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18 of 20 people found the following review helpful:
2.0 out of 5 stars
A View From a Life-long Frank Black Fan, October 29, 2004
This review is from: Frank Black Francis (Audio CD)
Yet another superfluous posthumous Pixies release. Even a fan as ardent and dedicated as myself, having purchased every FB, Pixies and Kim Deal CD, will find this cache of rarities hardly worth the trouble or money. Why not release all these pre-Pixies rarities in one fell swoop, rather than parsing them out incrementally to release as many CDs as possible? This, coming from someone whose favorite band---period---is the Pixies.
Though a dedicated FB and the Catholics fan, I'm all for the reunion thing. In fact, I consider it a blessing in disguise, given FB's last few releases, and the easy-listening acoustic CD on the near horizon. It's always a bad sign when an artist apologizes about the quality of the work in a CD's liner notes. FB writes something to this effect: "Well, I kind of felt like this didn't warrant a release, or that its sound quality was poor, so I thought I'd add this extra disc of Pixies reworkings. Take it or leave it, basically."
I'll leave it, and not because my ear responds unkindly to "experimental" or "electronic" music; I listen to Aphex, Radiohead, Boards of Canada, Autechre, others on the Warp roster, so I'm not unused to this genre. Only, this isn't electronica. Rather, most of it just sounds awkward, tired, half-baked and disingenuously off-kilter. Experimental is not a synonym for bad.
If it sounds like I'm being harsh, perhaps it's because I'm disappointed. Frank Black is, in my opinion, the most talented song-writer of his generation. I love his bravado, his versatility, his voice, his songcraft intuition. His talent dwarfs that of other artists and bands, and it should be dedicated to something a little more worth his---and our---while.
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6 of 6 people found the following review helpful:
3.0 out of 5 stars
WILL THE REAL FRANK BLACK FRANCIS PLEASE STAND UP?!?, October 15, 2004
This review is from: Frank Black Francis (Audio CD)
The Pixies are quickly becoming one of those bands like The Police where they have more posthumous releases than original ones. Unlike The Police however, the Pixies have reformed and will hopefully release new material. Until then we have oddities like this two-disc collection, credited to Frank Black Francis (is this an album title or just Charles Thompson finally as confused as the rest of us about his many identities?).
The first disc is for fanatics only and even they probably won't get too jazzed about hearing Pixies songs (recorded on acoustic guitar into a walkman) sans three of the bandmembers, although Frank's jittery in-between and sometimes during-song banter is amusing and somewhat enlightening in regards to what these songs became in their better-known incarnations.
The second disc is a revelation not only because it raises the question, did Frank Black actually pen the live Kim Deal staple "Into The White"? Apparently Frank heard Nada Surf's version of "Where Is My Mind?" and was impressed enough that he recorded an album's worth of Pixies recreations (with the help of two multi-instrumentalists that add horns, violin, and various electronic effects) that, in many cases, stand up nicely to the originals. These songs, which range from lush electronica to oddball jazz/folk and many musical destinations in between remind me of what Bob Mould has been doing live to Husker Du, Sugar, and solo material to keep things interesting for himself. One sour note: since we're speaking of keeping things interesting, did anyone really think a 15-minute version of "Planet Of Sound" would qualify (I was done with it around the three-minute mark, and could've lasted another three, but 15?!?)?
Another nice aspect of the second disc is Frank's voice (more Sinatra than Black in some places). While many Pixies songs required (caused?) him to twist his voice into something ugly and brutal, these variations on the originals allow him to utilize a much more soothing, melodic croon that enables the listener to better hear what a uniquely gifted lyricist Frank is.
While this release definitely seems oddly timed (or perhaps perfectly) considering the Pixies recent reunion and resurgence, it is certainly worth the attention of diehard fans.
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8 of 9 people found the following review helpful:
3.0 out of 5 stars
Tired And Emotional, February 7, 2006
This review is from: Frank Black Francis (Audio CD)
Kurt Cobain said Nirvana stole all their best ideas from them, key Radiohead members Jonny Greenwood and Thom Yorke have similarly emphasised their debt to them, U2 were so enraptured with them that they took them on the Zoo TV tour as special guests and even David Bowie claims they breathed new life into music in the 1980s. If you're new to this act The Pixies that everyone is raving about since their reformation, don't start your collection by snapping up this solo CD set from head Pixie Charles Thompson IV (hunt down Death To The Pixies as a greatest hits taste-test to begin with, then grab a copy of Doolittle and Surfer Rosa). However, if you're a fully fledged fan of The Pixies, Frank Black Francis acts as an even greater revelation than the less expansive but similar period's Pixies (also known as The Purple Tape), with the first of the two CDs (Demo) showcasing Black Francis's 1987 acoustic outlines of all the tracks (bar Levitate Me) that would make it to debut album Come On Pilgrim, as well as Surfer Rosa's Broken Face, Break My Body and Oh My Golly. I've Been Tired reveals a measure of Jack White in Frank's erratic yelps, while the sketchy demos also interestingly include Frank's comments to producer Gary Smith such as "There's supposed to be screaming here" mid-song. Such a rough compilation was never meant to be released, yet Black's fully-formulated idea of how he wished Come On Pilgrim to sound makes the first disc compelling for completists. Of lesser note is the woozy bass-heavy revisionism of The Pixies' legacy on disc two (Treated), although Frank concedes in the liner notes this re-recorded and re-interpreted collection was only put together to bolster the musical content of the Frank Black Francis package. While Where Is My Mind? and Nimrod's Son are interesting due to their `Frank On Tranqs' malaise, similarly classic tracks such as Cactus and Levitate Me don't work quite so well in this sluggish sonic territory. Nonetheless, replacing savage guitars and shrieking howls for tubas and keyboards on awesome tunes such as Monkey Gone To Heaven and The Holiday Song shows Frank is commendably unafraid to experiment with his classic tracks. While such reinvention has divided many fans, the creativity on display on both discs creates an exceptional stop-gap between his 2003 solo album Show Me Your Tears and (fingers crossed) the next Pixies album.
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