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Audible Sample

Frankenstein or, The Modern Prometheus Audible – Unabridged

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Audible, Unabridged, December 16, 1999
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Editorial Reviews

The novel begins with an explorer, Robert Walton, spotting an enormous creature speeding across a frozen shore, and then meeting the monster's creator, a melancholy scientist named Frankenstein. Dr. Frankenstein tells Walton the horrifying tale of his ambitious experiment in electrical reanimation, which resulted in a large, terrifying, unhappy creation. Spurned in his attempts at human intimacy, Frankenstein's monster becomes uncontrollable and unrepentant, forcing the scientist to set him free and send him into the unsuspecting world. More than a classic tale of terror, Frankenstein also deals with profound psychological issues, including the dangers of technology and whether scientists have the right try to play God.

To supplement this reading of Frankenstein, listen to The SparkNotes Guide to Frankenstein.
(P)1993 by Recorded Books, Inc.; Cover Art ©1994 by Christopher Bing

Product Details

  • Audible Audio Edition
  • Listening Length: 10 hours and 8 minutes
  • Program Type: Audiobook
  • Version: Unabridged
  • Publisher: Recorded Books
  • Release Date: December 16, 1999
  • Whispersync for Voice: Ready
  • Language: English
  • ASIN: B0000547AR
  • Amazon Best Sellers Rank:

Customer Reviews

Most Helpful Customer Reviews

122 of 129 people found the following review helpful By Jim Dollar on November 12, 2007
Format: Paperback
Most editions of Mary Shelley's landmark book available today follow the heavily revised 1831 version. The impulse behind this trend is an honorable one (to present what is seemingly an author's "final revision"),but the 1818 version is preferable for many reasons. Looking back on her creation in later life, Shelley felt obliged to alter the book's focus in significant ways, adding what critic Marilyn Butler accurately describes as "long passages in which her main narrator, [Victor] Frankenstein, expresses religious remorse for making a creature..." The author sought to make the 1831 edition less controversial and thereby more palatable to the tastes of the reading public. The 1818 version is closer to Mary Shelley's original intentions, though it too, unfortunately, was filtered through the sensibilities of her husband, the poet Percy Shelley, who took many of his wife's rather straightforward passages and rendered them into his own more ornate and Ciceronian style. Still, the 1818 version remains more vital, more original, and less constrained by what the author believed would be acceptable to readers in 1830s England.
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192 of 213 people found the following review helpful By Ian Fowler on December 31, 2004
Format: Paperback
Much like Bram Stoker's "Dracula", Mary Shelley's "Frankenstein" is a story we all think we know, but really don't. Very few films have consciously attempted to follow the novel too closely (which shouldn't detract from the excellent James Whale/Boris Karloff film, or its masterpiece-sequel, "The Bride of Frankenstein). Thus, everything popular culture "knows" about "Frankenstein" does not originate from literature, but from films. This is a shame, in a way, because the novel itself is, if not the progenitor, an early vessel of so many archetypes found science fiction and horror.

The basic plot remained intact when transferred to other media. Swiss medical student Victor Frankenstein discovers the secret of life (which he never reveals, lest someone repeat the mistake). He then puts together a body, essentially a man, from various corpses. He then becomes horrified by the creature he has built, and abandons. The creature, suffering a great deal of neglect and abuse, still manages to get a thorough education, and learns of his lineage. After murdering Victor's younger brother, and framing the family maid, the creature tells his (admittedly) sad tale to his "father", and then demands a mate. Victor, in a panic, agrees, then thinks better of it at the last moment, destroying the new bride. In retaliation, the creature murders all of Victor's loved ones (including his wife), and leads Victor on a merry chase across the world.

Most probably know that Mary Shelley wrote this book in response to a challenge issued by Lord Byron, during a vacation at Lake Geneva. (Along with this story came John Polidori's "The Vampyre", the first English vampire novel.) Most probably also know that Shelley went on to write other works of imaginative gothic fiction.
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77 of 84 people found the following review helpful By MsE0 on February 21, 2011
Format: Kindle Edition Verified Purchase
I got the free Kindle edition from the link on the page for the Norton Critical Edition of the 1818 text. Mary Shelley made many significant edits to the book for the 1831 edition. I assumed it was the same edition because the link was from the same page. I didn't realize it was different until I went to write my assigned essay and went online to search for page numbers for the passages I wanted to quote. Many of the quotes I wanted to use don't even appear in the original version. This is a very important distinction, and I wish it had been labeled correctly so I would not have had to waste so much time looking for online versions of the correct text in order to replace the quotes I could not use from the later version. This edition is fine if you just want to read the book, but if you're reading it for school, you have more than likely been assigned the 1818 version, which is very different. The Kindle edition is also lacking in any kind of Kindle formatting, making it a hassle to find locations in the book.
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512 of 606 people found the following review helpful By Penelope Specksynder on January 31, 2007
Format: Mass Market Paperback
This "enriched classics" is a bowdlerized version of Mary Shelley's original text. It eliminates passages, changes the diction, abridges the chapters, and changes the entire structure of the novel. Our school bought this edition thinking that the additional notes would be helpful to students studying the text, but there was no indication at all on Amazon's website that this version had been substantially altered by the editors. The book is so bowdlerized that our school bought an entire new set of texts for the students at a considerable finanacial loss for the school. WHATEVER YOU DO, BUY SOME OTHER VERSION OF FRANKENSTEIN. THIS ONE IS A MONSTER CREATED BY SOMEONE WHO HAS NO RESPECT FOR THE AUTHOR. BANTAM, PUFFIN, OXFORD -- THEY ARE ALL FINE. Irene Nicastro, English teacher, The American School of The Hague.
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97 of 112 people found the following review helpful By Gary F. Taylor HALL OF FAMETOP 500 REVIEWERVINE VOICE on November 18, 2003
Format: Paperback
Modern readers must jump through a number of hoops to enjoy this legendary novel. Written between 1816 and 1818, this is very much a novel of its era, and both language and ideas about plot are quite different from those of today. That aside, and unlike such contemporaries as Jane Austen, author Mary Shelly has never been greatly admired for her literary style, which is often awkward. But perhaps the biggest hurdle is that of our own expectations: while it certainly sent icy chills down the spines of 19th Century readers, FRANKENSTEIN is not a horror novel per se.

While Mary Shelly might have been stylistically weak, her story was not. Nothing like it had been written before, and the concept of a student endowing life upon a humanoid creature cobbled together from charnel house parts was unexpectedly shocking to the reading public. But even more shocking were the ideas that Shelly brought to the story. Having created this thing in his own image, what--if anything--does the creator owe it? And in posing this question, Shelly very deliberately raises her novel to an even more complex level: this is not merely the conflict of man and his creation, but also a questioning of God and his responsibility toward his creation.

In some respects, the book is written like the famous philosophical "dialogues" of the ancient world: a counterpoint of questions and arguments that do battle for the reader's acceptance.
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