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25 of 26 people found the following review helpful:
4.0 out of 5 stars
Expanded anthology of Avalon's hit-making years, May 30, 2002
Avalon is often relegated to the status of pretty-boy teen-idol who, along with Fabian, Bobby Rydell and others, stood in for Elvis during his residency in the Army. But listening to this 25-track collection, it's clear that there was never any intention (by either Avalon or his management) to position the crooner as a rock 'n' roller. These hit singles, B-sides and non-charting album tracks show him to be a balladeer through-and-through; a handsome, capable pop Sinatra (though, surprisingly, Avalon fashioned himself more after Perry Como).His first two hits, 1958's "De De Dinah" and "Ginger Bread" featured a nasal delivery that was dropped on the romantic follow-up, "I'll Wait For You." The ensuing string of hits, peaking with the chart-topping "Venus" and continuing through 1962's "You Are Mine," displayed tremendous charm. Non-threatening charm, to be sure -- how worried could parents be about a singer who covered "Tuxedo Junction"? -- but charm, nonetheless. It's no surprise that Avalon was a favorite with adolescent girls (and a bane to the boys who chased them), singing puppy-love fare such as "Just Ask Your Heart," "Why," and "Too Young To Love," as well as romantic dreams like "A Perfect Love." Even the pathos of "Don't Let Love Pass Me By" was aimed more squarely at stirring his fans' romantic daydreams than motivating their pity. The hit singles "Bobby Sox to Stockings" and "A Boy Without a Girl" (#8 and #10 A- and B-side of the same single!) are smoothly arranged, with polished backing vocals and polite drums that push the tempo without becoming raucous. The Don Costa arranged "You Are Mine" is spectacularly dramatic, and the sophisticated horn charts of "Swingin' on a Rainbow" lean to the Bobby Darin side of Las Vegas. As the '50s turned into the '60s, Avalon's music followed him into his burgeoning film career. The title song from "Voyage to the Bottom of the Sea" wasn't a hit, but features a fantastic production to accompany the movie's plot. And closing this collection are a pair of tunes, "Beach Party" and "Don't Stop Now," from Avalon's first AIP beach party film. (Sadly missing is his stupendous turn as The Potato Bug, a fictional British Invasion pop star, from the film "Bikini Beach."). The twenty-five tracks expand upon Varese's earlier collection, 1995's "The Best of Frankie Avalon," making this a significantly more complete anthology of Avalon's original sides. Those looking for more early material can fill in non-hit tracks with See for Miles' "The EP Collection."
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