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Frank Capra: Authorship and the Studio System (Culture And The Moving Image)
 
 
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Frank Capra: Authorship and the Studio System (Culture And The Moving Image) [Hardcover]

Robert Sklar (Author)


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Book Description

Culture And The Moving Image April 14, 1998
Frank Capra's films have had a lasting impact on American culture. His powerful depiction of American values, myths, and ideals was central to such famous Hollywood films as "It Happened One Night", "Mr. Smith Goes to Washington", and "It's a Wonderful Life". These pre-war films are remembered for their depiction of an individual's overcoming adversity, populist politics, and an unflappable optimist view of life. This collection of nine essays by leading international film historians analyzes Capra's filmmaking during his most prolific period, from 1928 to 1939, taking a closer look at the more complex aspects of his work. They trace his struggles for autonomy against Columbia Pictures head Harry Cohn, his reputation as an auteur, and the ways in which working within studio modes of production may have enhanced the director's strengths.The contributors also place their critiques within the context of the changing fortunes of the Hollywood studio system, the impact of the Depression, and Capra's working relationships with other studio staff and directors. The contributors' access to nineteen newly restored Capra films made at Columbia during this period fills this collection with some of the most comprehensive critiques available on the director's early body of work. Author note: Robert Sklar, Professor of Cinema at New York University, is the co-editor (with Charles Musser) of "Resisting Images: Essays on Cinema and History" (Temple), and the author of numerous books on film, including "Movie-Made America: A Cultural History of American Movies", "City Boys: Cagney, Bogart, and Garfield, and Film: An International History of the Medium", winner of the Kraszna-Krausz Book Award. Vito Zagarrio teaches film history at the University of Florence and film analysis at the University of Rome III, Italy.

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From the Publisher

Legendary film director Frank Capra composed a unique American vision, but how was that vision influenced by the strategies and production style of Columbia Pictures?

About the Author

Robert Sklar, Professor of Cinema at New York University, is the co-editor (with Charles Musser) of Resisting Images: Essays on Cinema and History (Temple), and the author of numerous books on film, including Movie-Made America: A Cultural History of American Movies, City Boys: Cagney, Bogart, and Garfield, and Film: An International History of the Medium, winner of the Kraszna-Krausz Book Award. Vito Zagarrio teaches film history at the University of Florence and film analysis at the University of Rome III, Italy.

Product Details

  • Hardcover: 293 pages
  • Publisher: Temple University Press (April 14, 1998)
  • Language: English
  • ISBN-10: 1566396077
  • ISBN-13: 978-1566396073
  • Product Dimensions: 8.4 x 5.8 x 1.1 inches
  • Shipping Weight: 1.2 pounds
  • Amazon Best Sellers Rank: #8,562,645 in Books (See Top 100 in Books)

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Inside This Book (learn more)
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New York, Frank Capra, American Madness, New Deal, Harry Cohn, Smith Goes, Wonderful Life, Charles Wolfe, Richard Maltby, Warner Bros, Thomas Schatz, United States, Columbia Pictures, Edward Buscombe, Robert Sklar, Museum of Modern Art, Film Stills Archive, Brian Taves, Vito Zagarrio, King Cohn, Deeds Goes, Wall Street, Ladies of Leisure, Giuliana Muscio, The Name
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