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Fragmented Identities: Popular Culture, Sex, and Everyday Life in Postcommunist Romania
 
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Fragmented Identities: Popular Culture, Sex, and Everyday Life in Postcommunist Romania [Hardcover]

Denise Roman (Author)
5.0 out of 5 stars  See all reviews (3 customer reviews)

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Book Description

0739105744 978-0739105740 March 2003
Observing postcommunist Romania with the dual vision of a native and a scholar, Denise Roman focuses on the fluid act of identity-formation, and the construction or absence of identity-politics, in several minority or disempowered groups: youth, Jews, women, and queers. Roman shows how both aesthetic and moral judgments are born from and embedded in popular culture. Fragmented Identities is rich in observation and analysis, broad in scope, and exuberant in its account of cultural innovation and discourse wrought in response to the end of Communism and the influence of globalization.

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Editorial Reviews

Review

Ms. Roman is anything but a detached traveler, although she does bring to her writing a most insightful and often amusing account of the state of politics and identity in Bucharest. But this is politics and identity in no common understanding of those terms. Skillfully teasing her own innovative interpretations from the insights of historians, sociologists, political, feminist, and cultural theorists, Ms. Roman . . . dismantle[s] old conceptions and convincingly reconstruct[s] new ones about the 'politics of life' in Eastern Europe today. By brilliantly bringing together disparate strands of thought in truly innovative, provocative, and sometimes even sly ways, she has written not only an outstanding piece of academic scholarship, but a real 'page turner.' (Kaufman, Debra Renee )

In this important book Denise Roman takes us to an exciting journey through 1980s and 1990s Bucharest. Her analysis of experiences and practices of the everyday life of women, youth, and queers leaves the reader with a deeper understanding of the complexity of the economic, political, and social changes the Eastern European societies underwent as they emerged from Communism. (Rabrenovic, Gordana )

Roman has managed to do what only a handful of scholars have even attempted: to bring the study of Romania squarely within the field of cultural studies. Rather than treat Romania as an exotic exception, Roman shows how constructed social identities—of gender, sexual orientation, generation, and even aesthetic taste—exhibit recognizable patterns. Her walk through the complicated landscape of Bucharest and the country at large is not only a nuanced and readable work on one country's postcommunist experience; it is also a smart and often funny example of cultural theory in action. (King, Charles )

This book is recommended for those who are interested in transnational, feminist and queer studies, identity politics, and subject formation as well as for those interested specifically in post-communist studies, particularly Romanian....An enjoyable read, Roman's book interweaves her theorizations with vivid descriptions and colorful anecdotes to make the tensions, negotiations, and struggles for identity visceral for the reader and thought-provoking for a wide audience. (Margareta Amy Lelea Women's Studies International Forum )

The subsequent chapters, dedicated in turn to each of these topics, provide useful, theoretically informed, and, largely accurate accounts of the empirical reality a flaneur, or flaneuse, might encounter. (International Feminist Journal Of Politics, September 2008 )

A good introduction to aspects of postcommunist culture in Romania.... The author, both an insider (as a native of Bucharest) and an outsider (as an American academic) has a special perspective...that gives her special insight into not only Romanian culture, but also Western European and American academic practices vis-a-vis Eastern European issues, especially the gender problematic. (Oana Popescu-Sandu Slavic and East European Journal )

Denise Roman's fine book should be read as a kind of 'flânerie', expressing the feel of everyday personal life in post-1989 Romania, but it also displays solid methodological reflection and scholarly culture. The way in which it moves between these two dimensions, between theory and lived experience, is what gives the study its special charm—even for a non-specialist reader. Denise Roman places post-1989 Romania on view for us, a society taken apart, a society resisting without any object of resistance, attached to a golden age without a golden age that can be located anywhere, clinging to a dream of the West while at the same time rejecting that West. Romania experiences itself as ringed with shadows: there is the figure of the Jew who embodies Evil, the Other as Evil. Women are lost between the imagined calm of a return to the home and a militant feminism of the Anglo-American kind. These women speak a great deal through the author's pen: they speak humor, self-hatred, a need to leave—to leave for somewhere else. They are real women, and the author has been able to hear what they say from within their private lives. Denise Roman's extreme talent is what is needed to infuse knowledge with feeling, as she puts her heart into studying the course of a country with seemingly no clearly defined plans for the future, carried along by a hybrid identity. This book is an indispensable means of illuminating the complex tensions of a Romanian identity driven both to banalize and to reject integration. The author has been able to set before us the East European combination of dynamism and conservatism: she is the guide who walks with serious mien and poses questions, at the bends in the road. (Catherine Durandin )

From the Publisher

Observing postcommunist Romania with the dual vision of a native and a scholar, Denise Roman focuses on the fluid act of identity-formation, and the construction or absence of identity-politics, in several minority or disempowered groups: youth, Jews, women, queers. Roman shows how both aesthetic and moral judgments are born from and embedded in popular culture. Fragmented Identities is rich in observation and analysis, broad in scope, and exuberant in its account of cultural innovation and discourse wrought in response to the end of Communism and the influence of globalization.

