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Frank Borzage: The Life and Films of a Hollywood Romantic
 
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Frank Borzage: The Life and Films of a Hollywood Romantic [Hardcover]

Herve Dumont (Author), Jonathan Kaplansky (Translator), Martin Scorsese (Foreword)
4.0 out of 5 stars  See all reviews (1 customer review)


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Book Description

0786421878 978-0786421879 July 6, 2006
This work brings to readers of English a comprehensive and engaging treatment of one of America’s greatest, if largely forgotten, film directors. Originally published in 1993, Dumont’s celebrated study has been translated from the French by Canadian Jonathan Kaplansky.

After an introduction that decries Borzage’s dismissal by later critics and historians and shows how his approach to moviemaking reflected his Masonic beliefs, 18 chapters present Borzage’s entire career—the man, the actors he worked with, the more than 100 films he made, and the effect of those films on movie audiences, especially between 1920 and 1940. This is indeed the definitive reevaluation of one of the giants of filmdom.

Lavishly illustrated with 116 photographs, this book will make the reader want to see as many of Borzage’s films as possible, as soon as possible. A complete filmography, a chronological bibliography, and an index will be helpful in searching them out.


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Editorial Reviews

From Booklist

Film buffs know Frank Borzage (1894-1962) as Hollywood's great romantic. As Martin Scorsese notes in the forward to this translation of a 1993 French monograph, there's not an ironic moment in any Borzage picture. His career apogee came early with the sublime 7th Heaven (1927), and his sound career included such triumphs as A Farewell to Arms (1932) and The Mortal Storm (1940)--in which even death couldn't end the love between couples Gary Cooper and Helen Hayes, and James Stewart and Margaret Sullavan, respectively. Although Dumont fills most of the book with synopses, production accounts, and critical assessments of particular films, most of which are seldom screened these days, the biographical details he offers reveal that Borzage was, despite an alcohol problem, as sweet-natured and warmhearted as his work. As post-World War II tastes shifted, Borzage's stock declined so that few but hard-core cineastes remember him. Dumont's authoritative, insightful volume is indispensable for rediscovering one of cinema's greatest and now undeservedly neglected artists. Gordon Flagg
Copyright © American Library Association. All rights reserved

Review

"One of the most exceptional works on a Golden Age director that I have ever read. The authors excels in covering all of Borzage's films...thorough biography...should stand as a model for future film historians" --The National Board of Review. --This text refers to the Paperback edition.

Product Details

  • Hardcover: 428 pages
  • Publisher: McFarland & Company (July 6, 2006)
  • Language: English
  • ISBN-10: 0786421878
  • ISBN-13: 978-0786421879
  • Product Dimensions: 10.1 x 7 x 1.1 inches
  • Shipping Weight: 2 pounds
  • Average Customer Review: 4.0 out of 5 stars  See all reviews (1 customer review)
  • Amazon Best Sellers Rank: #3,195,149 in Books (See Top 100 in Books)

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6 of 7 people found the following review helpful:
4.0 out of 5 stars Pretty Darned Impressive..., May 13, 2008
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This review is from: Frank Borzage: The Life and Films of a Hollywood Romantic (Hardcover)
When film lovers and critics talk about a director with a definite-yet-indescribable style, they usually talk about "the Lubitsch touch". Yet, during my first semester of film school, my professor showed our class the visual and rhythmic devices that Lubitsch used to create his touch. Frank Borzage, on the other hand, truly has a definite-yet-indescribable touch to all his films. And this book describes, analyzes and unites the director's work and life in a very impressive and interesting volume.

There are some flaws, mainly having to do with the author (a Swiss academic) writing about Hollywood. For instance, there are some lengthy phrases used to describe aspects of film-making that could be described better (and more accurately) by movie industry terms. Also, in writing about Borzage working at Warner Brothers, he confuses the 2 addresses of that movie studio: during the Depression Warners was on Sunset Blvd in Hollywood, but by World War II they had moved to the town of Burbank. Dumont keeps referring to Warners Studios on "Sunset Boulevard in Burbank" and no such thing exists.

Still, my hat is off to this book, which crystalizes the thoughts and philosophy of one of the great artists of motion pictures.
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