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14 of 14 people found the following review helpful:
4.0 out of 5 stars
Smooth jazz supergroup sets new standard, June 9, 2000
The assemblage of pianist Bob James, guitarist Lee Ritenour, bassist Nathan East and drummer Harvey Mason makes for as impressive a modern jazz band lineup as you are likely to find. But it's not just good on paper; the artistic blend and level of material here makes Fourplay's self-titled debut a smooth-jazz touchstone.What's most impressive is their ability to avoid the realm of Easy Listening Instrumental Pop, something difficult to do in the modern jazz field. Instead of songs merely lacking vocals, Fourplay comes up with an extremely tuneful and memorable set. The opener, "Bali Run," gets things off to an energetic start, and "101 Eastbound" is a silky piece of midtempo seduction. The lush chord progression in the gently swinging "Foreplay" (technically not a title track) has a strong Dave Grusin influence, and "Quadrille" borders on Bossa Nova for a gorgeous, exotic tone. Fourplay even had the foresight to invite El DeBarge to sit in on a remake of Marvin Gaye's "After the Dance," and the results are glorious. Instead of being a mere easy shot at radio success (which it got them anyway), DeBarge's silky vocals mesh perfectly with Fourplay's smooth sound, and Bob James is given ample opportunity to provide a killer solo; the end result is one of the genre's finest recordings. But then, the same can be said for the album as a whole. With astounding class and skill, Fourplay sets a new standard for the Smooth Jazz genre, one that is sure to be treasured by jazz lovers for the forseeable future.
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