Frankenstein or The Modern Prometheus: The 1818 Text (Oxford World's Classics) [Paperback]

Mary Shelley (Author), Marilyn Butler (Editor)

Book Description

Series: Oxford World's Classics | Publication Date: June 25, 1998

Shelley's enduringly popular and rich gothic tale confronts some of the most feared innovations of evolutionism and science--topics such as degeneracy, hereditary disease, and humankind's ability to act as creator of the modern world. This new edition, based on the harder and wittier 1818 version of the text, draws on new research and examines the novel in the context of the controversial radical sciences developing in the years following the Napoleonic Wars, and shows the relationship of Frankenstein's experiment to the contemporary debate between champions of materialistic science and proponents of received religion.

Editorial Reviews

Review

'makes the original 1818 text easily available, and there are good reasons for welcoming it ... Butler's introduction is a rich essay in historical contextualisation, emphasising the Shelleys' early links with materialist physiology and showing how the 1831 edition reflected the broad intellectual changes of the intervening years.' The English Association

'this edition is worth a browse' Daily Telegraph

'The excellent introduction discusses the circumstances of its writing in the wider context of social and scientific controversy.' Good Book Guide, January 1995

About the Author

Marilyn Butler is King Edward VII Professor of English Literature at King's College, Cambridge. She is the author of Romantics, Rebels, and Reactionaries (1981) and co-editor of Pickering's Works of Mary Wollstonecraft (1989). She has also edited Mary Shelley's The last Man, published in World's Classics in 1994. .

Product Details

• Paperback: 328 pages
• Publisher: Oxford University Press, USA (June 25, 1998)
• Language: English
• ISBN-10: 0192833669
• ISBN-13: 978-0192833662
• Product Dimensions: 7.7 x 5.1 x 0.7 inches
• Shipping Weight: 3.2 ounces
• Average Customer Review: 4.0 out of 5 stars  See all reviews (18 customer reviews)
• Amazon Best Sellers Rank: #464,636 in Books (See Top 100 in Books)

More About the Author

Mary Shelley was born in 1797, the only daughter of writers William Godwin and Mary Wollstonecraft Godwin. In 1814 she eloped with poet Percy Bysshe Shelley, whom she married in 1816. She is best remembered as the author of Frankenstein, but she wrote several other works, including Valperga and The Last Man.

Customer Reviews

Most Helpful Customer Reviews

29 of 32 people found the following review helpful:

4.0 out of 5 stars Choose the 1818 version, November 12, 2007

By 

Jim Dollar (Ohio, USA) - See all my reviews

This review is from: Frankenstein or The Modern Prometheus: The 1818 Text (Oxford World's Classics) (Paperback)

Most editions of Mary Shelley's landmark book available today follow the heavily revised 1831 version. The impulse behind this trend is an honorable one (to present what is seemingly an author's "final revision"),but the 1818 version is preferable for many reasons. Looking back on her creation in later life, Shelley felt obliged to alter the book's focus in significant ways, adding what critic Marilyn Butler accurately describes as "long passages in which her main narrator, [Victor] Frankenstein, expresses religious remorse for making a creature..." The author sought to make the 1831 edition less controversial and thereby more palatable to the tastes of the reading public. The 1818 version is closer to Mary Shelley's original intentions, though it too, unfortunately, was filtered through the sensibilities of her husband, the poet Percy Shelley, who took many of his wife's rather straightforward passages and rendered them into his own more ornate and Ciceronian style. Still, the 1818 version remains more vital, more original, and less constrained by what the author believed would be acceptable to readers in 1830s England.

7 of 7 people found the following review helpful:

5.0 out of 5 stars The Original Version of the Classic, December 23, 2004

By 

Dave_42 "Dave_42" (Australia) - See all my reviews

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This review is from: Frankenstein or The Modern Prometheus: The 1818 Text (Oxford World's Classics) (Paperback)

The original version of Frankenstein (or, The Modern Prometheus) was published anonymously in 1818. However, the version of Frankenstein that most people have read is the 1831 edition, which has significant changes from the original 1818 text. This book gives the readers a chance to experience the original text, which is less refined and a bit darker then the revised text. It also provides a wonderful introduction and notes discussing Mary Shelley's life, the context in which this story was written, and the differences between the original text and the 1831 edition. These notes and introduction are by Marilyn Butler, who was a Professor of English Literature at Cambridge.

The story is well known, although certainly the book is nothing like most of the movies that use its name. While clearly one can find many issues from Mary Shelley's life and times that are addressed in this book, what makes it stand the test of time is how it can be made to relate to modern day issues as well. One theme, science creates a "monster" which it cannot control and which ultimately destroys the lives of those that created it, can be found today in areas such as genetics, nuclear physics, etc., and will undoubtedly be with us in the future as well. Other themes from the story carry forward from 1818 to today as well, which undoubtedly why this story is a classic and will always endure.

5 of 5 people found the following review helpful:

5.0 out of 5 stars A relevent and horrifying classic novel, October 22, 2010

By 

Elizabeth Talbott - See all my reviews
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This review is from: Frankenstein or The Modern Prometheus: The 1818 Text (Oxford World's Classics) (Paperback)

Victor Frankenstein was a precocious child, inspired by and obsessed with the scientists of the past. In university, he continues his obsession, which culminates in the creation of a man made of corpses. As the creature awakens, Victor is horrified and disgusted and runs away. He becomes stricken with illness shortly afterwards and his childhood friend, Henry Clerval, helps nurse him back to health. After four months, Victor finally recovers, only to find that his little brother, William, has been murdered. Sure that the fiend he created is responsible, Victor returns to his home. The tormented creature eventually reveals himself to his furious creator and relays the events leading to William's murder. After his heart-rending story, he begs his creator to make a woman for him who will accept him and become his mate. Victor agrees, but has second thoughts. Should he create another monster like the one already in existence? If he decides against this second blasphemy, what repercussions will he and his family have to endure?

Mary Shelley's classic novel Frankenstein is an iconic work that has spawned countless spin-offs, sequels, remakes, copies, and re-imaginings. It's hardly surprising considering the eloquence and skill that she exhibits. With all the allusions and references to literature and works of science, she shows her vast education, which is even surprising today for an eighteen year old. I absolutely love this book, but I used to hate it. I remember reading it as a child and finding it boring and hard to understand. As an adult, I see the different philosophies being illustrated and the significance of its place in the romantic era. It explores themes such as the nature of man, the effect of isolation verses society on man, and the ethics of science. These are themes that science fiction authors are still writing about today, as seen in the film Splice, Scott Sigler's novel Ancestor, and countless others. This is really the epitome of the gothic novel, which conveys its messages with a dose of horror and suspense.

The characters and their development is really what makes Frankenstein special. I can see the suffering and anger on both Victor's and the creature's side. Victor is a good person who got swept up in his fervor for science without thinking about the consequences. After making the creature, he tries to move forward with his life, but his past follows him. The creature, on the other hand, is actually a sympathetic character. Far from the shuffling, silent monster seen in film, he exhibits great intelligence and is shown to be inherently good. After being consistently rejected and abused by man, he turns to violence and really only to mimic how people have always treated him. He only ever desired to be loved and accepted. I tend to side more with the monster because he was created and then immediately abandoned with no instruction on how to act or survive in the human world. I find the fact that Victor finds this acceptable and proceeds to further antagonize his creation reprehensible.

I could probably go on and on about how Frankenstein is one of the best books ever written, so I'll stop here. This work is still relevant today and can both horrify and interest modern audiences. I think everyone should read this book at least once.