This film, directed by Spaniard Jesus Franco, is alternately called "Count Dracula", "Bram Stoker's Count Dracula", and "El Conde Dracula". It was a multinational production which claims to retell the story of Count Dracula exactly as Bram Stoker wrote it. Its faithfulness to the novel is exaggerated, but "Count Dracula" was the most faithful big screen adaptation as of 1970, when it was released. Dracula is played by Christopher Lee, whose portrayals of the Count in seven Hammer Studio films made him the face of Dracula for a generation. Lee's Dracula in this film is a different character, however: more somber, intense, and strongly resembling the villain of Stoker's novel. It's also interesting to see Klaus Kinski as the madman Renfield, because he would take on the role of Count Dracula in Werner Herzog's stylish "Nosferatu the Vampyre" in 1979.
In Transylvania of 1897, an English lawyer, Jonathan Harker (Frederick Williams), has traveled to Bistritz to deliver some real estate paperwork to a client, Count Dracula (Christopher Lee), who has purchased property in London. At first puzzled by the warnings of the local people, Jonathan discovers their meaning too late, when he finds himself a prisoner in Dracula's castle. Panicked, he tries any means to escape, and wakes some time later in London, in a clinic for the mentally disturbed, unable to remember how he got there. The clinic is owned by a Professor Van Helsing (Herbert Lom), an imposing, secretive man, who at first attributes Jonathan's story of terror in Transylvania to madness brought on by trauma. Jonathan's fiancée, Mina (Maria Rohm), and her close friend Lucy (Soledad Miranda) make the trip to London to visit Jonathan. But shortly after they arrive, Lucy is struck by a sudden inexplicable loss of blood. With Lucy dying and Jonathan traumatized, Dr. Van Helsing presents his suspicions as to the cause of their illnesses to Jonathan, Mina, and Lucy's fiancé, Quincey Morris (Jack Taylor), along with a plan to fight the menace.
"Count Dracula"'s first act, when Jonathan is in Transylvania, is essentially faithful to Stoker's novel. The time it takes in the film is disproportionate, but, like in the book, it is probably its best segment. Dark, shadowy cinematography and adherence to the events and spirit of Stoker's novel set a tone of horror that persists through the film. Count Dracula is proud, aristocratic, and looks like Bram Stoker's Dracula, although the cobwebs in his castle seem out of place. All in all, the first act is very convincing -moreso than any other adaptation I have seen. "Count Dracula" is less faithful to the novel once the story moves to London, but it is still quite effective. Van Helsing is mysterious, menacing, and mercifully laconic, unlike in the novel. Mina is a minor character of no real importance. And Lucy is engaged to Quincey Morris, who is not American, instead of Arthur Holmwood, who doesn't exist. The scene of Lucy's slaying, which was a high point of the novel, falls flat in the film -a peculiar directorial decision, indeed. But "Count Dracula" consistently maintained my interest. It is paced well, suspense is plentiful, and the story is so compressed that there is no time for lulls in the action.
"Count Dracula" was reportedly frustrated by a low budget, but it is nonetheless one of the more memorable adaptations of Bram Stoker's novel and is particularly notable for its first act. Unfortunately, it's not available on DVD as of this writing, and the VHS transfer isn't good. The credits are barely legible, and sharpness and color are not always what they should be. Still, fans of "Dracula" adaptations will find it very worthwhile.