Television drama both reflects and contributes to the production of cultural identity. At a time of deep cultural uncertainty, how has this been represented within the programmes that help individuals make sense of their own lives and identities? Programme examples are drawn from a range of dramatic formats, and include ER. The Buddha of Supurbla, The X-Files, Father Ted, Driving School, Eastenders and Silent Witness. This is the first book to give a comprehensive coverage of all the major debates within the field of TV drama while considering current programming in terms of the move away from the public-service model of broadcasting as a whole.