Product Details

  • Hardcover: 192 pages
  • Publisher: Lexington Books (March 2003)
  • Language: English
  • ISBN-10: 0739105744
  • ISBN-13: 978-0739105740
  • Product Dimensions: 9.3 x 6.9 x 0.6 inches
  • Shipping Weight: 12.3 ounces (View shipping rates and policies)
  • Average Customer Review: 5.0 out of 5 stars  See all reviews (3 customer reviews)
  • Amazon Best Sellers Rank: #9,059,316 in Books (See Top 100 in Books)

More About the Author

Denise grew up in Bucharest. Before settling in Los Angeles, she lived in Italy, Germany, Finland, and Canada.

A member of the Authors Guild of America, Denise is the author of a monograph on Romanian arts, popular culture, and everyday life, Fragmented Identities (Lexington Books/Rowman & Littlefield, 2003, hardback; revised paperback edition, 2007) and of the fantasy novel for children Maria Dracula (out-of-print edition by iUniverse Editor's Choice, 2005; revised 2nd edition, 2007 by Duende Books and signed with the pen name Alice Rose). This children's novel was also translated in Romanian and published in 2007 by the prestigious Editura Didactica si Pedagogica from Bucharest (it is also signed Alice Rose). In June 2005, scenes from Denise's surrealist/absurdist play, Voyage to the Moon, were read by the actors of the Fountain Theater in Los Angeles. Denise has also published in 2007 her father's child Holocaust memoir - Calmo Rose, The Violinist.

Denise has taken classes in film, fiction, poetry, and play writing in the Film and Writers' Programs at UCLA - although she told and published stories and wrote poetry ever since she lived back in Bucharest. She published her first story in the "Ion Creanga" high-school journal "Ramuri" (Boughs) at eleven.

In her fiction writing, Denise blends Eastern European surrealist and North American realist traditions. She likes the poetry of Sylvia Plath, Louise Gluck, Charles Simic, Lucian Blaga, and Paul Verlain, as well as the absurd theater of Eugene Ionesco.

Some of her favorite authors are Arhundati Roy, Sandra Cisneros, Kate Braverman, Cynthia Kadohata, Italo Calvino, Theophile Gautier, Raymond Chandler, Alice Hoffman, Natalie Babbitt, Gabriel Garcia Marquez, Carlos Fuentes, Octavio Paz, and Paulo Coelho.

Some of the authors of children's books who have influenced Denise's writing are Hans Christian Andersen, Charles Perrault, Brothers Grimm, Carlo Collodi, Edmondo de Amicis, Jules Verne, Hector Malot, Mark Twain, L. Frank Baum, Robert Louis Stevenson, and Petre Ispirescu.

 

Customer Reviews

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Average Customer Review
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Most Helpful Customer Reviews

4 of 5 people found the following review helpful:
5.0 out of 5 stars the perfect blend of theory & hard facts, August 28, 2003
By A Customer
This review is from: Fragmented Identities: Popular Culture, Sex, and Everyday Life in Postcommunist Romania (Hardcover)
Dr. Roman has done it! After reading many books on Eastern Europe, I was ready to give up; if they were written by Western scholars, they were unanimously deploring the hopeless backwardness of the region. If written by Eastern European scholars, they were just exercises in journalism or news reports.
And then, I read "Fragmented Identities". A beautiful journey through the soul of Balkans (specifically, post-communist Romania), seen through the eyes of a native, but explained through Western theoretical frameworks. The book deals with an eclectic mixture of hot issues in today's Romania (and not only there!), e.g. gender subjectivities, anti-semitism, feminism, estetics, etc. A must read for all Eastern European scholars, political scientists, feminists and for all those who are interested in a fresh and intelligent portrayal of today's (urban) life in Bucharest and Romania...
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0 of 1 people found the following review helpful:
5.0 out of 5 stars Great book!, April 30, 2004
By A Customer
This review is from: Fragmented Identities: Popular Culture, Sex, and Everyday Life in Postcommunist Romania (Hardcover)
Not only for academics, but for potential tourists (to Romania)as well. Hip and smart, a 'must read' for anyone involved in Eastern European studies.
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0 of 1 people found the following review helpful:
5.0 out of 5 stars the perfect blend of theory & hard facts, August 7, 2003
By A Customer
This review is from: Fragmented Identities: Popular Culture, Sex, and Everyday Life in Postcommunist Romania (Hardcover)
Dr. Roman has done it! After reading many books on Eastern Europe, I was ready to give up; it they were written by Western scholars, they were unanimously deploring the hopeless backwardness of the region. If written by Eastern European scholars, they were just exercises in journalism or news reports.
And then, I read "Fragmented Identities". A beautiful journey through the soul of Balkans (specifically, post-communist Romania), seen through the eyes of a native, but explained through Western theoretical frameworks. The book deals with an eclectic mixture of hot issues in today's Romania (and not only there!), e.g. gender subjectivities, anti-semitism, feminism, estetics, etc. A must read for all Eastern European scholars, political scientists, feminists and for all those who are interested in a fresh and intelligent portrayal of today's (urban) life in Bucharest and Romania.
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