From Publishers Weekly
Set in London in 1825, this labored riff on Mary Shelley's horror masterpiece shows the potential pitfalls authors face when writing sequels that take liberties with the plots of literary classics. Jonathan Goodall, a wealthy young Englishman, meets Dr. Victor Frankenstein but knows nothing of the man's infamous past. Then Victor begins to take a passionate interest in Maria Clementi, a music hall singer strangely incapable of speech outside of her stage performances. As Victor labors obsessively to cure Maria's muteness, an unknown assailant launches attacks on him and his family. By keeping the revelations about Victor's experiments in reanimating the dead concealed until the end, Bailey (Cassandra) prolongs the tale's mystery, but at the cost of diminishing the story of the doctor's scientific transgression and its consequences. The full text of Frankenstein, reprinted after Bailey's novel, serves only to show the unique brilliance of Shelley's fantastic novel. (Oct.)
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Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.
Review
"In this chilling and intelligent sequel to the never-forgotten story, Hilary Bailey imagines what might have happened if Frankenstein had made a woman, a bride, for his male creature. Bailey plays on the fear of the monstrous, compassionless woman and also plays with it . . . Icy, atmospheric and riveting."
Observer, UK national Sunday newspaper
"Icily convincing... Hilary bailey lets the implications of a new story look after themselves. Without fashionable recourse to the erotic or the feminist, she is mistress of the melodrama"
Mail on Sunday, UK national Sunday newspaper
"Frankenstein's bride makes Frankenstein's monster look like a pussycat."
Sunday Times, UK national Sunday newspaper

