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Advertised as "music theory for the new millennium," it discusses Fibonacci numbers, statistics, and Fourier analysis, as well as randomicity, correlation, and inner/outer form.
Although focusing primarily on classical music, the concepts are equally applicable to popular music or jazz.
Many non-musicians may find Fractals in Music interesting because of its tie to the well-known fractal images that have been popular for the past several years.
Trained at the universities of Brigham Young, Illinois, and Utah, he taught there, and was a composer and pianist for fifteen years.
For the past several years, he has studied the mathematics of chaos theory and fractal geometry, the result of which is this collection of applications to formal musical analysis.
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