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Frank Loesser (Yale Broadway Masters Series)
 
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Frank Loesser (Yale Broadway Masters Series) [Hardcover]

Thomas L. Riis II (Author)
3.0 out of 5 stars  See all reviews (3 customer reviews)

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Book Description

January 28, 2008 Yale Broadway Masters Series

Perhaps best remembered as the writer and composer of the ever-popular Guys and Dolls and the Pulitzer Prize–winning How to Succeed in Business Without Really Trying, Frank Loesser was one of the great songwriters of the twentieth century. Lyricist of over 700 songs—among them such cherished favorites as “Baby, It’s Cold Outside,” “Once in Love with Amy,” and “I Believe in You”—his work has received both Tony and Academy Awards. Here Thomas L. Riis, in a deeply informed and lively discussion of Loesser’s life and musical career, presents a critical look at one of the most important—though often overshadowed—Broadway composers.

 

Immensely prolific and a personally magnetic man, Loesser was a major figure during the Broadway golden age that included Rodgers and Hammerstein, Lerner and Loewe, and Bernstein. Riis traces Loesser’s early career as a Hollywood songwriter and a noted contributor to the war effort. He discusses in depth each of Loesser’s musicals and provides a look at the legacy of a man admired as a mentor who inspired dozens of assistants, protégés, young songwriters, novice singer-actors, and aspiring producers. This book offers a concise look at Loesser’s life along with an engaging examination of the totality of his works. 

 

 


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Editorial Reviews

Review

"Frank Loesser was that rare bird: a skillful stage composer and brilliant writer of song lyrics. Riis''s deeply researched and musically astute study shows us what makes a great show such as Guys and Dolls tick."—Ralph P. Locke, Professor of Musicology, Eastman School of Music, University of Rochester
(Ralph P. Locke )

"This superb, imaginative songwriter has finally received the biography he deserves."—Gerald Bordman, author of American Musical Theatre: A Chronicle
 
 
(Gerald Bordman )

"Any musical theater fan or scholar can enjoy this delightful read, just as lighthearted and cheerful as a Loesser song."—Alexandre Bádue, Music Research Forum
(Alexandre B�due Music Research Forum )

About the Author

Thomas L. Riis is the Joseph Negler Professor of Music and director of the American Music Research Center, University of Colorado at Boulder. He is a specialist in musical theater, and he lectures and writes frequently on many topics in nineteenth- and twentieth-century African American music.


Product Details

  • Hardcover: 352 pages
  • Publisher: Yale University Press (January 28, 2008)
  • Language: English
  • ISBN-10: 0300110510
  • ISBN-13: 978-0300110517
  • Product Dimensions: 9.2 x 6.3 x 1.3 inches
  • Shipping Weight: 1.4 pounds (View shipping rates and policies)
  • Average Customer Review: 3.0 out of 5 stars  See all reviews (3 customer reviews)
  • Amazon Best Sellers Rank: #1,793,660 in Books (See Top 100 in Books)

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Customer Reviews

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10 of 10 people found the following review helpful:
5.0 out of 5 stars Expert Biography on a Great Songwriter, December 28, 2007
This review is from: Frank Loesser (Yale Broadway Masters Series) (Hardcover)
This book is just the biography Frank Loesser deserves. It analyzes his wonderful music very thoroughly, as well as his lyrics, which were always conversational and always expertly crafted.
However, he book does not get all that in depth regarding Mr. Loesser's personal life, which was certainly colorful being that he worked with talents such as Cy Feuer, Bob Fosse and most importantly, Abe Burrows as well as mentoring up and coming songwriters such as Jerry Herman, Richard Adler, Meredith Wilson and Stephen Sondheim. However, not conetrating on that very much doesn't make the book bad. The analyisis of his work makes up for it in spades. I can hardly wait for the other titles in this Yale Broadway Masters series to be released as Kander and Ebb, Kurt Weill and the other songwriters who will be written about in future volumes deserve equally exceptional biographies.
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6 of 6 people found the following review helpful:
2.0 out of 5 stars Not SoHot, March 22, 2008
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This review is from: Frank Loesser (Yale Broadway Masters Series) (Hardcover)
This book was awkwardly organized and makes what had to be an interesting life sound sort of academic. The writer has no gift for anecdote and no flair. There are lots of absorbing show business biographies out there and this isn't one of them.
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4 of 4 people found the following review helpful:
2.0 out of 5 stars Disappointing!, August 5, 2008
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This review is from: Frank Loesser (Yale Broadway Masters Series) (Hardcover)
There were only two reviews here to guide me and one loved the book, while the other was disappointed and now I have to tip the scale toward the disappointed end. I was looking forward to a book that would compliment Susan Loesser's bio on her father and perhaps give some more pertinent professional and creative information, but what I got was a mostly boring academic study of only a few of his shows by an academic who seems to have never really SEEN any of this show or have a real sense of the Broadway landscape during the period. I was turned off early by the author's assertion that Guys and Dolls is set in the 1920's when it was clearly a contemporary show at the time set in 1950 when it was produced. Miss Adelaide distinctly sing in Take Back Your Mink about "late '48". How could the show be in the 20's? Take a look at the photos and you can see the style of dress. But that is a small point which only proves that the author is quoting other books and not really knowledgeable about his subject. I was totally bored with the musical examples and found myself skimming those chapters. Knowing all the songs and shows well, I was hoping for some kind of background not found in other books or at least a brilliant analysis of Loesser's work. I did enjoy it on a superficial level and it has made me go and listen to all my Frank Loesser records and cd's and re-explore his complete lyric book, but it is not an essential book and I fear for the rest of the series if books are being assigned to this kind of "academic" writer, rather than a true writer with an affinity for musical theatre or at least someone with a tasty sense of what was wonderful and fun. Now, the question is do I buy others in this series and hope for the best...hmmm....
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