Review
The Franchiser has what few novels have any more: the ability to astonish and delight and a totally conscious hero who proves that the unaudited life is not worth living. (
Time )
In his principal character, Elkin represents the tragic panorama of an ailing America reaching out for stabilizers that aren't there; and the void beckons. (
Booklist )
Crowded with cunning shifts of meaning and extravagant deployments of wit. (
The Nation )
The Franchiser is a fine portrait of America today with insights that are humorous, significant, and poignantly real. (
Best Sellers )
A frenzied parable, rather as though the Wandering Jew and Willy Loman had gotten together on a vaudeville act. (
Saturday Review )
Elkin takes an almost tactile pleasure in language, piling up words and phrases, reaching for every available joke and pun, until his sentences threaten to topple of their very weight. (
Washington Post )
The prevailing dialect of
The Franchiser is Ben's own free-wheeling and exuberant Jewish-American—a tribal dialect in which Elkin can achieve effects worthy of S. J. Perelman and Wallace Markfield. (
The New York Times )
--This text refers to an alternate
Paperback
edition.
About the Author
Stanley Elkin is widely considered one of the most important American writers of the contemporary period, with over a dozen novels and short story collections to his credit. A two-time winner of the National Book Critics Circle Award, and a three-time nominee for the National Book Award, he is regarded as both a great comedic writer and an extraordinary prose stylist. Despite wide acclaim for his work, most of Elkin's novels have fallen out of print since his death in 1995. Dalkey Archive Press began a project in 1998 to restore to print all of Elkin's work and has since published THE DICK GIBSON SHOW, BOSWELL: A MODERN COMEDY, THE MACGUFFIN, CRIERS & KIBITZERS, KIBITZERS & CRIERS, THE MAGIC KINGDOM, and THE RABBI OF LUD, among others.