN: B00000IIX6
- Average Customer Review: 4.6 out of 5 stars See all reviews (7 customer reviews)
- Amazon Best Sellers Rank: #253,692 in Music (See Top 100 in Music)
Product Details
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| Disc: 1 |
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| 1. Symphony No. 1 In B-Flat Major, Op.38 ('Spring'): 1. Andante un poco maestoso. Allegro molto vivace |
| 2. Symphony No.1 In B-Flat Major, Op.38 ('Spring'): 2. Larghetto |
| 3. Symphony No.1 In B-Flat Major, Op.38 ('Spring'): 3. Scherzo. Molto vivace. Trio I, Trio II |
| 4. Symphony No.1 In B-Flat Major, Op.38 ('Spring'): 4. Allegro animato e grazioso |
| 5. Symphony No.2 In C Major, Op.61: 1. Sostenuto assai. Allegro ma non troppo |
| 6. Symphony No.2 In C Major, Op.61: 2. Scherzo. Allegro vivace |
| 7. Symphony No.2 In C Major, Op.61: 3. Adagio espressivo |
| 8. Symphony No.2 In C Major, Op.61: 4. Allegro molto vivace |
| Disc: 2 |
| 1. Symphony no.3 In E-Flat Major, Op.97 ('Rhenish'): 1. Lebhaft |
| 2. Symphony no.3 In E-Flat Major, Op.97 ('Rhenish'): 2. Scherzo. Sehr massig |
| 3. Symphony no.3 In E-Flat Major, Op.97 ('Rhenish'): 3. Nicht schnell |
| 4. Symphony no.3 In E-Flat Major, Op.97 ('Rhenish'): 4. Feierlich |
| 5. Symphony no.3 In E-Flat Major, Op.97 ('Rhenish'): 5. Lebhaft |
| 6. Symphony No.4 In D Minor, Op.120: 1. Ziemlich langsam; Lebhaft |
| 7. Symphony No.4 In D Minor, Op.120: 2. Romanze. Ziemlich langsam |
| 8. Symphony No.4 In D Minor, Op.120: 3. Scherzo. Lebhaft |
| 9. Symphony No.4 In D Minor, Op.120: 4. Langsam; labhaft |
| 10. Manfred, Overture for Orchestra, Op.115 |
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Most Helpful Customer Reviews
13 of 13 people found the following review helpful:
4.0 out of 5 stars
Schumann Shines Anew in Paray Recordings,
By
This review is from: Four Symphonies (Audio CD)
At long last, we have the four Schumann symphonies, plus Manfred Overture, released in the awesome Mercury Living Presence series. There is an aura of exuberance here not commonly found in symphony orchestra recordings. Paray leads his Detroit Symphony, well-trained in his Gallic style, in this rip-roaring set. If you doubt that Schumann lives, you owe it to yourself to listen to these enthusiastic renditions. The instrumentalists are thoroughly rehearsed and come across as very secure. The First Symphony, in particular, seems to me to be the personification of the joy of life. This is Schumann played as it should be played, and I dare anyone to call these performances routine. Mercury's sound, which was always way ahead of its time, is brilliance anew in these releases. If anything, the recordings sound newer and fresher than when they were first released on LP. Highly recommended.
6 of 6 people found the following review helpful:
5.0 out of 5 stars
The original recipe,
By
This review is from: Four Symphonies (Audio CD)
Paul Paray was one of the first conductors to go back to Schumann's own original orchestrations of these symphonies. Before that, many a conductor had tweaked and fiddled with the scores to "enhance" the melodic lines -- and also to "heavy them up" in that stereotypically Germanic manner. Perhaps it took a Gallic conductor like Paray to treat Schumann's delicate-yet-vibrant scores like a watercolor rather than an oil painting. (Paray, hearing one of Schumann's symphonies performed with a doctored score, was quoted as saying to the conductor after the concert, "Nice piece. Who wrote it?")Paray is most effective in Nos. 1, 2 and 4. The Rhenish is not quite as special, but certainly OK. Nothing like the travesties you'll hear with Solti and the Vienna Philharmonic. Like others who have reviewed this CD, I also hear the high-pitched whine in the 4th symphony. It's not unbearable, but why couldn't the engineers have gotten rid of it?
7 of 8 people found the following review helpful:
5.0 out of 5 stars
Paray's legacy at the forefront in Schumann,
By A Customer
This review is from: Four Symphonies (Audio CD)
There isn't much more to add to what's already been said except to tack on a star. This is far and away the most beautiful Schumann committed to disk, the type of lost Gallic conducting art of which Paray was THE master--a unique practitioner who always gave a great performance, no matter what the material. Wilma Cozart has done an admirable job of cleaning up hiss and tubby bass from her original recording sessions in the 50s--and it seems the mono Fourth has had next to nothing done to it because the antecedent was so good. The Second had to be worked again from her binaural mixdown instead of the three channel version originally used--the 3-channel was "unavailable" according to the notes. Don't throw out any of your vinyl, especially the No. 2, since it sounds better than this reissue which lacks the wide stereo spectrum. However, these are minor caveats when we're dealing with a production of this standard. The competing Bernstein is frenetic and ragged, Szell gives us the riveting-machine approach in that irritating Severance Hall sound which had a range from "f" to "ffffff" and little else. If the Solti is back out, it is interpretatively a cipher, and Inbal, while enjoyable and clear-visioned is certainly not on the Paray level. Paray's long-awaited set is the choice from all standpoints and isn't likely to be bettered anytime soon. It's been around 40 years now and it hasn't had a serious approach yet.
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